Reading Rainbow: The Doors

It’s quite possible that you need to be an American (United States variety) for this to be funny.  But, trust me, it’s pretty incredible.

Here’s the original.

Here’s the version by The Doors (aka Jimmy Fallon).

Trevor Horn: Two Shows with Yes

Yes_-_Drama
1980

TeamRock and Prog are reporting that Trevor Horn will be playing with Yes, live on May 9-10.  Amazing.

http://teamrock.com/news/2016-04-26/trevor-horn-to-join-yes-for-two-uk-shows

A Not So Gentle Reminder: Anesthetize from Porcupine Tree

Porcupine Tree, ANESTHETIZE: LIVE IN TILBURG, OCTOBER 2008 (Kscope, 2cd/1dvd, 2015).

pt anes
Kscope, 2010, 2015.
I admit, I have a strange relationship with Steven Wilson.  Well, ok, it’s a totally one-sided relationship.

I’m a relative late comer to his music.  As chance happened (as chance does), I actually turned on a radio (something I’d really not done since the late 1980s) while driving through Fort Wayne, Indiana, in the early fall of 2002.  And, miraculously, at that moment, the station was playing something from IN ABSENTIA.

“Trains,” I think.

Continue reading “A Not So Gentle Reminder: Anesthetize from Porcupine Tree”

Third Voice Video and Information

thirdvoice2
Third Voice

A number of you have asked about the band and the music of Third Voice–I played “A Day Like Today” on PR Episode 6.

Here’s a link to the band’s website: http://www.thirdvoicemusic.com

And, here’s the video for the song I played.  Enjoy!

Politics in Rock: U2 and Rush

u2 war album cover
1983.  One of the most political rock albums of all time.  And, thank God.

I want to thank Bryan, Craig, and Nick for such a civilized discussion regarding politics and art.  I also want to thank the many commentators who joined in.

I only have a personal, autobiographical, inward-looking comment.  I grew up in an extremely anti-war, pro-Catholic, libertarian household.  I’m deeply thankful to my mom, my aunts, my maternal grandmother, and the Dominican nuns for teaching me that EVERY SINGLE HUMAN LIFE (regardless of race, gender, ethnicity, religion, skin tone, etc.) matters.

Life is precious, and the good life is even more so.

Continue reading “Politics in Rock: U2 and Rush”

In Mourning – Afterglow – Album Review

Artist: In Mourning Album Title: Afterglow Label: Agonia Records Date Of Release: 20 May 2016 In Mourning is a name that that have flitted around the very edges of my consciousness for a few years now. ‘Afterglow’ however, takes the Swedish quintet out of my personal periphery and re-positions them at the very forefront of […]

https://manofmuchmetal.wordpress.com/2016/04/22/in-mourning-afterglow-album-review/

Bits and Pieces of Big Big Train

Big_Big_Train_band_members,_November_2014,_hi_res
Big Big Train

If you dig around a bit, you’ll find that Big Big Train has been slowly but surely releasing parts (big and small) of the new album, FOLKLORE.

The band has sent review copies out to print magazines, to British radio stations, and to a few others, but not yet to websites.

For us North American die-hard fans–just remember: STONE AND STEEL will eventually make it here, and so will FOLKLORE.  We just have to be patient and trust the band’s release and marketing strategy.

Here, below, are a few snippets available now.

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About 13.5 minutes into this podcast, you can hear a single from the new album.

http://www.progzilla.com/podcast-francis-dunnery-radio-show-edition-012/

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Johan Reitsma has heard the full album, reporting this on Facebook:

UPDATE – APRIL 22)

Davids voice sounds a little different at times. He still sounds very much like, well, David. But sometimes he’s a bit more gravelly. There are moments in ‘Brooklands’ where some might confuse him with Peter Gabriel. It fits the music and his storytelling on the album very well.

As David hinted in his first blog (http://bit.ly/1VpDzCT) Folkore is really all about storytelling. That’s in the lyrics, the delivery but also very much in the music. Greg wrote (http://bit.ly/1T37HxC) about how the subtext of ‘London Plane’ is the passage of time. Well, you can HEAR that. (Or maybe that’s just my imagination.) 

Yesterday I wrote that Folklore might be Big Big Train’s best work to date. While I wrote it, I thought maybe it’s a little early for such a big conclusion. Today I think, although it indeed was early, it’s the right conclusion.
APRIL 21)The crow has landed! Folklore. We all know Big Big Train’s music needs a little time to sink in and to unfold and bloom completely. That’s why I will review the album ten times. Or, better, I will take ten days to complete this review. I will write about my first impression today and will update this tomorrow and the day after tomorrow. And the day after tomorrow after tomorrow. Etc. Up to ten updates. (Today: 1/10)I’ve heard the album twice and I can say two things: BBT is proggier than ever on Folklore. And (dare I say it?) poppier. I mean that in a positive way, I keep humming those melodies. They are very (!) catchy at times. “Telling the beeeeees.”I don’t want to be too enthusiastic yet (i have nine review-days to go wink emoticonWho knows, maybe i’ll get bored with this music on day three.) But I’m afraid I have to tell you that Folklore is BBT’s best album to date! More tomorrow. http://youtu.be/U8MzlCvQqn8

Digital Ayreon

Go to the Ayreon streaming releases page
Mascot Label Group is proud to announce the signing of Ayreon, the highly acclaimed project from singer / songwriter / multi-instrumentalist / record producer Arjen Lucassen. The Ayreon catalog, comprising seven studio albums, will be re-released on various digital platforms on April 22nd.

Ayreon is in a class of its own. You might call Lucassen’s Ayreon studio albums “rock operas.” Or, to be more precise, you may prefer a description like, “ambitious studio projects combining progressive rock, metal, and folk over intricate storylines, brought to life by countless famous guest singers from all over the world.” But no matter how you categorize it, the Ayreon album collection offers highly creative rock music with a quality in composition and production rarely heard in the last twenty years. The Final Experiment was Ayreon’s first album, released in the Netherlands in 1995 by start-up label Transmission Records. It set the tone for the project, with intricate sci-fi/fantasy storytelling and timeless progressive rock featuring a line-up of world class vocalists and musicians, including Barry Hay (Golden Earring), Jan-Chris de Koeijer (Gorefest), and Kingdom Come’s Lenny Wolf.

The follow-up, Actual Fantasy (1996), turned out to be a relatively modest production, but the phenomenal reception of these first Ayreon albums exposed Lucassen to world-famous singers and instrumentalists like Fish (Marillion), Bruce Dickinson (Iron Maiden), Devin Townsend, James LaBrie (Dream Theater), Neal Morse (Flying Colors, Spock’s Beard), Cristina Scabbia (Lacuna Coil), John Wetton (King Crimson, Asia), Mikael Åkerfeldt (Opeth, Bloodbath), Ty Tabor (King’s X, The Jelly Jam), Floor Jansen (Nightwish), Michael Romeo and Russell Allen (Symphony X), Steve Hackett (Genesis), Derek Sherinian (Dream Theater, Alice Cooper), Keith Emerson (Emerson, Lake & Palmer), and Rick Wakeman (Yes). Besides Lucassen himself, virtuoso drummer Ed Warby (Gorefest, Hail of Bullets, The 11th Hour) is the only other constant member of Ayreon.

Into The Electric Castle was released to critical acclaim in 1998, and the album went on to sell over 100.000 copies. The twin albums Universal Migrator Part 1: The Dream Sequencer and Universal Migrator Part 2: Flight of the Migrator (2000) proved that Lucassen was not afraid to take Ayreon to yet another level of larger-than-life creativity. With The Human Equation (2004), Lucassen turned away from his earlier sci-fi themes to explore the realm of human emotions. The Human Equation was adapted for stage and performed in 2015 by a cast that included almost everybody from the original album. In 2007, Arjen returned to the sci-fi concept and linked all of the previous Ayreon albums together, musically as well as lyrically, on 01011001. The album features no less than 17 vocalists.

Arjen Lucassen and Mascot Label Group CEO Ed van Zijl go back twenty years. Ed was doing business out of his one-man office when Arjen showed up on his doorstep, with Ayreon’s debut album The Final Experiment in hand. They didn’t ink a deal that day, but both parties are extremely pleased to say that as of 2016, Music Theories Recordings (part of Mascot Label Group) is Ayreon’s new home.

Ayreon studio albums on Music Theories Recordings:
The Final Experiment 
Actual Fantasy 
Into the Electric Castle 
Universal Migrator Part 1: The Dream Sequencer 
Universal Migrator Part 2: Flight of the Migrator 
The Human Equation 
01011001 

Download or stream The Final Experiment
The Final Experiment
Download or stream The Universal Migrator
The Universal Migrator
Download or stream Actual Fantasy Revisited
Actual Fantasy Revisited
Download or stream The Human Equation
The Human Equation
Download or stream Timeline
Timeline
Download or stream Into The Electric Castle
Into The Electric Castle
Download or stream 01011001
01011001