Tag: Kscope

RochaNews: New Pineapple Thief Now Out

On By bradbirzerIn progressive rock music2 Comments

I’ll have a review of Magnolia soon, but let me state it’s the best TPT album since WHAT WE HAVE SOWN.

Thanks, Brian Rocha!

****

THE PINEAPPLE THIEF LAUNCHES “MAGNOLIA” ACOUSTIC PERFORMANCE VIDEO

10th album “Magnolia” out now on Kscope

ENGLAND -U.K. rock troupe, The Pineapple Thief, has launched a clip of the beautiful title track from its new album Magnolia being performed acoustically by frontman Bruce Soord. Check out the video on the band’s Kscope page at:http://www.kscopemusic.com/artists/thepineapplethief or directly on Vimeo at:https://vimeo.com/110921949.

“Here’s a stripped back acoustic version of ‘Magnolia’ I performed in my studio recently,” commented Soord. “All the songs on Magnolia began their life this way, on acoustic guitar and vocal, so it was really nice to go back and play this song again, in the form as it was when it was born.”

Magnolia, which released last September on Kscope, can be purchased on iTunes at:https://itunes.apple.com/us/album/magnolia-deluxe-version/id905388556, Amazon.com at:http://www.amazon.com/gp/product/B00LVH0SW6/ref=dm_ws_ps_cdp?ie=UTF8&s=music or through the Kscope web-store at:https://www.burningshed.com/store/kscope/.

The new album is currently streaming on Soundcloud at:https://soundcloud.com/kscopemusic/sets/the-pineapple-thief-magnolia-album-stream/s-tlChQ.

A music video for the single “Simple as That”can be viewed on YouTube at:http://youtu.be/V3GMvXXd8a8.

Magnolia follows the acclaimed 2012 album All The Wars and marks an important turning point for The Pineapple Thief, as it expands its musical horizons beyond the progressive sphere.

Recorded at Snap Studios and mixed at Strongroom Studios in London, Magnoliarepresents the ultimate culmination of Soord’s ongoing quest to raise spirits and connect. A devastating yet uplifting collection of 12 beautifully crafted songs, it showcases the band’s intuitive chemistry and soulful demeanor, cramming a vast array of emotional shades and inspirational ideas into its 47 mesmerizing minutes.

1. Simple as That (04:01)

2. Alone at Sea (05:21)

3. Don’t Tell Me (03:35)

4. Magnolia (03:47)

5. Seasons Past (04:14)

6. Coming Home (03:06)

7. The One You Left to Die (04:19)

8. Breathe (02:35)

9. From Me (04:31)

10. Sense of Fear (04:31)

11. A Loneliness (03:22)

12. Bond (04:31)

“‘Magnolia’ is a gorgeous album – immaculately produced, and assembled with real love and imagination” – Classic Rock Magazine (U.K.)

“This is a fearless, consistently lovely and beautifully executed album that’s sure to be cherished” – Prog Magazine (U.K.) – Lead album review

“‘Magnolia’ proves that The Pineapple Thief is still at the top of its game” –RebelNoise.com

Formed in 1999 by founder and chief songwriter Bruce Soord as an experimental bedroom project, The Pineapple Thief has since continued to evolve and refine its sound. The group is seen by many as one of the most interesting and innovative rock bands the U.K. has produced in recent years. Previous albums like Someone Here Is Missing (2010) and All The Wars (2012) have made The Pineapple Thief’s reputation and fan base stronger, resulting in interest from a wider audience.

With a new, expanding sound, Magnolia has all the potential to bring The Pineapple Thief to the masses. This, the band’s 10th record, could not only be a milestone, but also a mainstream breakthrough for the band. With Magnolia, The Pineapple Thief has created 12 musical gems that defy all classifications – anthemic, catchy, intense, honest and straight from the heart.

The band will head out on a European tour later this month in support.
Stay tuned for more information on The Pineapple Thief and Magnolia.

-###-
The Pineapple Thief online…

www.kscopemusic.com/tpt

www.pineapplethief.com

www.facebook.com/thepineapplethief

www.twitter.com/pineapplethief

The Pineapple Thief is…

Bruce Soord – vocals, guitar
Dan Osborne – drums
Jon Sykes – bass
Steve Kitch – keyboards

Billy Reeves Strikes Again!

On By bradbirzerIn progressive rock musicLeave a comment
Kscope, Podcast 56, and Billy Reeves.
Kscope, Podcast 56, and Billy Reeves.

I must happily admit, every month I really look forward to iTunes informing me that a new Billy Reeves/Kscope Podcast has arrived in my podcast box (“area”? I have no idea what it’s called–something in iTunes).  This month’s–no. 56–is especially good.

http://www.kscopemusic.com/Podcasts/

Make sure you check it out.  It features music and news from Lunatic Soul, NAO, Iamthemorning, Anathema, and Steven Wilson.

The Highlands are Alive with the Sound of NAO

On By bradbirzerIn progressive rock musicLeave a comment

North-Atlantic-Oscillation

A review of North Atlantic Oscillation, The Third Day (Kscope; October 2014).

Tracks: Great Plains II; Elsewhere; August; A Nice Little Place; Penrose; Do Something Useful; Wires; Pines of Eden; Dust; and When to Stop.

NAO: Sam Healy (lead vocals, guitar, and keyboards; Ben Martin (drums); and Chris Howard (bass).  The Third Day mixed by Sam Healy.  Artwork by Ross Macrae and Brendan McCarthy.

Highest recommendation.

***

What do you do with a problem like Sam Healy? Queue image of an Irishman-turned-Scotsman dancing around a high mountain top. Oh, and did I mention, he’s really, really smart? That is, really, really smart. Or, did I mention this already?

Of the many joys of editing progarchy for the past two years, one of the greatest has been getting to know a whole slew of truly creative, interesting, serious, perfectionist artists. Of those who reside at the very top of the top—at least in this editor’s not so humble opinion—sits Healy, dressed as an Austrian nun or not. His correspondence reveals that Sam always has that twinkle, that spark in his eye and soul. Though, he doesn’t believe in the latter, it’s there in abundance.

When I received a review copy of The Third Day, North Atlantic Oscillation’s latest aural ecstasy, I scratched my head, a little confused. This isn’t the first time I’ve been a bit perplexed by NAO’s music. When I first received a copy of the band’s second album, Fog Electric, I set it aside for a while as I just didn’t understand what it was trying to accomplish. When I picked it up again, months after its release, I realized how brilliant it was. It hit me over the head, truly a Eureka! moment. For some reason, it just took some time and several listens “to get it.” Now that “I get it,” I regard it as one of the finest albums I’ve heard in my almost four decades of listening to rock music.

This wasn’t the case, for whatever reason, when I first listened to NAO’s Grappling Hooks. That first album by the band grabbed me from the opening moments. I found it as enticing as possibly imaginable. What attracted me most to Grappling Hooks was the way in which Healy’s voice matched the music—and the music, Healy’s voice—so perfectly. The vocals sound like some of the best of early rock—the rock of my mom’s generation, the late 1950s—but mixed with the complicated and layered sonic delights made possible only by the most modern production and engineering. And, certainly, the unique quality of Sam’s ear. Well, the two of them.

Of course, there’s always the flow of the music as well. This matters for any band and any album, but none more so than for NAO. The secret to each of the band’s albums is figuring out the flow of the thing. Why did the band place this song next to this song? Or that song next to that song? Sometimes—in fact, quite often—NAO loves throwing in a curve ball, especially when the music pretends to change tracks. When you look at the chronometer, though, you quickly realize what you thought to be a track change was merely (and, by merely, I mean with genius) a shift in time signature or in the mood of a single piece. How often has it happened that I’ve looked down to see what the “new track” is called only to see the track information indicating there is still two or three minutes left of the piece you had thought had already flown by.

As evidence for the deep mystery and flow of each NAO album, simply check out the album cover of the forthcoming The Third Day.

NAO, The Third Day (Kscope, 2014).
NAO, The Third Day (Kscope, 2014).

What’s going on here? Pagan, zodiac, Plotinian, and Christian symbols intermixed (intermixing?) on some kind of biotechnology. Layers, of course, but with the infinite loop pointing us toward . . . well, whatever is beyond infinity. Only Buzz Lightyear and William Shatner really know. Under the DaVinci-esque biotech sundial doobob is a flat, Jonathan Ive type computer chip. Add in Hugh Syme-like characters and fonts from the previous two Rush albums, and you might—just maybe—start to understand the convoluted riddle that is a NAO album. I’m getting a bit dizzy just looking at the image.

Steady, Birzer, steady.

Well, I must admit, I was even more perplexed by The Third Day than by Fog Electric. I wanted so badly to like it when the review copy landed in my inbox. After all, I really like NAO and Sam. But, my reaction was somewhat muted. What was going on? It all sounded a bit “samey” to me (I’m having a hard time writing this now, as I’m laughing that it ever sounded “samey”; and, by the way is “samey” even a word?). As with Fog Electric, The Third Day took about a month and a number of listens for me to absorb. Now, though, I think I “get it.” In fact, it’s mind-bogglingly good.

Far from the neoterist “samey” the album is complex, musically as well as lyrically. It is brilliant, stunning, and glowing. While I like the entire album, tracks 6 through 10 are especially good. Far more than on the first two albums, NAO wears its influences a bit more openly on this album and especially with these last five songs. Elements of Radiohead and the Beatles emerge without trepidation. Whereas I thought Anathema almost mimicked Radiohead on their latest release, NAO honors them on The Third Day. If anything, the homage paid to Radiohead and the Beatles only increases my respect for the complete honesty of Healy and co.

Well, I’ve gone on long enough. My summary—buy the album as soon as you possibly can. NAO is, unquestionably, one of the most important and most interesting bands on the current scene. Sam Healy and co. are the future of our beloved genre.

RochaNews: Nordic Giants

On By bradbirzerIn progressive rock musicLeave a comment
 

KSCOPE ANNOUNCES SIGNING OF MULTI-INSTRUMENTALIST DUO NORDIC GIANTS

Debut album coming early 2015

ENGLAND – Kscope is thrilled to announce the signing of multi-instrumentalist duo Nordic Giants. Ahead of the debut album coming in early 2015, Kscope will be release Nordic Giants’ 2014 self-released EPs ‘Build Seas’ and ‘Dismantle Suns’ together on one LP and CD this fall.

 

A teaser video for the new signing can be seen on YouTube at:https://www.youtube.com/watch?v=bjhOGU-KdwM.

 

Nordic Giants spent the last couple of years bringing its bespoke formula of claustrophobic post-rock cinematic sound to audiences across the U.K. They have recently toured with Public Service Broadcasting, God Is An Astronaut and 65daysofstatic, this Summer playing festivals including 2000 Trees, Kendal Calling and Y-Not as well as their own headline shows. They have performed in churches, disused Victorian music halls and converted seaside bandstands to enhance the audience experience of their atmospheric soundscapes.

 

Seeing Nordic Giants has been described as akin to a religious experience. Multi-screen visuals, powerful strobes and exquisitely timed accompaniment create a whole that appears far greater than the sum of its parts. Each performance is accompanied by award-winning short films which coupled with haunting piano, bowed guitar, climactic drums and array of guest vocalists gives the audience a mind-blowing and visceral experience that goes beyond the normal descriptors.

 

Kscope was formed in 2008 providing a home for an evolving and adventurous style of music without boundaries. Nordic Giants join a roster that includes North Atlantic Oscillation, Engineers, Steven Wilson, Ulver, Anathema & The Pineapple Thief.

Stay tuned for more information on Nordic Giants.

 

-###-
Nordic Giants online…www.nordicgiants.co.uk

www.facebook.com/nordicgiants

www.kscopemusic.com/nordicgiants

RochaNews: Pineapple Thief Free Download of New Track

On By bradbirzerIn UncategorizedLeave a comment
Gorgeous artwork for the forthcoming TPT album, Magnolia.
Gorgeous artwork for the forthcoming TPT album, Magnolia.

THE PINEAPPLE THIEF OFFERS FREE DOWNLOAD OF NEW TRACK “SIMPLE AS THAT”

10th studio album “Magnolia” out September 16 via Kscope

ENGLAND – The Pineapple Thief is offering fans a free download of the new track “Simple as That” from the band’s upcoming 10th studio album Magnolia at:http://emailunlock.com/kscope-burningshed/the-pineapple-thief-simple-as-that#. Magnoliais set for a September 16 North American release via Kscope.

“Here’s the opening track from the new album for you, the beginning of a deep and varied journey,” said songwriter and guitarist Bruce Soord. “I hope you get as much from our new music as we do. Thanks for your support!”

Additionally, a Magnolia instrumental teaser video is streaming on YouTube at:https://www.youtube.com/watch?v=HJrVo9BkURQ.

Fans can also pre-order Magnolia via the following links:

Magnolia follows the acclaimed 2012 album All The Wars and marks an important turning point for The Pineapple Thief, as it expands its musical horizons beyond the progressive sphere. Recorded at Snap Studios and mixed at Strongroom Studios in London, Magnoliarepresents the ultimate culmination of Soord’s ongoing quest to raise spirits and connect. A devastating yet uplifting collection of 12 beautifully crafted songs, it showcases the band’s intuitive chemistry and soulful demeanor, cramming a vast array of emotional shades and inspirational ideas into its 47 mesmerizing minutes. Veering from the strident opening assault of “Simple as That,” due to be the first single, through to the cinematic sweep of the closing track “Bond,” it marks an important step in the band’s story, while skillfully encapsulating everything that has made its musical journey such a relentlessly fascinating one. 

“All I ever wanted was to write catchy songs that stay with people,” commented Soord, explaining how this record represents an important evolutionary phase for The Pineapple Thief. “The striking thing is that there are no long tunes… all I care about now is writing a good song. I don’t think about whether it’s rock or progressive or commercial or anything like that. As time went on, I discovered I could say everything I wanted to say within a shorter period of time.” 

New drummer Dan Osborne, also heavily involved in the production of Magnolia, brought fresh energy and ideas to The Pineapple Thief, strongly contributing to steer the band in a new direction. Completing the line-up are solid bassist Jon Sykes and keyboard maestro Steve Kitch. While string arrangements are courtesy of regular collaborator Andrew Skeet of The Divine Comedy, the stunning final mix was crafted by mix engineer Adam Noble, who has previously worked on albums from the likes of Placebo, Guillemots, Paul McCartney, Robbie Williams and Belgium alt rock band dEUS. The artwork for Magnoliawas created by French artist Patrick Gonzales (http://www.patrickgonzales.net).

1. Simple as That (04:01)

2. Alone at Sea (05:21)

3. Don’t Tell Me (03:35)

4. Magnolia (03:47)

5. Seasons Past (04:14)

6. Coming Home (03:06)

7. The One You Left to Die (04:19)

8. Breathe (02:35)

9. From Me (04:31)

10. Sense of Fear (04:31)

11. A Loneliness (03:22)

12. Bond (04:31)

Formed in 1999 by founder and chief songwriter Bruce Soord as an experimental bedroom project, The Pineapple Thief has since continued to evolve and refine its sound. The group is seen by many as one of the most interesting and innovative rock bands the U.K. has produced in recent years. Previous albums like Someone Here Is Missing (2010) and All The Wars (2012) have made The Pineapple Thief’s reputation and fan base stronger, resulting in interest from a wider audience. Bruce Soord also collaborates with other Kscope artists, joining forces with Jonas Renkse of Swedish band Katatonia on their critically acclaimed Wisdom Of Crowds project. Along with this collaboration, we saw Soord join Katatonia on their recent “Dethroned & Uncrowned – Unplugged & Reworked” acoustic European tour.   

With a new, blossoming sound, Magnolia has all the potential to bring The Pineapple Thief to the masses. This, the band’s 10th record, could not only be a milestone, but also a mainstream breakthrough for the band. With Magnolia, The Pineapple Thief has created 12 musical gems that defy all classifications – anthemic, catchy, intense, honest and straight from the heart.

Stay tuned for more information on The Pineapple Thief and Magnolia.

 

The Pineapple Thief online…

 

The Pineapple Thief is… 

  • Bruce Soord – vocals, guitar
  • Dan Osborne – drums
  • Jon Sykes – bass
  • Steve Kitch – keyboards

 

A huge thanks to our friend Brian Rocha and Fresno Media for reaching out to us–ed., progarchy.com

The New North Atlantic Oscillation Single

On By bradbirzerIn progressive rock musicLeave a comment

nao-fogNAO has just released its first single from its forthcoming album, THE THIRD DAY, premiered at CLASH magazine.

North Atlantic Oscillation aren’t really like other bands.

For a start, they’re named after a bizarre weather phenomenon. Casting a quick gaze over their output to date – 2010’s ‘Grappling Hooks’ and 2012’s ‘Fog Electric’ respectively – reveals a group who are comfortable in their own skin, able to mash together shoegaze, electronics, psychedelic and more.

Blessed with a near ludicrous number of pop hooks, North Atlantic Oscillation are able to piece these elements together into something immediate, something enticing. As we say, they’re pretty special.

Any citizen of the republic of progarchy knows how freakin’ much we love NAO and all things Sam Healy!  Very, very eager for this.

Here’s my review of SAND.

And, here’s my review of FOG ELECTRIC.

And, just in case you need more convincing, just look at the new cover.  Yes, it must be a part of my collection.

The Third Day
The Third Day

RochaNews: New Pineapple Thief Coming This September

On By bradbirzerIn progressive rock musicLeave a comment

 

THE PINEAPPLE THIEF TO RELEASE NEW ALBUM “MAGNOLIA” THIS SEPTEMBER

10th studio album out September 16 via Kscope

ENGLAND – The Pineapple Thief has announced details of its new album, Magnolia, due for release in North America on September 16 via Kscope. Magnolia follows acclaimed 2012 album, All The Wars, and marks an important turning point for the band, as it expands its musical horizons beyond the progressive sphere.
Recorded at Snap Studios and mixed at Strongroom Studios in London, Magnoliarepresents the ultimate culmination of songwriter and guitarist Bruce Soord’s ongoing quest to raise spirits and connect. A devastating yet uplifting collection of 12 beautifully crafted songs, it showcases the band’s intuitive chemistry and soulful demeanor, cramming a vast array of emotional shades and inspirational ideas into its 47 mesmerizing minutes. Veering from the strident opening assault of “Simple As That,” due to be the first single, through to the cinematic sweep of the closing track “Bond,” it marks an important step in the band’s story, while skillfully encapsulating everything that has made its musical journey such a relentlessly fascinating one.
“All I ever wanted was to write catchy songs that stay with people,” commented founder Bruce Soord, explaining how this record represents an important evolutionary phase for The Pineapple Thief. “The striking thing is that there are no long tunes… all I care about now is writing a good song. I don’t think about whether it’s rock or progressive or commercial or anything like that. As time went on, I discovered I could say everything I wanted to say within a shorter period of time.”
New drummer Dan Osborne, also heavily involved in the production of Magnolia, brought fresh energy and ideas to The Pineapple Thief, strongly contributing to steer the band in a new direction. Completing the line-up are solid bassist Jon Sykes and keyboard maestro Steve Kitch. While string arrangements are courtesy of regular collaborator Andrew Skeet of The Divine Comedy, the stunning final mix was crafted by mix engineer Adam Noble, who has previously worked on albums from the likes of Placebo, Guillemots, Paul McCartney, Robbie Williams and Belgium alt rock band dEUS. The artwork for Magnoliawas created by French artist Patrick Gonzales (http://www.patrickgonzales.net). 

1.       Simple as That (04:01)

2.       Alone at Sea (05:21)

3.       Don’t Tell Me (03:35)

4.       Magnolia (03:47)

5.       Seasons Past (04:14)

6.       Coming Home (03:06)

7.       The One You Left to Die (04:19)

8.       Breathe (02:35)

9.       From Me (04:31)

10.     Sense of Fear (04:31)

11.     A Loneliness (03:22)

12.     Bond (04:31)

Formed in 1999 by founder and chief songwriter Bruce Soord as an experimental bedroom project, The Pineapple Thief has since continued to evolve and refine its sound. The group is seen by many as one of the most interesting and innovative rock bands the U.K. has produced in recent years. Previous albums like Someone Here Is Missing (2010) and All The Wars (2012) have made The Pineapple Thief’s reputation and fan base stronger, resulting in interest from a wider audience. Bruce Soord also collaborates with other Kscope artists, joining forces with Jonas Renkse of Swedish band Katatonia on their critically acclaimed Wisdom Of Crowds project. Along with this collaboration, we saw Soord join Katatonia on their recent “Dethroned & Uncrowned – Unplugged & Reworked” acoustic European tour. 

With a new, blossoming sound, Magnolia has all the potential to bring The Pineapple Thief to the masses. This, the band’s 10th record, could not only be a milestone, but also a mainstream breakthrough for the band. With Magnolia, The Pineapple Thief has created 12 musical gems that defy all classifications – anthemic, catchy, intense, honest and straight from the heart.

 

Stay tuned for more information on The Pineapple Thief and Magnolia.

 

-###-
 

 
The Pineapple Thief online…

 

www.kscopemusic.com/tpt

www.pineapplethief.com

www.facebook.com/thepineapplethief

www.twitter.com/pineapplethief

 

 

The Pineapple Thief is…

 

Bruce Soord – vocals, guitar
Dan Osborne – drums
Jon Sykes – bass
Steve Kitch – keyboards

For more information, contact Brian Rocha at Fresno Media.

Covering Steven Wilson

On By bradbirzerIn progressive rock music1 Comment

A review of Steven Wilson, COVER VERSION (Kscope, 2014).  12 Songs total: Thank You; Moment I Lost; The Day Before You Came; Please Come Home; A Forest; The Guitar Lesson; The Unquiet Grave; Sign ‘O’ The Times; Well You’re Wrong; Lord of the Reedy River; An End to End

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Steven Wilson is nothing if not interesting. Vitally so. Everything he does matters in some way to the contemporary world of music. He’s even made it somewhat big, at least by alternative and prog standards.

This brand new release from Wilson is a compilation—slightly redone—of cover versions (not surprisingly) of some of his favorite songs over the past two decades. Several of the songs he recorded in professional studios, he notes. Others, he recorded in hotel rooms as a form of music diary. I am exactly two months older than Wilson. Though I lived in Kansas and he in England in the 1980s, it’s pretty clear that we grew up with the same music in the same era. He, himself, notes this in his choices. Songs covered come from Donovan, Abba, and The Cure, to name just a few. Some of the songs, such as Wilson’s version of The Cure’s A Forest are deeply electronic, while others very much feel like the acid folk he produced with Storm Corrosion.

In many cases, Wilson’s versions are superior to the originals. In all cases, they are worth listening to.

Wilson has never been shy about borrowing from others in his music—Pink Floyd in early Porcupine Tree, U2 on his first solo album, and Andy Tillison (to the “nth” degree) on his most recent solo album (THE RAVEN THAT REFUSED TO SING sounds very much like a The Tangent album from roughly 5 or so years ago).

It’s great to see Wilson openly name his sources and proclaim his heroes with COVER VERSION. In particular, his take on A Forest makes the entire album worth purchasing. But, then again, this is a Steven Wilson release. No matter what he does, we need to pay attention.

RochaNews: New Engineers, September 16

On By bradbirzerIn progressive rock music1 Comment
ENGINEERS TO RELEASE NEW ALBUM “ALWAYS RETURNING” ON SEPTEMBER 16 VIA KSCOPE

Teaser video featuring track snippets posted on YouTube

ENGLAND – Engineers will release its upcoming fourth studio album, Always Returning, on September 16 via Kscope. The band has unveiled a teaser video containing snippets of the tracks “Fight or Flight,” “Searched for Answers” and “Always Returning” on YouTube at: http://www.youtube.com/watch?v=GswJTg4ykGw.
Written and recorded alone at home in York by multi-instrumentalist, Mark Peters, before being coated with deft brush strokes of ambient electronica by celebrated German artist/producer, Ulrich Schnauss, Always Returning is a record that unhurriedly drifts in and out of focus, hinting at themes without ever making them so explicit that the listener can’t map out their own personal interpretations. It delivers an overall emotional heft that’s impossible to pull away from.

1.  Bless the Painter

2.  Fight or Flight

3.  It Rings so True

4.  Drive Your Car

5.  Innsbruck

6.  Searched for Answers

7.  Smiling Back

8.  A Million Voices

9.  Smoke and Mirrors

10.  Always Returning

Engineers – with London based drummer and composer, Matthew Linley, rounding out the line-up – has been creating mesmerizing music with brilliantly shaded guitar textures and teasing lyrical ambiguities for over 10 years across three albums – 2005’s debut Engineers (“hypnotic lullabies from beautific Brit newcomers” **** Q), 2009’s Three Fact Fader (“a blistering statement of intent” **** The Sunday Times), and 2010’s swift follow-up In Praise Of More (“should be given to most UK bands as an example of in making an album that is a joy to behold” 8/10 Clash).

 

Stay tuned for more information on Engineers and Always Returning, out this September on Kscope.

 

UPDATE (July 10): 

The band is now offering a free download of the new track “Fight or Flight” via the Kscope website at:http://www.kscopemusic.com/2014/07/10/engineers-offer-free-download/. The song is also streaming on YouTube at: http://youtu.be/-MxRgFAWjMo.

 
Engineers online…https://www.facebook.com/engineersband

http://www.kscopemusic.com/artists/engineers