Second Spring #4: “April 5” by Talk Talk

tt colour of spring
One of the all-time great album covers.  This one, of course, by James Marsh.

I suppose one could accuse me of being just a bit too obvious regarding this fourth installment of Second Spring.  After all, it is April 5.  I even contemplated using another Talk Talk track for this fourth part.  Then, I put “April 5” on, and I realized immediately how right it is for today.  After all, it’s following yesterday’s Big Big Train track, “The Permanent Way.”

Big Big Train is as close to perfect as the world will allow.  Still, Mark Hollis joining BBT would make the band just a bit more perfect. . . .

Continue reading “Second Spring #4: “April 5” by Talk Talk”

Nice Piece on Talk Talk’s THE COLOUR OF SPRING

It was, in retrospect, what people call a “pivotal album.” The Colour of Spring, Talk Talk’s third full-length release, appeared initially to be a straightforward development from the band’s previous recordings – artfully crafted pop delivering global hits – and yet pointed bravely towards something unexpected, something decidedly un-pop. One could see the footprints the band had left along the trail from their 1982 debut single, “Mirror Man”, to the 1986 release of this, their biggest selling record, but there were also signs they were heading into new, uncharted territory. Life’s What You Make It was the calling card, a bold burst of vibrant, optimistic acceptance, driven by a rolling piano line and drums inspired by Kate Bush’s Running Up That Hill, and Living in Another World stood proudly beside it, distinguished by Traffic’s Steve Winwood’s exuberant organ cameo. But April 5th and Chameleon Day were intimate, lingering slices of abstract sound that were as baffling as they were haunting.

To keep reading this excellent article by Wyndham Wallace, click here.