Tag: The Tangent

Andy Tillison

Thinking of England: A Conversation with Andy Tillison of The Tangent

On By Bryan MoreyIn progressive rock2 Comments

The Tangent Auto Reconnaissance Album CoverThe Tangent, Auto Reconnaissance, Inside Out Muisc, Release date: August 21, 2020

Tracks: Life On Hold (5:31), Jinxed In Jersey (15:57), Under Your Spell (5:45), The Tower Of Babel (4:36), Lie Back & Think Of England (28:16), The Midas Touch (5:55), Proxima (Bonus Track) (12:27)

The Band: Andy Tillison (vocals, keys), Jonas Reingold (bass), Luke Machin (guitar), Theo Travis (saxophone, flute), Steve Roberts (drums), and artwork by Ed Unitsky

Last Saturday (August 15, 2020) I had the wonderful opportunity to speak with the brilliant Andy Tillison about his latest album from The Tangent: Auto Reconnaissance. A truly outstanding album, it is my favorite Tangent album since 2015’s A Spark in the Aether (which was my album of the year that year). Lyrically and musically this albums stuns.

I won’t bog you down with a long review here, but you’ll be hooked from the very first notes. Tillison’s combination of storytelling is at its prime on “Jinxed in Jersey,” and his cultural critique is in fine form on “Lie Back and Think of England.” The passion in his voice is palpable – a direct consequence of the unique writing style he adopted beginning with 2013’s masterpiece Le Sacre du Travail. Andy and I talked about that very thing at length in the latter half of the interview. As he says below, this album is much more philosophical than the last two. That is expertly displayed on “Tower of Babel,” where Tillison takes the technocracy head on.

The music is diverse, with a heavy jazz theme throughout. The classic prog sound that the band has curated over the years is everywhere – Auto Reconnaissance sounds like a Tangent album. The saxophone and flute from Theo Travis add to that seventies Tull vibe, but Luke Machin’s crunching guitars bring the rock. He also brings the soul when he needs to. I can’t recommend this album enough. It’s absolutely breathtaking.

After a few pleasantries (which I didn’t include in the transcript but left in the audio), we dug right into the album. The interview is pretty wide ranging covering the recording process, the overall concept, a deep dive on a couple tracks (“Jinxed in Jersey” and “Tower of Babel”), some philosophical musings on America, Britain, technology, television, etc., and a detailed look at Tillison’s writing process. We also talked a bit about the overall history of the band and Tillison’s own background with music and why he originally wanted to create The Tangent.

Bryan: So tell me a little bit about Auto Reconnaissance and the background of the album and where the ideas for it grew out of.

Andy: Well the background of – this album was recorded before the word coronavirus entered my life. When I say recorded – it was written before that. We were just hearing the news coming out of China at the beginning of the year. We were recording parts of it when we were together, so I was able to record the drums here with Steve, and Theo came here, which basically means that all the keyboards, all the vocals, the drums, and all the saxophones and flutes were recorded actually in this room on the microphone I’m talking to you with for the most part. That was kind of nice to be able to do, and just after that we started picking up the fact that there may be lockdowns and things. But in any case, Jonas Reingold was going to play all his bass parts in Austria anyway because he was about to set off on the Steve Hackett world tour. Luke was going to do his parts at his house anyways because he’s got his own studio there, all his guitar amps are there. It would seem pointless dragging them all the way up to Yorkshire. We recorded it in our normal way, in fact slightly more together this time than any time in the past. It would be us, you know – the lockdown comes along and everybody has to find new ways to work and we find a way of actually doing it together, which was a bit bizarre.

The background to the actual record – it was made in a fractious time in England. The end of the final debates on Brexit as three years of arguing came to a close. Very depressing times when England was busy shouting at itself. Signs of a bad debate, much in the same way as I guess there’s a big fight between the Republicans and the Democrats over on your side of the water. You know, I wanted something that reflected that, but I didn’t want something to be miserable, so I wanted to make an album that – I think it was about really looking at the problems that we were in but having a bright light visible at the end of the tunnel that we were in at the time. I think that’s what I was trying to do with this record. That’s why the title is Auto Reconnaissance, which means looking at yourself. That involves everybody looking at themselves – whole countries looking at themselves and working out our place in the world really. I think that’s what the focus of the album was, yeah.

Continue reading “Thinking of England: A Conversation with Andy Tillison of The Tangent” →

Coming from Inside Out Music …

On By kruekuttIn progressive rock1 Comment

Hardly breaking stride, Inside Out Music ramps up their summer schedule with a fistful of new releases (some of which had to be rescheduled due to manufacturing delays).  Unless otherwise noted, links go to CD versions of these upcoming albums available at Burning Shed; LP and download editions will also be available.

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July

August

September

 

— Rick Krueger

Bandcamp Does It Again!

On By kruekuttIn progressive rock2 Comments

Back on March 20, Bandcamp waived its share of all sales, in order to support artists whose livelihoods were effected by the COVID-19 pandemic (especially because of cancelled live shows and tours).  The results were astonishing: $4,300,000 in sales of downloads, CDs, LPs and merch, 15 times a normal Friday’s take.

So, to their credit, Bandcamp is doing it again.  And again.  And again.

On May 1, June 5, and July 3 (the first Friday of each month), we’re waiving our revenue share for all sales on Bandcamp, from midnight to midnight PDT on each day.

(Over 150 artists and labels are offering discounts, exclusive items, merch bundles, and more this Friday.)

It may sound simple, but the best way to help artists is with your direct financial support, and we hope you’ll join us through the coming months as we work to support artists in this challenging time.

And, in case you’re wondering, there’s tons of recorded goodness available at Bandcamp from these Progarchy-favored artists:

If your budget allows it, and you need a prog fix, why not do your shopping at Bandcamp this Friday?

 

— Rick Krueger

Progressive Music in a Time of Pandemic

On By kruekuttIn jazz rock, progressive rock4 Comments

In the era of Napoleon, the Prussian diplomat Klemens Wenzel Furst von Metternich coined the phrase, “When France sneezes, the whole of Europe catches a cold.”  Like all good clichés, it’s been re-purposed endlessly since the 1800s.  Which leads to today’s question: when the music industry of 2020 catches COVID-19, what does the progressive music scene come down with?

In the last few weeks, the toll of the current pandemic has been steadily mounting, with the postponement or cancellation of tours by Yes, Steve Hackett, Tool and Big Big Train (plus this year’s Cruise to the Edge) at the tip of the iceberg. 

The tale of Leonardo Pavkovic, impresario of MoonJune Records and MoonJune Music (Bookings and Management) is all too grimly typical; since the outbreak of coronavirus, eight MoonJune-booked tours have been cancelled at a loss of about $250,000 to the artists, with many more tours now in jeopardy.  MoonJune artists Stick Men lost 8 of 9 concerts in Asia, plus their US spring tour; touch guitarist Markus Reuter resorted to GoFundMe in order to make up for the loss of six months’ income.

So where’s the good news?

For one thing, the plight of progressive musicians has resonated strongly with their fans. Reuter’s GoFundMe goal was met in just over a day; Pavkovic has had a newly positive response to MoonJune’s digital subscription program and discount offers. (Full disclosure: I’m a digital subscriber and I love it!)  And now Bandcamp is getting into the act:

To raise even more awareness around the pandemic’s impact on musicians everywhere, we’re waiving our revenue share on sales this Friday, March 20 (from midnight to midnight Pacific Time), and rallying the Bandcamp community to put much needed money directly into artists’ pockets.

So (if your situation allows it), who can you support via downloads, CDs, LPs and merch bought on Bandcamp this Friday?  Well, you could start with four fine new albums I’ve reviewed this year:

Then move on to other artists well loved on this blog:

Best of all, the music keeps on giving.  Leonardo Pavkovic is already sharing details about his next MoonJune albums: a live set from Stick Men’s only uncancelled Asian concert, plus an album of improvisational duets by Markus Reuter and pianist Gary Husband recorded during down time in Tokyo.  And jazz-rock master John McLaughlin has made his most recent album (Is That So with vocalist Shankar Mahadevan and tabla player Zakir Hussain) available as a free download.

Whither the music industry in time of pandemic?  As with everything else, it’s way too soon to tell.  But, if all of the above is any indication, progressive music — due to the indefatigable, awe-inspiring musicians who make it — will survive.

— Rick Krueger

kruekutt’s 2018 Favorites: New Albums

On By kruekuttIn jazz, progressive rock2 Comments

Here are the albums of new music from 2018 that grabbed me on first or second listen, then compelled repeated plays. I’m not gonna rank them except for those that achieved Top Favorite status, which I’ll save for the very end. The others are listed alphabetically by artist. (Old school style, that is — last names first where necessary!) Links to the ones I’ve previously reviewed are embedded in the album titles.  But first, a graphic tease …

Continue reading “kruekutt’s 2018 Favorites: New Albums” →

The Big Fall Prog Preview!

On By kruekuttIn pop, progressive rock, Rock and Roll4 Comments

What new music, live albums, and reissues (deluxe and otherwise) are heading our way between now and Black Friday?  Check out the exhaustive (and possibly exhausting) sampling of promised progressive goodies — along with a few other personal priorities — below.  Pre-order links are for CDs or combo packages; vinyl editions are frequently available from the same website.

  • September 21:
    • Marillion, Happiness is Cologne and Popular Music.  Limited edition live reissues from Racket Records and earMusic.  Pre-order at Amazon or other online retailers.
    • Nosound, Allow Yourself.  Pre-order from Burning Shed.
  • September 28:
    • Blackfield, Open Mind (The Best of Blackfield).  Pre-order from Burning Shed.
    • Dave Stewart and Barbara Gaskin, Star Clocks.  Pre-order from Burning Shed.
  • October 5:
    • Steve Hackett, Broken Skies – Outspread Wings (1984-2006).  Esoteric Recordings reissue box set (6 CDs + 2 DVDs).  Pre-order autographed copies from Hackettsongs.
    • King Crimson, Meltdown: Live in Mexico.  3 CDs + 1 BluRay.  Pre-order from Burning Shed.
  • October 12:
    • Glass Hammer, Chronomonaut.  Pre-order autographed copies or the deluxe bundle from Glass Hammer’s webstore.  Pre-order deadline: October 11.
    • Sanguine Hum, Now We Have Power.  Pre-order from Bandcamp.
  • October 19:
    • Greta Van Fleet, Anthem of the Peaceful Army.  The first full-length album from Frankenmuth, Michigan’s young Zepheads.  Pre-order at GvF’s webstore.
    • iamthemorning, Ocean Sounds.  Live in the studio; audio/video bundle.  Pre-order at Burning Shed.
    • In Continuum, Acceleration Theory.  With Dave Kerzner and an all-star line-up.  Pre-order bundles from Bandcamp. Pre-order deadline for special bundles: September 30.
    • Frank Sinatra, Only the Lonely: 60th Anniversary Edition.  Yes, really.  The greatest concept album of the pre-rock era, with Sinatra and arranger Nelson Riddle at their most gorgeous and devastating.  “Make it one for my baby … and one more for the road.” More info at Super Deluxe Edition.
  • October 26:
    • Anathema, Internal Landscapes.  The best of the band’s Kscope albums.  Pre-order from Burning Shed.
    • Haken, Vector.  Pre-order from Burning Shed.
    • Procol Harum, Live In Concert with the Edmonton Symphony Orchestra.  Esoteric Recordings reissue with bonus tracks.  Pre-order from Burning Shed.
  • November 2:
    • Opeth, Garden of the Titans: Live at Red Rocks Amphitheatre.  Various audio & video formats/bundles available.  Pre-order from Burning Shed.
    • Steven Wilson, Home Invasion: In Concert at the Royal Albert Hall.  Various audio & video formats/bundles available.  Pre-order from Burning Shed.
  • November 9:
    • Jethro Tull, This Was — The 50th Anniversary Edition. Steven Wilson remix included, on 3 CDs + DVD.  Pre-order from Burning Shed.
    • Rikard Sjöblom’s Gungfly, Friendship.  Pre-order from Rikard’s webstore.
  • November 16:
    • Marillion, Brave Live and Live in Glasgow.  Limited edition live reissues from Racket Records and earMusic.  Pre-order at Amazon or other online retailers.
    • The Tangent, Proxy.  Pre-order special bundles from The Tangent webstore.
  • November 23:
    • Marillion, Clutching at Straws Special Edition.  4 CDs + 1 BluRay.  Pre-order autographed copies from Marillion or Fish.
  • TBA:
    • The Beatles, White Album 50th Anniversary Edition?
    • Big Big Train, Merchants of Light Blu-Ray
    • King Crimson, The ReConstruKction of Light (40th Anniversary reissue) and Heaven and Earth (Crimson ProjeKcts box set)

— Rick Krueger

More Soon From The Tangent

On By Dr NickIn progressive rockLeave a comment

Proxy_by_the_Tangent

Pre-orders are open for the new album from The Tangent!

Recorded “quietly and carefully” over Spring and Summer of this year, Proxy is scheduled for release by the esteemed Inside Out Music on 16 November and will be available as a CD digipak, vinyl LP and digital download.

Soon after placing my order, I was delighted to receive a long and chatty email from Andy Tillison, delving deeply into the influences and musical styles of the new album, and the approach used to make it. Absolutely fascinating.

According to Andy, it is a “very organic feeling piece”, featuring a real drummer this time (Steve Roberts). Naturally, we should expect Prog – “not just Prog, but lots of it… often focused on the Hammond and Electric Piano”, with “less in the way of orchestrations – more focus on the core instruments”. Apparently, we’ll “spot influences from Chris Squire, Keith Emerson, Pip Pyle, Pierre Moerlen, Tony Iommi, Chick Corea, Fatboy Slim, Sophie Ellis Bextor and Peter Hammill”. Now that’s an eclectic bunch!

Because Doctor Livingstone from Slow Rust was so well received, we’ll be getting another instrumental on Proxy, along with a 17-minute epic that, intriguingly, has all the hallmarks of Prog and yet is “not made out of Prog… Imagine the Eiffel Tower made in mahogany”. I am very curious to find out what this actually means…

And what of the lyrics? Let me quote Andy in full here:

No overall concept this time. Yes, there will be politically motivated bits – there will be introspect – there will be reckless optimism and ever more reckless pessimism. Some of the songs are tinged with the regrets arising from missed opportunities earlier in life, some are angry and cynical. But the overall conclusion of the album is that there is “still time”.

Bring it on!

The Mischievous Red-Headed One is Back (Tillison’s KALMAN FILTER)

On By bradbirzerIn progressive rock4 Comments
kalman filter
Arrived yesterday: The Kalman Filter (Andy Tillison and Matt Stevens).

The term “Kalman Filter” refers to a process of observing and measuring something over long periods of time, rather than simply making a single observation of a single moment at a specific time.  The process never claims to be perfect, but it does claim to be a more accurate of understanding over the long term.

Why Andy Tillison chose to name his new band and new project Kalman Filter is beyond my knowledge. Whether he just liked the name or whether he has some intent in comparing his approach to the music to the Kalman Filter process is, again, unknown to me.  Still, if it’s the latter, it seems to fit.  The music does seem to me to be a way of thinking about a process, seen over moments of great lengths of time, reaching toward perfection.

To complicate matters, Tillison has written an extremely detailed if rather psychedelic story about his encounters with some black-op security forces here: https://www.thetangent.org/index.php/read/the-kalman-filter

Tillison is best known—especially to Americans—as the fountainhead and touchstone of all thing The Tangent related.  But, he’s responsible for a number of other groups and projects as well: including, most recently, Tangekanic, as well as Parallel or 90 Degrees and a number of solo albums (Fog, Murk, Electric Sinfonia, and Durch).

Continue reading “The Mischievous Red-Headed One is Back (Tillison’s KALMAN FILTER)” →

Tillison/Tangent/Kalman Filter News

On By bradbirzerIn progressive rockLeave a comment

This arrived, happily, this evening from Sally Collyer.  Great update about all things Tillison.

TheTangent

Happy New Year to everyone and first and foremost a huge thank you to all who supported Andy and the band last year, bought “The Slow Rust of Forgotten Machinery”, attended the live shows in Europe and the USA and voted for the album and band members in the PROG Magazine readers poll, huge congratulations to Andy for being voted number one in the Keyboard players category and to Jonas and Luke for gaining 5th place in the Bass Player and Guitarist categories respectively, the album “The Slow Rust of Forgotten Machinery” also achieved 5th in the best album category, all in all incredible achievements considering the wealth of talented output in the progressive music  genre over the last 12 months, in addition to the fact that we have a policy of never asking fans to vote in polls, it was wonderful to get this news in the knowledge that people had chosen to give support without any outside influence, the music really did speak for itself!

Lots going on here at Tangent HQ right now:

Continue reading “Tillison/Tangent/Kalman Filter News” →

Birzer’s Best of 2017, Part I

On By bradbirzerIn progressive rock1 Comment

As you all happily know, Timelord has announced his top albums of 2017 already.  When he did, I was a bit surprised.  Wait, is it that time of year already?  What about albums that come out in December?  The more I thought about it, the more I thought Timelord was absolutely right to announce his top picks.  Not much is going to happen this month, and, even if something does come out, it will be hard to measure against what already exists.  Should something come out and shake up my list, I will, of course, be happy.  For any thing that could possibly shake up this list would have to be really, really good.

And, as you also happily know, Tad Wert took a unique perspective on his top picks, focusing on the live releases of the year rather than on the studio releases.  Bravo!

Unlike 2012-2016, this is the first year that I found actually easy when ranking.  That is, picking and ranking has been relatively easy.  As some of the other progarchists have said over the past half decade, so much prog had come out in any previous years that it felt like “taking a sip from the fire hose.”

This year, 2017, just feels different.  The quality definitely outdid the quantity.

Before starting rankings, though, I would be dead wrong not to mention two critical things.

Jerry Ewing
Our Fearless Leader, Jerry Ewing.

First, God bless, Jerry Ewing, and his glorious PROG magazine.  For a time there, we all thought the ship was gone, our captain lost at sea in a corporate hurricane of insanity and avarice.  Then, Ewing emerged—and stronger than ever.  Congratulations, Jerry.  Long may you lead our little platoon of prog-loving weirdos.

Second, may God bless, Tim Hall (Kaylr).  I never actually met Tim, but I really appreciated his views on everything.  He was always intelligent and prudent, and our loss is heaven’s gain.  Tim, if you can, please say hello to Hendrix, Morrison, Emerson, Lake, Squire, and all of the other greats of the last half century.  And, say hi to my dad, my grandparents, and my daughter, Cecilia Rose, as well.  Someday, brother, someday. . .

On to the show!

Continue reading “Birzer’s Best of 2017, Part I” →