Top 10 Prog Albums of 2018: #1 Southern Empire – Civilisation

This year I have decided to unveil my year-end top 10 lists by following the order of my most frequent listens.

Usually I have preferred not to rank in any order (since being in a top 10 list is arguably enough of a distinction) or to attend to my more subjective emotional and intellectual responses to various features of musical excellence.

But this year (since the times they are a changin’), let’s try something new, and so I have decided to use the simpler and more objective criterion of the sheer quantity of listens.

I was surprised to discover that puts Southern Empire’s Civilisation at the top of the Top 10 Prog list for me. It took awhile for me to be won over fully to this album, but after diligently repeated listens I achieved this, and then continued to return to it again and again, because its four formidable tracks are just so gosh darn good.

“Goliath’s Moon” (9:12) has superb prog music, but the lyrics have always annoyed me as being ridiculously flimsy. I thought that, instead of singing about his stupid “diamond,” the space pirate should rather have been singing about an “angel” that he had been, against his will, compelled to sell into slavery — an action that he, lovesick for her, eternally regrets. In any case, the music is so good, I came to ignore this just complaint of mine, and to simply imagine my own better, more tragic lyrics while listening to it instead.

“Cries for the Lonely” is for me the supreme track. The first few minutes of the track are entirely instrumental, with some of the most thrilling prog of the year. And the excellence continues. Everything is dazzlingly perfect in this 19:13 epic.

“The Crossroads” (29:15) is even more epic and musically diverse. It took me awhile to know and love every bar of it, but there you have it. I listened to it enough times to acknowledge this track for what it is: a tour de force.

“Innocence and Fortune” (10:22) is a very unique song that midway veers off into some pleasingly familiar Genesis territory, in a surprising and delightful turn of events. But, most thrilling of all, is the wild finale, where we get some Dixie Dregs virtuosity, to close out the album, in its very final minutes, with uplifting and transcendent musicality.

Well, I do think I like this new rating system that I am trying out for 2018. And I am most pleased to recommend Southern Empire’s Civilisation to you as my top Top 10 Prog pick of the year. More anon.

 

My Apologies to Nad Sylvan

Dear Mr. Sylvan,

I owe you a huge apology. Last year in my review of your brilliant The Bride Said No, I said: “I feel that Sylvan’s 2015 album, Courting the Widow, played the Genesis card far too safely, making the album sound a bit stale.” Wow, was I wrong. I listened to it again for the first time since 2015, and it’s fantastic! I think The Bride Said No is better, but Courting the Widow is definitely amazing. It is not stale at all, and the Genesis comparison was simply lazy analysis on my part. It doesn’t really sound like Genesis at all. It is all its own. Sorry Nad! I’ll never doubt you again.

Yours,
Bryan Morey

Death of the World’s Greatest Classical Music Record Store: Killed by the 5 Ds

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Vancouver’s world famous Sikora’s Classical Records has been killed off by the Five Dirty Ds:

The big D is digitization, “downloads, MP3s, streaming.”

Another is downsizing — “people are moving into smaller places and are limited by space and can’t collect the way they used to”.

The third D is distribution — “getting hold of good reliable sources for import stock has been challenging”.

Number four is the desertion of some customers to online retailers like Amazon.

Sadly, the last D is “the demise of a generation that supported us for 20-30 years. We’re getting phone calls from their kids saying ‘My dad died, what do I do with all of his CDs?’”

One of the most loyal customers was Dr. Gabor Mate … “Sikora’s was the scene of the crime,” said Mate.

“I’ll tell you, it was the greatest classical music store in the world. I’ve been all over Europe and North America, and there was nothing like it. The knowledge they have about the music, the selection they have of all the different recordings and works … It’s a real loss.”

Sikora’s does have an extensive selection. Savenye thinks the current inventory is about 15,000 albums and 5,000 CDs. There are 16 bins of Bach CDs, for example, 13 bins of Beethoven CDs, and eight bins of Mozart.

“We’ve never had a digital Excel spreadsheet database,” said Savenye.

“We’ve never had anything other than a manual inventory. Data entry is me entering by hand with a fine-point sharpie the ordering code information on a little plastic slip that fits over a CD in a security box. We are classically old school in that way, and damn proud of it.”

Neglected Album: Asia – Phoenix

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I came across this nice history of Asia, which contains an appropriate appreciation for the most excellent but usually underrated and underestimated Asia album Phoenix:

In 2007 a new album was released, the first since Astra in 1985 by the same line up. Phoenix for me is one of the very best prog stories ever. We all know what prog was like in the early 70s… magic, wonderful, unparalleled music by the very best bands in history. But how many of them were still able to release such a fantastic album some 45 years later? Well, Asia managed that. Phoenix has beautiful and meaningful songs. “An Extraordinary Life” (Wetton’s Carpe Diem motto), “Never Again” and so many more.

The song I was closest to, however, was “Orchard of Mines.” I remember going to my local park in the countryside on New Year’s Day in 2009 and listening to that song with my beloved Sennheiser earphones, whilst enjoying a lovely walk in the snow. I was worried that I had cancer (which luckily later proved not to be the case) and somehow that song gave me the strength to relax and be strong.

The State of Prog 2018: Lightning Round Reviews, November 20-30

Based on these four new albums, progressive rock is doing just fine, thank you!  I’m not feeling the need for a Personal Progginess Perception scale this time around, so capsule reviews and ratings of this quartet follow the jump.

Continue reading “The State of Prog 2018: Lightning Round Reviews, November 20-30”

You’re a Mean One, Mr. Grinch: Metal Version

If people around you are already deploying Christmas decorations and Christmas songs — which is ridiculous, because it is not even Advent yet — then here is Progarchy’s way for you to make your own most appropriate contribution to the prematurely festive atmosphere:

“You’re a Mean One, Mr. Grinch,” in a killer metal version by Small Town Titans.

Download the track and put it into heavy rotation for the holidays — or all year round!

Riverside Live in North America — Coming May 2019

From Riverside’s website:

“Dear friends from US and Canada. Will you find time to see us in May 2019? We have a great pleasure to announce all these dates and places.

North America Wasteland Tour 2019:

  • 05/03‬ Atlanta, GA, City Winery
  • ‪05/04‬ Lake Park, FL, Kelsey Theater
  • ‪05/06‬ Carrboro, NC, Cat’s Cradle
  • 05/07‬ Baltimore, MD, Baltimore Soundstage
  • 05/09 Jersey City, NJ, White Eagle Hall
  • 05/10 Philadelphia, PA, World Cafe Live
  • 05/11 Brooklyn, NY, Warsaw
  • 05/12‬ Cambridge, MA, The Sinclair
  • ‪05/14‬ Quebec City, QC, Imperial Bell
  • 05/15‬ Montreal, QC, Club Soda
  • 05/17‬ Toronto, ON, Mod Club
  • 05/18‬ Detroit, MI, Magic Stick
  • ‪05/19‬ Chicago, IL, Chop Shop &1st Ward
  • 05/20 St.‬ Louis, MO, Delmar Hall
  • 05/22‬ Dallas, TX, Gas Monkey Bar & Grill
  • 05/24‬ Boulder, CO, Boulder Theater
  • 05/25‬ Salt Lake City, UT, Metro Music Hall
  • ‪05/27‬ Phoenix, AZ, Crescent Ballroom
  • 05/28‬ Pomona, CA, The Glass House
  • 05/29‬ San Francisco, CA, Slim’s
  • ‪05/31‬ Portland, OR, Hawthorne Theatre
  • ‪06/01‬ Vancouver, BC, The Rickshaw Theatre
  • 06/02‬ Seattle, WA, The Crocodile

See you there!”

 

A Farewell to Kings: Iconic Stories of the Death of Record Stores

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Shakespeare’s Richard II says,

For God’s sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison’d by their wives: some sleeping kill’d;
All murder’d: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear’d and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour’d thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!

Once upon a time, up until only ten years ago, A&B Sound was the king of record stores in Vancouver:

There was a time when a stretch of Seymour Street in downtown Vancouver was a mecca for music lovers.

Long before Spotify playlists and Soundcloud uploads, fans would seek out new music by strolling the aisles of independent record shops like Odyssey Imports, Track Records, and Collectors RPM — which had a Beatles museum on the top floor — or chains like A&A Records and Sam the Record Man.

Tucked under the arms of many who walked along Vancouver’s so-called “Record Row” were square, bright orange plastic bags containing albums bought at A&B Sound, a record store chain that at one point dominated music sales in B.C. and had stores in Alberta, Saskatchewan and Manitoba.

“We had customers back then who spent the entire day there,” said Lane Orr, A&B Sound’s former vice-president, of the flagship Seymour Street location. “They’d be there in the morning when you opened at 9 and they’d still be there at 6 and they had an armload of of classical and jazz [records] and whatever else.”

Founded in 1959 by Fred Steiner, A&B Sound prided itself on selling a deep catalogue of music at rock bottom prices. Their relentless pursuit of bargain prices frustrated competitors and distributors. In its prime it had enough size and influence to ensure that customers in western Canada enjoyed some of the lowest music prices in North America.

“The prices were incredibly low,” said David Ian Gray, a retail analyst with DIG360. “They were benchmark pricing that other retailers had to fall in line with.”

“We were very polarizing in the industry,” said Bob Hitchcock, A&B Sound’s former senior director of marketing. “I think some of our competitors and some suppliers that we didn’t do business with considered us to be sort of cowboys in that respect.”

Hitchcock said A&B’s competitive prices on records and CDs built customer loyalty.

But then came the Internet:

For the longest time, A&B’s business model worked. At its peak, the company had 60 to 70 per cent of the local music retail business and $300 million in annual sales, according to a 1993 Financial Post report.

Hitchcock said the company explored the idea of using its deep catalogue to start a music streaming service in the late 1990s, but it never got past the discussion phase.

In 2005, A&B Sound applied for bankruptcy protection, claiming it owed creditors more than $50 million.

The chain said it had revenues of approximately $200 million in 2004, down from about $300 million in 2001.

U.S.-based Sun Capital expressed interest in buying the company, but it was ultimately sold to Seanix, a Richmond-based computer manufacturer, for an estimated $25 million.

The company wasn’t able to turn things around and closed stores.

The flagship Seymour Street location closed in August 2008. Months later, on Nov. 7, 2008, A&B Sound quietly declared bankruptcy, ending a business that lasted nearly five decades.

The story is familiar, but Canada lost one of the greatest record stores that ever existed, with a physical selection of music the size of which will sadly never be seen again:

Although A&B did its best to expand into computers and other forms of consumer electronics, the company was ultimately a music store, and no amount of business savvy could have saved it from the sea change of digital music and streaming.

In the 10 years since its bankruptcy, there has been something of a record store renaissance with small independent retailers catering to audiophiles who prefer the vinyl to digital. Major retailers still sell CDs.

Gray says that even though there is still an appetite for physical media, A&B Sound’s size — too big to be a boutique record store, too small to compete with box stores — would have made it difficult to survive.

Gray and others say there’s nothing the one-time retail giant could have done.

“It’s just one of those iconic stories of the death of a sector because of the internet and no matter how good they were they just weren’t able to withstand what was happening with online music.”

When I worked in downtown Vancouver, I used to browse the Seymour Street record shop every day on my lunch hour. I limited myself to buying only one CD per day. The deals were so incredible, it was a hard limit to keep.

What a time. It was a truly wonderful experience, like visiting a magnificent castle, full of treasures. I feel sorry for those who never knew it.

A Deeper Shade of White: Notes on “The Beatles”

In the 1997 movie Men in Black, Agent K (aka Tommy Lee Jones) spoke truer than he knew:

This is a fascinating little gadget.  It’s gonna replace CDs soon.  Guess I’ll have to buy ‘The White Album’ again.

Fast forward to the 50th anniversary Super Deluxe edition of The Beatles — my copy is #0112672, if you’re interested — my fifth purchase of the 1968 album.  Following the first CD release in 1987, Agent K’s prophecy was swiftly fulfilled, with 1998’s “30th anniversary limited edition” (CD #0438243), then 2009’s mono and stereo remasters each promising better sound and a more complete listening experience.  So does this new box provide anything previous versions haven’t?  And does it shed any new light on the “White Album’s” ultimate stature, both in the Fabs’ catalog and in rock history ?

Continue reading “A Deeper Shade of White: Notes on “The Beatles””

Bent Knee in Vancouver, Canada @bentkneemusic

When it comes to merch, it’s always best to buy direct… especially from the lead guitarist and bass player!

Bent Knee rocked Vancouver, Canada, last night, and Ben Levin and Jessica Kion had fun meeting the fans.

They hung out selling their Bent Knee goodies during the subsequent sets by Leprous and Haken, for whom they opened.

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Their set was perfect, with an ideal blend of diverse musicality, culminating in a massive headbanging version of “Holy Ghost” that set the stage well for what was to follow:

Egg Replacer
Way Too Long
Hold Me In
It Happens
Golden Hour
Holy Ghost