Progressive Music in a Time of Pandemic

In the era of Napoleon, the Prussian diplomat Klemens Wenzel Furst von Metternich coined the phrase, “When France sneezes, the whole of Europe catches a cold.”  Like all good clichés, it’s been re-purposed endlessly since the 1800s.  Which leads to today’s question: when the music industry of 2020 catches COVID-19, what does the progressive music scene come down with?

In the last few weeks, the toll of the current pandemic has been steadily mounting, with the postponement or cancellation of tours by Yes, Steve Hackett, Tool and Big Big Train (plus this year’s Cruise to the Edge) at the tip of the iceberg. 

The tale of Leonardo Pavkovic, impresario of MoonJune Records and MoonJune Music (Bookings and Management) is all too grimly typical; since the outbreak of coronavirus, eight MoonJune-booked tours have been cancelled at a loss of about $250,000 to the artists, with many more tours now in jeopardy.  MoonJune artists Stick Men lost 8 of 9 concerts in Asia, plus their US spring tour; touch guitarist Markus Reuter resorted to GoFundMe in order to make up for the loss of six months’ income.

So where’s the good news?

For one thing, the plight of progressive musicians has resonated strongly with their fans. Reuter’s GoFundMe goal was met in just over a day; Pavkovic has had a newly positive response to MoonJune’s digital subscription program and discount offers. (Full disclosure: I’m a digital subscriber and I love it!)  And now Bandcamp is getting into the act:

To raise even more awareness around the pandemic’s impact on musicians everywhere, we’re waiving our revenue share on sales this Friday, March 20 (from midnight to midnight Pacific Time), and rallying the Bandcamp community to put much needed money directly into artists’ pockets.

So (if your situation allows it), who can you support via downloads, CDs, LPs and merch bought on Bandcamp this Friday?  Well, you could start with four fine new albums I’ve reviewed this year:

Then move on to other artists well loved on this blog:

Best of all, the music keeps on giving.  Leonardo Pavkovic is already sharing details about his next MoonJune albums: a live set from Stick Men’s only uncancelled Asian concert, plus an album of improvisational duets by Markus Reuter and pianist Gary Husband recorded during down time in Tokyo.  And jazz-rock master John McLaughlin has made his most recent album (Is That So with vocalist Shankar Mahadevan and tabla player Zakir Hussain) available as a free download.

Whither the music industry in time of pandemic?  As with everything else, it’s way too soon to tell.  But, if all of the above is any indication, progressive music — due to the indefatigable, awe-inspiring musicians who make it — will survive.

— Rick Krueger

News: Steve Hackett’s Autobiography in July!

From HackettSongs.com:

July 2020 sees the publication of A Genesis In My Bed – the long overdue autobiography from guitar great and former member of Genesis, Steve Hackett. As with his music, Steve has written a highly detailed, entertaining and embracing tome that charts his life in full, but with a firm emphasis on his years with Genesis that saw the band’s meteoric rise to become one of the most successful British bands of all time.

Steve talks candidly about his early life, his time with Genesis, and in particular his personal relationships with the other four band members, with great insight into the daily goings on of this major rock band.

Naturally, A Genesis In My Bed also regales stories of Steve’s career since leaving Genesis and the many different journeys that it has taken him on. With his flair for the creative, and a great deal of levity, A Genesis In My Bed is a riveting read. Indispensable for Genesis fans but also essential for general music lovers and avid readers of autobiographies full of heartfelt and emotive tales.

A Genesis in My Bed: The Autobiography is now available for pre-order from HackettSongs and Wymer Publishing (the latter featuring slightly cheaper shipping to North America).  Wymer’s signed & numbered special edition of the first 1000 copies is already gone, but Steve will sign copies pre-ordered through HackettSongs.

— Rick Krueger

kruekutt’s 2019 Favorites: Reissues and Live Albums

Here are the reissues and live albums from 2019 that grabbed me on first listen, then compelled repeated plays. I’m not gonna rank them except for my Top Favorite status, which I’ll save for the very end.  Links to previous reviews or purchase sites are embedded in the album titles.  But first, a graphic tease …

Continue reading “kruekutt’s 2019 Favorites: Reissues and Live Albums”

kruekutt’s 2019 Favorites: New Music

Here are the albums of new music from 2019 that grabbed me on first listen, then compelled repeated plays. I’m not gonna rank them except for my Top Favorite status, which I’ll save for the very end. The others are listed alphabetically by artist. (Old school style, that is — last names first where necessary!) Links to previous reviews or purchase sites are embedded in the album titles.  But first, a graphic tease …

Continue reading “kruekutt’s 2019 Favorites: New Music”

Steve Hackett Sells England By the Pound – Live at 20 Monroe Live, Grand Rapids, MI – 10/3/19

Steve Hackett, Live at 20 Monroe Live, Grand Rapids, MI, October 3, 2019
Band:
Steve Hackett, Nad Sylvan, Craig Blundell, Jonas Reingold, Rob Townsend, Roger King

Setlist:
Set 1
Every Day
Under the Eye of the Sun
Fallen Walls and Pedestals
Beasts in Our Time
The Virgin and the Gypsy
Tigermoth
Spectral Mornings
The Red Flower of Tachai Blooms Everywhere
Clocks – The Angel of Mons

Set 2
Dancing With the Moonlit Knight
I Know What I Like (In Your Wardrobe)
Firth of Fifth
More Fool Me
The Battle of Epping Forest
After the Ordeal
The Cinema Show
Aisle of Plenty
Deja Vu
Dance on a Volcano

Encore
Los Endos

I had been looking forward to this concert ever since I bought tickets at the beginning of the year. I had never seen Steve Hackett live, but it had been at the top of my bucket list for a while. He’s my favorite guitarist, and I’ve loved all of the recent Genesis Revisited live albums. I consider Selling England By the Pound to be one of the finest albums ever made, so I couldn’t pass on the opportunity to see Mr. Hackett and company perform it live. They didn’t disappoint.

During the first half of the show, the band played highlights from Hackett’s 1979 solo album Spectral Mornings and this year’s At the Edge of Light. The whole set was very strong, but I particularly enjoyed Craig Blundell’s drum solo. Some drum solos can be a little boring, but not this one. Very engaging, interesting, and complex. The opening “Every Day” really highlighted the light and airy style of Hackett’s solo music, while “Beasts In Our Time” showed how heavy his music can be. Jonas Reingold’s bass was exceptional all night, but the bass line on “Under the Eye of the Sun” really allowed his talent to shine.

Continue reading “Steve Hackett Sells England By the Pound – Live at 20 Monroe Live, Grand Rapids, MI – 10/3/19”

The Big 2019 Fall Prog (Plus) Preview!

What new music, live albums, reissues (regular, deluxe or super-deluxe) and tours are heading our way between now and All Hallows Eve?  Check out the exhaustive (and potentially exhausting) sampling of promised progressive goodies — along with other personal priorities — below.  Click on the titles for pre-order links — whenever possible, you’ll wind up at the online store that gets as much money as possible directly to the musicians.

 

 

  • August:
    • Dave Kerzner, Static Live Extended Edition: recorded at the 2017 Progstock festival.  Kerzner’s complete Static album in concert, plus selected live highlights & new studio tracks.  Pre-orders ship in late August.
  • August 30:
    • Sons of Apollo, Live with the Plovdiv Psychotic Symphony: recorded at Plovdiv, Bulgaria’s Roman amphitheatre (the site of previous live efforts from Anathema and Devin Townsend).  Available in Blu-Ray, 3 CD + Blu-Ray, and 3 CD + DVD + Blu Ray versions.
    • Tool, Fear Inoculum: Tool’s first album in 13 years.  Available via digital download, as well as “a deluxe, limited-edition CD version (which) features a 4” HD rechargeable screen with exclusive video footage, charging cable, 2 watt speaker, a 36-page booklet and a digital download card.”  Really. 

Continue reading “The Big 2019 Fall Prog (Plus) Preview!”

The Vampirate Speaks: A Conversation With Nad Sylvan

Nad Sylvan, The Regal Bastard, InsideOut Music, 2019

Tracks: 1. I Am The Sea (7:49), 2. Oahu (4:19), 3. Whoa (Always Been Without You) (7:22), 4. Meet Your Maker (6:36), 5. The Regal Bastard (12:22), 6. Leave Me On These Waters (5:49), 7. Honey I’m Home (3:02)
Bonus Tracks: 8. Diva Time (4:52), 9. The Lake Isle of Innisfree (3:43)

On July 5, the mighty Nad Sylvan releases the third in his trilogy of Vampirate themed albums, following 2015’s Courting the Widow and 2017’s The Bride Said NoThe Regal Bastard finds the Swedish artist subtly transforming his sound for a third time. Across all three albums, his sound has developed and matured while remaining distinctly Nad Sylvan. Nobody else makes music quite like this. He honors the tradition of progressive rock (can a tradition be progressive?) musically and lyrically. The music is complex without being overly technical, and it shifts in style enough to keep the album incredibly interesting on repeated listens. In fact, it is layered in such a way that the listener discovers more with each listen.

Some have commented that some of the songs take a bit more of a pop approach, and if that’s true, then it is in the vein of Steven Wilson’s definition of pop, not whatever trash is currently sitting atop the American top 40 charts. This music is tasteful. And it is still 100% prog.

It is hard to nail down particular stand-out tracks because every song is fantastic. “Whoa,” “Meet Your Maker,” and the bonus “Diva Time” are my personal favorites, but the longer “The Regal Bastard” is also a very compelling progressive piece. You can’t go wrong anywhere on this album. His guest artists, which include the likes of Steve Hackett, Guthrie Govan, Nick D’Virgilio, Tony Levin, and many other talented folks, interpret Nad’s music faithfully while adding their own touch. Jade Ell, Sheona Urquhart, and  Tania Doko return on backing vocals – their voices have helped add depth to Nad’s music in the past, and it is great to hear them return.

2019 has been an especially strong year for prog so far, and even in that environment, Nad Sylvan’s The Regal Bastard stands out. His music is unique and powerful. This is not an album to be missed.


This past Friday, June 28, 2019, I had the wonderful opportunity to talk with Nad via Skype about the album, his writing process, singing for Steve Hackett, and other related topics. I screen-captured the whole interview, but even the compressed video file is too big for WordPress’ liking. You can still listen to the audio or read the transcript, which has been very lightly edited for readability, although it is wholly uncensored.

Continue reading “The Vampirate Speaks: A Conversation With Nad Sylvan”