Music for Broken Elevators stands out among recent experimental releases, and few bands compare to the unique vision of !GeRald!. This EP departs in a way from the guitar-heavy intensity of their previous release, The Lost Tapes, opting instead for expansive arrangements and a raw, electrifying feel. While guitar freakouts occasionally make an appearance, the focus here is on dynamic compositions that chart unconventional, mesmerizing terrain.
The songs are more structured and concise, with classic track lengths that complement eccentric titles like “The Blissful Little Fire of Frank Bigbof.” and “Glory Whole.” !GeRald! strike a balance between whimsy and complex artistry, blending playfulness with depth.
“The Blissful Little Fire of Frank Bigbof” moves through vibrant, cinematic segments, combining classical and ambient influences with flashes of jam-like intensity. “The Short Way Home” feels fragmented and unpredictable, balancing eerie spoken vocals with a trippy blend of synths, piano, and guitars, creating an atmosphere that’s surreal and captivating.
Enter “Glory Whole,” and we get !GeRald! offering variety for a fast-paced sense of mystery and menace, with instruments weaving in and out of the mix while never losing the central feel of the song. The band’s chemistry shines in “Letter to Sandrine,” a playful yet musically tight piece. After a textured intro of swirling synths and guitar effects, the track builds to a unified melody, with all members aligning to deliver a bold, uplifting rush that feels like a sonic flight.
The closing track, “Atmosphere,” centers vocals against a lush, psychedelic soundscape. There is a swamp of psychedelic effects, and moments of synths meeting with bubbling guitars and blistering explosions of rock power.
!GeRald! is a rare breed—musicians who play from the heart, unbound by genre or convention. Music for Broken Elevators is a refreshing example of their open-minded creativity and stands out for its artistic spirit in today’s music scene.
Progarchy 