RochaNews: Old Fire

OLD FIRE (FEAT. JOHN MARK LAPHAM [THE EARLIES / THE LATE CORD]) SIGNS TO KSCOPE; DEBUT ALBUM “SONGS FROM THE HAUNTED SOUTH” DUE OUT JUNE 24
“Songs From the Haunted South” teaser video streaming online
TEXAS – Kscope is delighted to announce the release of the debut album from Old Fire, Songs From the Haunted South, on June 24. The pet project of Texas based programmer John Mark Lapham (of The Earlies and 4AD band The Late Cord fame), Old Fire joins a world-class roster that includes the likes of Steven Wilson, The Pineapple Thief, Anathema, Nordic Giants and The Anchoress.
The 13-track album contains a selection of songs that in one way or another are dedications to people, some dead and some still living. Musically, inspirations range from ambient artists such as Brian Eno and Stars of the Lid to psychedelic rock, traditional country and early 4AD.
Sitting alongside original Old Fire compositions are a selection of intriguing cover versions. Lapham uniquely interprets songs by Psychic TV (“The Orchids”),  Low (“Laser Beam”), Ian William Craig (“A Sight Grip, A Gentle Hold”), Jason Molina (“It’s Easier Now”), Camberwell Now (“Know How”) and Shearwater (“Helix”).
The project also features a myriad of exceptional musicians including DM Stith – piano & guitar, Christopher Barnes (Gem Club) – piano, Warren Defever (His Name Is Alive) – guitar, Thor Harris (Swans) – drums, Christian Madden – Rhodes piano & organ and Semay Wu – cello.
Songs From the Haunted South was produced by John Mark Lapham, mixed by JM Lapham and Mark Kuykendall, and was mastered by Ian Hawgood.
The powerful cover art was designed by U.K.’s Grammy Award winning designer Vaughan Oliver, famed for his work with artists such as Mojave 3, Lush, Cocteau Twins, Dead Can Dance, The Breeders, This Mortal Coil, Pixies, Throwing Muses, in addition to artists such as David Sylvian and Bush. The cover shot taken in 1958 features Lapham’s father during bivouac camping basic training in the foothills of the Ozarks, at Fort Chaffee, Ark.
View a teaser for Songs From the Haunted South on Vimeo at:
Pre-order Songs From the Haunted South on CD here: www.kscopemusic.com/store.
1. Old Fire 3
2. Along Came a Sadness
3. Helix
4. Know How
5. It’s Easier Now
6. A Stranger in the Family
7. Bloodchild
8. Faust
9. Shadows
10. A Slight Grip, A Gentle Hold
11. Laser Beam
12. The Orchids
13. Deadhouse Dream
Taking nearly a decade to make, Songs From the Haunted South has been a labor of love for Lapham. Born from an album concept for a 4AD project with singer Micah P. Hinson (The Late Cord), the album was originally intended to feature different singers and musicians recording songs that were both covers and originals. After parting ways with Hinson, Lapham remained determined to realize his vision for the album and sought voices he considered special or fitted the inspiration.
The first piece of the puzzle fell in to place after meeting the former owner of 4AD, Ivo Watts Russell, who introduced Lapham to singer/songwriter, Tom Rapp – who recorded a string of haunting albums in the late ’60s and ’70s under the name Pearls Before Swine. The vocals Rapp provided formed the basis of the track “Shadows.” In the following years, guest vocals were recorded by Sara Lowes (The Earlies), DM Stith, Christopher Barnes (Gem Club), Rebekka Karijord, and Alex Maas (The Black Angels).
Stay tuned for more information on Old Fire and Songs From the Haunted South, out next month on Kscope.

Is 2014 Over Already?

Time flies when you’re having fun listening to great music! 2014 brought in a bumper crop of excellent music in general, and prog in particular. Here are my favorites of the year:

Robert-Plant-lullaby-and-The-Ceaseless-Roar_638

10. Robert Plant: Lullaby And …The Ceaseless Roar

Mr. Plant returns to his folk roots of Britain, and delivers a thoroughly enjoyable set of songs. A couple rock out, but this is mostly an acoustic tour de force that transcends any musical trends of the day.

WOAFB-cover

  1. Lunatic Soul: Walking On A Flashlight Beam

This album didn’t garner the rave reviews of his first two, but I still think anything Mariusz Duda produces is far better than 90% of anything else out there. “Treehouse” may be my favorite song he’s ever recorded.

So much greater than a muppet.

  1. John Bassett: Unearth

This album opened my eyes to entirely different side of Mr. Bassett’s talent, and I love it. I hope he does more music in this vein – thoughtful, melodic, acoustic pearls.

Disconnect-cover

  1. John Wesley: Disconnect

Mr. Wesley has been Porcupine Tree’s secret weapon when they play live, and on the side he has been quietly making extraordinary music of his own. Disconnect is his best ever, and it features the inimitable Alex Lifeson on “Once A Warrior”.

Demon-300x300

  1. Gazpacho: Demon

It took me awhile to get into this album, but it was definitely worth the effort. It is a beautiful package, from the artwork and lyrics to the music itself. The subject matter is very dark, but listening to the entire album is a cathartic experience. It also has Jan-Henrik Ohme’s strongest vocals to date.

nao cover THE THIRD DAY

  1. North Atlantic Oscillation: The Third Day

Their third album, and the third one to make one of my best-of-the-year lists. Soaring vocals, gorgeous string arrangements, a wall of sound that is indescribably exhilarating. If Brian Wilson produced Catherine Wheel, it might sound as good as this.

Stunning album cover.  A progged-out version of Dolby's GOLDEN AGE OF WIRELESS.  Brilliant.

  1. Cosmograf: Capacitor

A marvelous steampunk trip through metaphysical dimensions. Robin Armstrong’s imagination knows no bounds, and his musical talent matches it.

Second Nature

  1. Flying Colors: Second Nature

Wow. No “sophomore slump” for this band. One of the many Neal Morse/Mike Portnoy projects that are active these days, Second Nature is an outlet for the more melodic side of their talents. Throw in the genius guitar work of Steve Morse, and this is an irresistible set of songs.

Restorations_by_Haken

  1. Haken: Restoration

Their Mountain album was my favorite of last year, and the only reason this isn’t number one is because it’s only 34 minutes long. I admit it – I’m greedy for more Haken music!

transatlantic-kaleidoscope-box-set-cddvd-deluxe-edition-11801-MLB20049782288_022014-O

  1. Transatlantic: Kaleidoscope

With Kaleidoscope, Stolt, Morse, Portnoy, Trewavas finally become a real group. On earlier works, you could tell which bits were Neal’s, which were Roine’s, etc. Every song on Kaleidoscope is stamped with Transatlantic’s distinctive sound, and it is a glorious one.

Bryan’s Best of 2014

Without a doubt, 2014 has been a great year for Prog. It seems as if we have been barraged by great music from all sides.  The string of excellence continues. This list is my arbitrary ordering of what I liked best from this year. I’m really not a huge fan of “best of” lists because I don’t think you can really judge art in that way. So, consider this a list of what I enjoyed. The order of numbers 10-3 is relatively interchangeable.

10. Dream the Electric Sleep – Heretics 8530215

I should have reviewed this album when it came out back in January, but I’m lazy. This was a fantastic sophomore release by the Lexington, Kentucky prog outfit. Their first album, Lost and Gone Forever, was an excellent concept album. These guys do a fantastic job of combining classic prog influences with a harder rock edge. The beginning of the album sounds almost Pink Floydian, and there are definite nods to The Wall. The singer also sounds a bit like Roger Waters. Heretics is another concept album, and it clocks in at over 70 minutes in length. Check these guys out – they are ascending as a band and are making some great music.

http://www.dreamtheelectricsleep.com

9. Cosmograf – CapacitorCapacitor

Robin Armstrong’s latest offering, combined with the efforts of such wizards as Andy Tillison, Nick D’Virgilio, and Matt Stevens, is a fresh take on prog rock. As of right now, I haven’t listened to any other Cosmograf albums, but this one is quite good. I’m sure there are others here at Progarchy that could tell you more about the band, and I’ll wager they would be more than happy to. Capacitor is definitely worthy of any 2014 “top 10” list.

http://www.cosmograf.com

8. Bigelf – Into the Maelstrom Into the Maelstrom

Three words – Mike freaking Portnoy. He teamed up with Bigelf to drum on their latest album, and it was insane. He has to be the hardest working musician in prog. This isn’t the last we shall hear from him on this list.

Bigelf’s breed of prog metal is unlike anything I have heard before. Maybe it’s lead singer Damon Fox’s awesomely bizarre vocals, or their fantastic combination of metal and classic rock, or maybe it’s Portnoy. Or all of the above. Whatever it is, Bigelf has created something special with Into the Maelstrom. They have been around since the early 1990s, have four studio albums, and have toured with Dream Theater, so they know their way around the business. Certainly worth the time for any Mike Portnoy fan, as well as any fan of prog metal.

https://www.facebook.com/bigelfmusic/info?tab=page_info

http://www.bigelf.com

7. The Gift – Land of Shadowscover

London’s The Gift masterfully combine prog metal with symphonic metal and Gabriel-era Genesis prog. This album is refreshing in its tonal clarity and its thematic prowess. It is definitely an album worth listening to over and over again through the years. Here’s my review of it from several months back:

https://progarchy.com/2014/07/20/the-gift-land-of-shadows/

http://www.thegiftmusic.com/index.php

 

6. Voyager – Vimage013

Australian prog metal outfit Voyager have released a very solid album this year. While I feel like it could have been more tightly constructed and some of the songs featured unnecessary repetition, there are some awesome riffs to be found here. This band rocks, and they rock hard. Many comment that the second half of the album is a let down, but I think it is just the opposite. Voyager ventures into the wonderful void of prog in the second half of V, including some softer songs. Time Lord wrote a very nice review of the album earlier this year:

https://progarchy.com/2014/07/05/voyager-v/

http://voyager-australia.com

5. Transatlantic – Kaleidoscope Kaleidoscope (Kaleidoscope)

I told you Mike Portnoy would be heard from again on this list. Supergroup Transatlantic cranked out a fantastic album this year. Made up of Neal Morse, Mike Portnoy, Roine Stolt, and Pete Trewavas, Transatlantic has several albums under their belt, and they continue to impress. Kaleidoscope was my first introduction to Transatlantic, and it was an excellent first impression. The cover songs found on the accompanying special edition are all excellent. Anyone who can cover Yes, King Crimson, Elton John, Focus, Moody Blues, and a few others while still sounding entirely unique deserves immense respect. The live album, KaLIVEoscope, that came out in October, was equally brilliant, with three hours of musical genius. The collective talent in this band is shocking, and it clearly shows on Kaleidoscope.

http://www.transatlanticweb.com

4. Chevelle – La GárgolaLaGargola

No, this isn’t a prog album. However, Chevelle released one of the best albums of their career with La Gárgola. Their heavy, yet not overly heavy, style of metal has been a staple of contemporary hard rock over the past 15 years. Their excellent vocals, steady bass, clear guitar, proficient drumming, and haunting lyrics makes Chevelle one of the most interesting metal bands of the 21st Century. I found this album to be an excellent return to their heavier beginnings, while simultaneously exploring new and more complicated territory.

http://getmorechevelle.com/home.php

https://progarchy.com/2014/08/26/chevelle-la-gargola/

3. Pink Floyd – The Endless RiverThe Endless River

Is Pink Floyd even capable of making an album that isn’t good? Their latest (and final) album combines extra recordings from The Division Bell with recordings from David Gilmour and Nick Mason, as well as studio musicians. Mainly instrumental (only one song has singing), this album hearkens back to the instrumentation found in Wish You Were Here and Animals. The one thing missing, in my opinion, is Roger Waters’ bass. I feel like his involvement in this album would have made it even more spectacular, as well as thrill millions of fans. Even so, this is clearly Pink Floyd, and any fan of psychedelic prog will love this album. The album serves as a worthy sendoff for Richard Wright.

http://www.pinkfloyd.com/index2.php

http://www.pinkfloyd.com/theendlessriver/

2. Vanden Plas – Chronicles of the Immortals – Netherworld397022

Vanden Plas’ latest album might very well be the best progressive metal album I have ever heard, with no disrespect to Dream Theater’s Images and Words. It is just that Netherworld so beautifully captures the intricacies of metal, “high prog,” and magnificent story telling. There have been some excellent albums released this year, but few reach the brilliance of Vanden Plas. Having listened to some of their previous work, this album is not out of the ordinary for them. One of the nicest things about this band is the vocals are not your traditional “metal” vocals – there is no screaming, yelling, whining, etc. Andy Kuntz’s voice is beautifully melodic and mysterious, and it is perfect for this album. Vanden Plas perfectly crosses over between the worlds of full-on head banging metal riffs and quieter, classic progressive rock. This album also has one of the best beginnings and endings of any album I have ever heard. There is a clear and definite start and resolution – you aren’t left hanging or wishing there was more. It is perfect just as it is.

Check out Gianna’s and Time Lord’s reviews of Chronicles of the Immortals – Netherworld.

http://www.vandenplas.de

1. Flying Colors – Second NatureSecond Nature

Mike Portnoy again. The guy sure does get around. Neal Morse again too. Go figure. Also in the band are Steve Morse, Casey McPhersen, and Dave Larue.

Second Nature is one of the best albums I have ever heard. Flying Colors combine prog rock and pop rock in a way not seen since the glory days of Styx and Kansas. Seeing them live merely solidified my position on the matter. Catchy yet complicated riffs abound, as well as thoughtful lyrics. If prog wants to become mainstream and popular again, then bands need to take note of Flying Colors.

Check out my review of Second Nature, as well as my review of their live show.

http://flyingcolorsmusic.com

***

Well, there’s my top 10 of 2014. A fair mixture of metal, prog metal, and straight up prog. Honorable mention should go to Ian Anderson’s Homo Erraticus, Fire Garden’s Sound of Majestic Colors (which I thought had far too much of a “garage band” mixing to make my top 10 list), Fractal Mirror’s Garden of Ghosts, Salander’s STENDEC, and Glass Hammer’s Ode to Echo. Special mention goes to Haken’s recent EP, Restoration EP. Had this been an album, I would have placed it in my top 5. Dishonorable mention goes to Yes’ Heaven and Earth.

Top concert of the year goes to Dennis DeYoung. His voice has not changed in 40 years, and his backup band and vocalists are better than Styx. He also has a singer who sounds better than Tommy Shaw did 40 years ago. Runner up for best show goes to Flying Colors, from their brief Second Nature tour. The reason I’m not placing them as best live show of the year is because of the audio problems they had during the show. The sound system for Dennis DeYoung’s show was superb, with no feedback issues during the show. I also had a wonderful time at the B.B. King concert, as well as seeing the CSO perform the music to Return of the King live. It was a great year for concerts!

I would also like to mention Dream Theater’s self-titled album as one of my most listened to albums of 2014. Everything about this album was fantastic, including the live album on Blu-Ray they released a few months back. From the metal virtuosity to the lyrics, this album will be on the rotation for years to come.

2014 has been another fantastic year for prog, and I look forward to more of the same in 2015. Neal Morse’s next project, The Neal Morse Band The Grand Experiment, comes out in February. Take a wild guess at who the drummer is. Muse will also be releasing an album in 2015, one which they claim will return to their rockier roots. There is also talk of a Rush 41st anniversary tour (I think there is, anyways). Much to look forward to in the coming year, and much to appreciate from 2014.

Prog on, Progarchy!

 

Reflections on Transatlantic’s “KaLIVEascope”

TA4liveA kaleidoscope takes a mishmash of glass bits, pieces of plastic and paper, and combines them into symmetric images. Random elements are jumbled together and reflected into scenes of beautiful harmony and balance. Just like the kaleidoscope’s mirrors create beauty from seemingly incompatible pieces of broken glass, Transatlantic takes four exceedingly talented and strong personalities and combines them in ways that generate some of the most beautiful and powerful music today.

Transatlantic has just released a mammoth live set from their European tour in support of their recent album, Kaleidoscope, and it’s a scorcher. There are several different editions, and the smallest consists of 3 CDs/1 DVD (which is a steal at 23 USD). The CDs document their more than 3-hour-long show at Tilburg, The Netherlands, while the DVD covers their Cologne, Germany concert. The Tilburg show is really something special – Transatlantic and Neal Morse (as a solo artist) have performed there many times, and an obvious bond exists between the band and the audience. The DVD is very nice, because throughout the concert here is a huge screen behind the band with continually evolving kaleidoscopic/fractal patterns that enhance the viewing experience.

Transatlantic have grown tremendously as a group. For the uninitiated, it is a “super-group”, with members coming from some of the most successful prog acts ever: Neal Morse (Spock’s Beard, Flying Colors, solo), Mike Portnoy (Dream Theater, Winery Dogs, Adrenaline Mob, Flying Colors, etc., etc.), Roine Stolt (The Flower Kings), and Pete Trewavas (Marillion). Their first couple of albums, SMPTe and Bridge Across Forever were great, but one got the sense that the various members brought their own songs to the projects, and not a lot of collaboration happened. The musical interaction on their third album, The Whirlwind, was excellent, but the music had a sense of familiarity that was getting worrisome.

Fortunately, on Kaleidoscope, Transatlantic have truly come into their own as a group. It’s hard to tell where one member’s influence ends and another’s begins; they have established their own unique sound, and when all the parts lock together and take off, there isn’t another band that can touch them. The DVD documenting the making of Kaleidoscope confirms the collaborative nature of the songs – I had assumed that Neal Morse was the primary creative force, but surprisingly, Mike Portnoy comes across as the main driver of the composing and arranging.

For KaLIVEascope, the boys are supported by multi-instrumentalist Ted Leonard, which frees up Roine to concentrate on his gorgeous lead guitar lines. Mike Portnoy has to be the hardest-working drummer in show business – he is indefatigable through hours and hours of incredibly complex and lengthy songs. Neal Morse is the primary lead vocalist, and in both the Tilburg and Cologne shows he again demonstrates his uncanny ability to reach out and connect with the audience. Finally, both the CD and DVD mixes give bassist Pete Trewavas the prominence he deserves. I’m a sucker for energetic and melodic basslines, and Pete does not disappoint.

Both shows open with “Into the Blue”, off Kaleidoscope. Then comes “My New World” from their debut. Their performance of this song is a revelation, as Roine sounds like a fire’s been lit under him. It’s now one of my favorite songs from their extensive catalog. “Shine” follows, which is one of their most straightforward “pop” songs. There’s a 30 – minute “Whirlwind” medley, then Neal sings a brief “Beyond The Sun” alone. They immediately segue into the epic “Kaleidoscope” which is performed exceptionally well on the Cologne DVD. A highlight is a jazzy section where Neal and Roine bring to mind the classic live work of Jan Hammer and Jeff Beck.

At this point, most bands would call it a night and leave the stage utterly spent, but there’s much more music in store. Neal and Roine perform a beautiful duet on acoustic and electric guitars. Next is the perennial crowd singalong, “We All Need Some Light”, and then the show proper concludes with an electrifying performance of “Black As The Sky”. I’ve seen all of Transatalantic’s live DVDs, and on this song they are at the absolute top of their game. (Video is below)

For encores, the Tilburg and Cologne setlists diverge: Tilburg includes “Nights in White Satin”, and Focus’ “Sylvia/Hocus Pocus”, featuring Thys van Leer himself(!). The evening finally concludes with a rousing medley of “All Of The Above/Stranger In Your Soul”. The Cologne show skips the covers, and goes straight to the medley.

Transatlantic is not a super-group; they are a cohesive unit. They are far greater than the sum of their parts, and it shows in these performances. Even earlier material sounds new; they’ve achieved that mysterious ability of gifted musicians to anticipate each others’ next move, and push themselves to higher and higher levels.