Agree or Disagree, Andy Tillison is ALWAYS Worth Reading

From Andy’s Facebook page:

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It seems I have been quiet for years… but it’s not years.. it’s decades now. I have most of my Facebook friends because I am a musician, not a political commentator – something at which owing to my naivete I don’t really excel. It was for the MUSIC, not the politics that most of you reading this once clicked a button, and with people here from all political persuasions it seemed unfair to use the small popularity I had gained as a muso as some kind of battering ram for my political beliefs. Even the mild political posturing that can be found in songs like “Four Egos, One War” which I wrote during the Saddam era Iraq conflict brought a few accusations of being overtly politically pompous. I get a bit ( a LOT) frightened by Facebook etc, and I’ve always been aware that there are Right Wingers, devout Christians, Muslims, Loony Lefties (like me), Atheists, Bankers, Professors Of Conservative Thought, Anarchists, Ex Hippies and Vicars who enjoy the music of the band. We have one fan who regularly addresses the House Of Congress in Washington and a wonderful young woman who lives in the heart of Tehran. And yes. We have an MP. And no, I won’t tell you who, or how s/he’s voting. I just hope s/he is sneaking a look at FB during the boring bits. The only clue you can have is that, given the type of music I play, you’re not looking at a young one.

All of those people came to The Tangent because of the music. They didn’t come to wave a flag for left or right politics. And so I have always tried to be fair and let people enjoy the music without pestering them to follow my own personal ideologies. If GFDD or Po90 had been as succesful I wouldn’t have baulked. Just TODAY I want to say more than “we’ve got a new album coming” or “I’m excited about some tour” and actually use this terrifying whirl of the internet in 2015 to say something that matters to me.

Forget all the left/right economy stuff, – today it’s one political and spiritual ideology that matters. PEACE. For everyone in my generation who didn’t lunch with the Bullingdon set, the peace movement spawned some of the greatest artists of the past century. For somone like me, a lifetime of listening to Bob(s) Dylan and Marley, Joni, Yes, Roger Waters’ Pink Floyd, Gang Of Four, Gong, Joan, The Slits, Chumbawamba, The Pop Group, The Clash, Billy Bragg, John Lennon, and K-Tel Superstars “Many Many More” has made its mark. .. and even reading the Bible stories of the Ten Commandments on Mount Sinai and the Sermon On The Mount where Peacemakers and “The Meek” come off pretty damn well. (Yes Atheists DO read the Bible AND take note!)

Those two Bible references are pretty close to the the HARD CORE of Biblical teaching. They are not peripheral stuff. The first of them has “THOU SHALT NOT KILL” (with no caveats or conditions, exemption clauses etc) at number 6 in possibly the FIRST ever Top Ten in history. Me, if I’d written it, I’d have had it at number one above all the stuff about observing the Sabbath – but number 6 is pretty good. I wish it was as high in governments’ technical manuals.

Yes, I’m a lefty. Always was, always will be. Had just two posters on my bedroom wall when I was a student. David Jackson and Tony Benn. I’ve never hated people who disagree with me, have best friends who are so much further to the right of what I believe, and further to the left too. But SO MANY of my friends, no matter from what political persuasion are INTO the music by the musicians I have mentioned above.

Today, a rather humble meek peacemaker, a white haired 60 odd year old bloke with an “unfashionable jacket” and definitely non-hipster beard will take the message of the great artists we have grown up with into the hugely traditionalist institution of the British House Of Commons. The philosophies of those great writers will be in his mind as he speaks.. with the powerful hostility of the UK press and media against him along with so many people who over the past 20 years were able to have a Tory career in Government and send people to fight for us in highly questionable campaigns without actually having to name themselves Tories. It’s quite likely that he will lose although miracles DO happen. Equally likely that the summation of Joni’s songs along with the whole Woodstock dream, The Anarcho Punk Dream, The Summer of Love Dream in his head will end up being referred to as “Terrorist Apologism” by the leaders of the country’s government and media. The damnation this man receives in the media reminds me of the reaction when Dylan went Electric. A key moment, not properly appreciated at the moment of its birth.

All I can say, if you have ever loved the songs of Mitchell, Crass, The Chumbas, Yes (Think about the lyrics to “The Gates Of Delirium”), Daevid Allen, and Gong (listen to OILY WAY TODAY) Pink Floyd (surely one of the most consistently popular media products of all time) – if these songs were to you MORE than just a nice tune for getting stoned to, then TODAY is the day when another bloke who was listening too, is gonna take that message and get it heard in the main chamber of Government.

One can never predict history – but I’d like to think that in half a century, nearly everyone old enough to remember today will say that “they were with Jeremy Corbyn that day”. I won’t even mind if they are lying. It doesn’t matter. FORGIVENESS is 100 percent absolutely EVERYTHING. Peace, Love to everyone – including everyone who flames me, unfriends me or rips me to pieces. Andy DisKdrive. Again.

Geoff Banks, RIP

One of the greats of the current prog scene, Geoff Banks, has passed into eternity.  I only heard the news minutes ago.  He and I had many intense and brilliant conversations about everything that matters in this world.  May he find peace and joy in the next. . .

Here’s Sally Collyer’s tribute:

Incredibly sad to hear that we have lost Geoff Banks today, one of life’s real people if that makes sense and I am glad that I was able to call him a friend, Geoff was actually one of my very first friends here on FB and at that time little did I know that he would play such a big part in our Tangent journey – always there 100% behind us even when things weren’t going too well, certainly not a fair weather friend, he was loyal, clever, infuriatingly funny and had a huge heart and passion for the music and friends he loved…too young to leave us …. I will miss those marathon 3 hour phone calls when he would talk to us in turn until both the house phone batteries ran out such was his passion for whatever his next project was or the problem he wanted to help us solve – my love and heartfelt condolences to his family and all who loved him – there are many – Rest in peace now my friend and you are totally forgiven for all the ludicrously rude jokes and atrocious behaviour, you rocked for real, larger than life and never to be forgotten  xXx

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Big Big Train News

The latest from Spawton and Co.:

Hello everyone

Until the end of November, all Big Big Train merchandise at The Merch Desk is half price. Pop over to:
http://themerchdesk.com/shop/index.php?route=product/category&path=87_115
to find some Christmas present ideas for the prog fan who has everything. Or just for yourself…

The release of “Stone and Steel”, originally planned for this year, will now happen on 7th March 2016. Alongside nine songs and documentary footage filmed at Real World in 2014, we have decided to include four songs from the Kings Place gigs this year, and to mix all performances in 5.1 as well as stereo. It hasn’t proved possible to complete this work in time for a pre-Christmas release.

Given a total running time which will approach three hours, we’ve also taken the decision to release “Stone and Steel” on Blu-Ray only to ensure the highest quality video and audio. It will also be available as a paid download via Vimeo.

As a consolation for anybody who was hoping that Santa might put a copy in their stocking, we’ve released video of another Kings Place performance online: “Judas Unrepentant”:
https://www.youtube.com/watch?v=n_i-uqGNzgU
(This performance won’t be included in “Stone and Steel”.)

Best wishes,
Andy, Danny, Dave, David, Greg, Nick, Rachel & Rikard
Big Big Train

Album Review: Rush – R40 Live CD

Rush is never going to get a #1 album as long as they continue to release a much anticipated new album the same day someone else, who has a wider fan base, releases theirs. R40 Live has ZERO chance of going #1 against Adele’s new album and it is pretty rare for a live album […]

https://drewsreview.wordpress.com/2015/11/23/album-review-rush-r40-live-cd/

Big Big Train, “Judas Unrepentant” Live

From last August.  Gorgeous, gorgeous, gorgeous.

Brother, Can You Spare Another Note? Rush R40 Live

Rush, R40 Live (Anthem, 2015).  3CD/1BluRay.  Too many tracks to list.  

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Nothing Rush does is unimportant.  Whether it’s winning an award, appearing on the cover of a mainstream magazine, releasing an album, or playing a concert, Rush matters.  They’ve never not mattered, but they probably matter now more than ever.  They’ve weathered every wave of music, always done exactly what they’ve wanted, and they’ve survived as a band for forty-one years.

What’s not to celebrate?

They are the grand men of rock, the grey eminence overlooking, overshadowing, and influencing every rock band since—whether directly or indirectly.  Perhaps most importantly, however, they have influenced countless men (and, now, it seems, lots of women, too) in North and South America for at least two generations.  Most importantly, they taught us not to be them, but to be ourselves, each and every one of us.  If another voice in western culture has promoted individuality and excellence more than the three members of Rush, I’m not aware of that voice.

When Rush announced they’d be touring again for the fortieth-anniversary of the band (dating from when Peart joined), speculation flooded the media that this would be Rush’s last big tour.  Of course, they were a year off—the tour came after forty-one years, but who really worries about such things.  Forty years.  Forty-one years.  Either way, amen.

As I have had the privilege of writing many times, Rush has been my band—my obsession—since junior high detention, March 1981.  Thank the good Lord for Troy and Brad, my fellow detainees, encouraging me to pick up this great new album, “Moving Pictures.”  While other bands have certainly attracted me, none have done so in the way Rush has.  Not only did I listen to every note—how many times?—but I absorbed every lyric, chased every reference, and fell head over heals for three Canucks whom I’ve never met.

When Rush played in Lincoln, Nebraska, this past summer, my two oldest kids—Nathaniel (16) and Gretchen (14) drove with me across the Great Plains from Boulder.  It was their first Rush concert, and we loved every minute of it.  Indeed, this is an understatement.  We hung on every word and loved every aspect of the films.  With thousands of others, we sang, jammed, and pumped our fists in the air.

The 3CD/1BluRay set arrived at my house in Michigan on Friday.  I’ve had a bit of time to immerse myself in it.  In terms of sound and visuals, this is an extraordinary release that absolutely captures the spirit of the tour.  There are a number of things I’d not noticed when sitting high in the bleachers in Lincoln.  Peart has a World War I RAF roundel in his drum set; Geddy has rearview mirrors on his keyboards; and there are lots of plastic dinosaurs near Alex.  Additionally, things on stage really never stop moving.  Lights change, props arrive and disappear, and there’s constant motion

I do have one complaint.  Possibly a first when it comes to my view of Rush.  The packaging for R40 Live is simply of poor quality.  Not the disks.  They’re fine.  But, the cardboard holding the disks together is flimsy, and, even with the best care, I doubt it will last long or wear well.  This is unfortunate, and I’m sorry the record label chose to put such a masterful moment in Rush’s history in such an ephemeral box.  Talk about incongruous.

Still, R40 Live is well worth owning, as it captures such a crucial celebration.  The blu-ray, especially, sounds extraordinary.  As well it should.

–Brad Birzer is a founding editor of Progarchy and author of Neil Peart: Cultural (RE)Percussions (WordFire, 2015).

OBSCURA Premiere Video For Title Track of New Album “Akróasis”

It has been five years since the release of Obscura‘s universally acclaimed Omnivium album. Now the progressive metal masters return with their strongest and most dynamic release to date. The aptly named Akróasis (Greek for “hearing” or “listening”) draws on all the various elements of Obscura‘s signature sound and combines those qualities into a cohesive…

http://www.prog-sphere.com/news/obscura-premiere-video-title-track-new-album-akroasis/

SALANDER: Fragility of Innocence Now Out

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Great news from Dave Smith of Salander:

Salander are re-releasing The Fragility Of Innocence on November 20th. The album has been totally remastered and will contain three extra tracks that date back to 2005. These were the first tracks recorded by Dave Smith and Dave Curnow and sowed the seed of ideas that would later find the two Dave’s forming Salander. These tracks too have been remastered. Two are instrumentals and the other came about when Dave C discovered a Jon Anderson Lyric generator on the internet. All he had to do was enter a name, a place and a general item onto the site. He chose Floppsy The Bunny,Osnabruch, and a Pot Noodle. Thus, the words spat back to us became the song.

The Fragility Of Innocence will be available from www.salander.bandcamp.com as a name your price in order for people who bought the original to download the remastered version with bonus tracks for free.

There are no plans for any new Salander music in the near future as Dave Smith is now living and working in Lanzarote in The Canary Islands but he hopes to start writing in the new year.

Let me (Brad) just state: this is one of the single most powerful albums I have ever heard.  I loved the first two Salander releases–CRASH COURSE FOR DESSERT and STENDEC–but this is even superior to those two.  I’ve had a review copy for a while now, but I simply have not been able to write about FRAGILITY as it simply moves me so much, I can’t express my views in words.  Strange, I suppose, but true.  I’m going to keep trying, however.

Regardless, you need to BUY this album, and now.–BB

 

Rhys Marsh: News Re: New Solo Album

Excellent news from Rhys:

 

hello, i have a little surprise for you…

i’m going to release a brand-new studio album on the 1st of December!

‘The Black Sun Shining’ is a 42-minute song-cycle, in seven movements, intended to be listened to as one piece of music.

i wasn’t planning to make another album just yet (don’t i always say that?), but i had a bit of time in-between projects in the studio and i came up with a few ideas, so i set up some microphones and spent seven days running back and forth, recording as i was writing. it was a lot of fun, and i quite often began with the rhythms, rather than chords, which is something i haven’t tried before.

as the album writing and recording process was different, i’m also releasing it a bit differently: it will only be available on CD from Burning Shed (click here or below), and the first 100 orders will come with a signed postcard.

— ORDER YOUR COPY HERE! —


 

ON THE AIR

the first single (although it’s not really a single, as it’s part of the song-cycle) is called ‘Wondering Stars’, and will get some airplay over the coming week or so. you’ll be able to hear it here:

  • Saturday 21st: The Phil Meek Show on Radio Caroline (UK — 21:00, GMT)
  • Sunday 22nd: ProgLogg on NRK P13 (Norway — 20:00, GMT)
  • Sunday 29th: Xymphonia on AAFM (The Netherlands — 19:00, GMT)

all stations also broadcast online, so you can tune in from anywhere in the world.


 

BURNING SHED WINTER SALE

if you haven’t yet picked up a copy of my previous solo album, ‘Sentiment’, Burning Shed will be featuring it (along with a few other Autumnsongs Records titles) in their Winter Sale, which begins on the 26th November and runs for one week. be sure to grab some bargains!


 

if you read this far, you just put a virtual smile on my face. thank you.

Rhys

Glass Hammer: Double Live

A review of Glass Hammer, DOUBLE LIVE (deluxe edition, Sound Resources, 2015). 

2 CDs/1 DVD.  Tracks: Nothing, Everything; So Close, So Far; Mythopoeia; Third Floor; The Knights of the North; If the Stars; and Time Marches On.  The DVD consists of the 1.5 hours of the show at RosFest, May 3, 2015.

Glass Hammer: Steve Babb; Susie Bogdanowicz; Carl Groves; Aaron Raulston; Kamran Alan Shikoh; and Fred Schendel.

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(Sound Resources, 2015)

For a band that specializes in writing studio masterpiece after studio masterpiece, it’s somewhat surprising to find that Glass Hammer has released six live albums (albums defined as CDs and/or DVDs): LIVE AND REVIVED; LEX LIVE; LIVE AT NEARFEST; LIVE AT BELMONT; LIVE AT THE TIVOLI; and, now, DOUBLE LIVE.  Two live songs also appear on 2007’s COMPILATIONS.  The band doesn’t even tour that much, but, when it does, it’s something mightily special.

Additionally, the band has over twenty years of material to choose from.  Not surprisingly, three of the seven live tracks on DOUBLE LIVE come from the band’s last album, but the selections reach all the way back to 1995.  “Nothing, Everything,” “Mythopoeia,” and “Third Floor” come from THE BREAKING OF THE WORLD (2015).  “If the Stars” from IF (2010).  “The Knight of the North” from INCONSOLABLE SECRET (2005).  “So Close, So Far” from SHADOWLANDS (2004).  And, “Time Marches On” from PERELANDRA (1995).  I was a bit surprised by the last selection as it appears three other times on Glass Hammer releases.  Still, of the four versions, this is by far the best.

Coming off what is arguably their best album to date, THE BREAKING OF THE WORLD, the six members on stage look as happy and as confident as can be.  It’s an absolute joy to watch them perform on stage even though the camera work is a bit stiff compared to, say, the visually fluid LEX LIVE.  Clearly, they love each other, their music, and their ability to perform their art together and for others.  Joy simply exudes from the screen.  Babb grooves, Schendel glides, Raulston pounds, and Shikoh soars.  And, sheesh, are these guys tight.  I could probably watch the interaction of bass, drums, guitar, and keys in “Time Marches On”—especially beginning at the the 1:23:34 mark.  Holy Moses, these guys are amazing.  All of them.  I’d love to just tell each one of them individually—”you are doing what you were meant to do on this Earth!!!!”

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Though I adamantly love the Glass Hammer albums fronted by Carl Groves and Susie Bogdanowicz (CULTURE OF ASCENT, ODE TO ECHO, and THE BREAKING OF THE WATER), I had no idea what kind of a frontman Groves would prove to be on a live stage.  I had no worries about Bogdanowicz.

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Susie the magnificent.

She possesses one of the two best voices in rock today, and I’ve said this and written this repeatedly.  She’s also gorgeous (her all black outfit makes her look like a superhero), and it’s quite clear that she gives every aspect of her soul to this music.  Unlike so many in the world of music, she also conveys all of this power on stage as a person and an artist with a clearly good and gentle soul.  It’s a fascinating paradox.

Groves, though, clearly proves his mettle on this live album.  He’s absolutely fun to watch.  I wish I had better descriptives coming to my tired mind at the moment, but the word that keeps coming to me is “fun.”  And, I mean this in the best sense.  He’s playful and mischievous, but not at all self centered.  He’s the front man, but he leads as one of equals not as the cock on parade.

While I noted above that this is one very tight band, I also have to say this: while the band celebrates its friendship and art, we, too, should be celebrating.  It’s an honor, a privilege, and an inspiration to look at what Babb and Schendel have accomplished over the past two decades.  I could never even count how many hours of sheer pleasure they’ve given me, how many times they’ve inspired me, and how often they’ve demonstrated that good and light can exist in a world of darkness and chaos.