Connor’s Best of the Obscure

Much to my shame, I have listened little to the latest offerings from the eclectic world of prog. I am currently working on changing this bad habit of mine, but I confess it has been difficult, as I still have many obscure gems to unearth (and I will continue my list soon – I promise!). Anyway, in no particular order, here are my top ten obscure prog artists (out of an ongoing list currently standing at thirty-four):

  1. CathedralStained Glass Stories: the first album review I ever wrote for Progarchy just so happened to concern one of the better obscure gems I have discovered thus far, a symphonic masterpiece evocative of Yes or Genesis.
  2. UniverseUniverse: psychedelia mixed with a dash of Christianity makes for a rare but beautiful bird of an album in the rich world of 1970s music.
  3. Alloy NowTwin Sister of the Milky Way: space prog at its finest. Major Tom would have been better off if he had this album on his final journey through the heavens.
  4. Jan Dukes de GreyMice and Rats in the Loft: Nursery Cryme‘s obscure cousin, an album both comical and horrifying at the same time. Also, Derek Noy shreds on twelve-string guitar. Shreds.
  5. IslandPictures: a cover designed by Giger and music blending the darkness of Van der Graaf Generator with the dexterity of Gentle Giant? These chaps certainly offer one of the more complex obscurities out there.
  6. HandsHands: America’s answer to Gentle Giant. But these chaps are no copy cats: they are top notch musicians who gave to the world their own idiosyncratic sound.
  7. LiftCaverns of Your Brain: a superb effort by a group of young American musicians. Aficionados of symphonic and space prog will love this gem.
  8. FruuppThe Prince of Heaven’s Eyes: as a chap of Irish descent, I suppose I have a soft spot for young Mud Flanagan and his adventures. And if this band were talented enough to open for Queen and King Crimson back in the day, they’re probably worth a listen or two.
  9. TouchTouch: one of those groups that could have been a contender: Jimi Hendrix and Mick Jagger were fans. Alas, it was not to be. But thanks to YouTube, you can listen for free to some incredible vocals and even more impressive work on the keyboards.
  10. CircusCircus: Mel Collins in the days before he was cool (I joke of course; Mel Collins has always been cool). But it is Mel Collins in the days before King Crimson – and his band, although not entirely original, was really good.

Re-Entering the Universe

dennisleeaskew

Well, it has been exactly one year since I first joined Progarchy, and what a positive experience it has been. In celebration, I have decided to briefly give another shout out to my friend Dennis Lee Askew of the band Universe, one of my favorite American prog bands.  I very much enjoyed reviewing his first album in an earlier post.  Dennis recently issued a new album (pictured above) containing some songs from his first album and a few others previously unreleased. If you enjoy the sounds of psychedelia, space rock, acid rock, and prog, you will enjoy this album. It is a superb blend of Pink Floyd and The Moody Blues with some Yes added for good measure.  My two favorite songs on the album are I Am, which is keyboard driven and definitely has an early Pink Floyd vibe, and The Axiom, which features a cool synth opening and some great guitar work. You can support Dennis and his work by visiting his website and purchasing the album.

http://www.universemusic.us

The Best Prog Bands You’ve Never Heard Of (Part Seven): Universe

Universe

The world of prog is full of surprises. In my search for obscure prog bands I stumbled across Universe. Although not quite as profound or mysterious as the universe we inhabit, the band is by far one of the best in American prog. Mixing the sounds of Hawkwind and Syd Barrett-era Pink Floyd, Universe successfully created their own acid rock sound.  Formed in the mid 1970s in California by Gary Paul Van and Dennis Lee Askew, Universe released one eponymous album in 1977, and what an album it was.  Before you listen to the music, you should dedicate some time to appreciate the album cover in all of its psychedelic beauty.

Notice the dove and the crosses on the cover.  There are religious overtones on this album: “Rock in the Sky” and “Light from Above”, for example, refer to God. But they lyrics are far from preachy, and Van’s ethereal vocals only emphasize the brilliant cosmic vibe. Keys, synthesizer, and guitar dominate, and all are performed with equal dexterity.  Some highlights:

Touchdown features fine acoustic and electric guitar work.  It is the longest song on the album (about 10 minutes) and reminds me of the Yes masterpiece Awaken.

Dream is the “spaciest” song on the album and may remind some listeners of The Beatles’ psychedelic classic Tomorrow Never Knows.

Remember the Stars opens with a bang and transitions with cosmic delight to Light From Above; it is one of the best American acid rock songs I’ve ever heard and my favorite piece on the album.

This is another one of those albums that does not receive the attention it deserves.  Although Universe will appeal mostly to fans of acid and space rock, anyone who enjoys prog will appreciate at least some of the songs here.

https://www.youtube.com/watch?v=2VtxzyHTZYM