Day two of my half-year round-up of the best music released during the first six months of 2018. I still can’t believe that we have reached this stage of the year. But then again, when I look back at all 62 reviews that I have completed so far, I begin to realise just why the […]
2018 has easily lived up to the hype and it has delivered some amazing music during the first six months of the year. I thought it might be a good idea to take a look at the 62 reviews that I have completed to date and pick some of the highlights. Call it a mid-way […]
Radiant Records–the company founded and owned by Neal Morse–is having a three-day sale, with the wonderful tagline, “Prog more, spend less.”
The sales are on cds/DVDs/ and/or blu-rays of MORSEFEST2015, SNOW LIVE, SIMILITUDE OF A DREAM, ALIVE AGAIN, KaLIVEoscope, TESTIMONY 2, MOMENTUM, GOD WON’T GIVE UP, and SO MANY ROADS.
Frankly, all specular releases.
To go to the sale (which ends this Friday), go here: http://www.radiantrecords.com/category/191735-bargain-bin.aspx
Let me just admit, I’ve been jealous of my excellent friend, Kevin McCormick (and fellow progarchy editor), for years. He’s been the proud owner of an original edition of Talk Talk’s special box set of b-sides from LAUGHING STOCK for some time. The set goes under a variety of names including LAUGHING STOCK CD SINGLES as well as AFTER THE FLOOD set. I’m guessing that Verve wanted it to be somewhat mysterious.
The cool thing–and remember, CDs were pretty new when this thing first came out 27 ago–is that the three CDs form a complete James Marsh picture.
Yesterday, I had the chance to offer smallish reviews of a number of physical CDs that have arrived at progarchy HQ. Today, I continue with part II.
First up, Krakow’s MINUS. I must note, there’s nothing that Norway’s Karisma label releases that doesn’t interest me. The label is one of the best up-and-coming labels out there, offering everything from shoe-gaze prog to black metal. As far as I know, Krakow fits into something more akin to black metal than it does into shoe-gaze prog. I’ve asked metal master, Mahesh, to review this, as I’m simply not capable of understanding what’s going on. I like what I hear, but I have no reference for it. it just seems impenetrably dark to me. Not in a bad way. In fact, I like it. But, listening to it is akin to me listening to Hindi. I like the sounds, I just don’t have a clue what’s going on.
Artist: Atrocity Album Title: Okkult II Label: Massacre Records Date of Release: 6 July 2018 What is ‘success’ in a heavy metal context? Is it being as popular as Metallica, with the ability to sell out arenas on each and every tour? Or is it a career of hard work, consistency of quality and a […]
Meshuggah drummer Tomas Haake shared an update on the band’s new album and future plans in general, telling Hayley Leggs during a recent interview: “We’ll do a few more shows now in the summer, and then we’ll do probably South America in the fall. And apart from that, we don’t really know at this point. “We’re…
via Next MESHUGGAH Album Won’t Come Before 2020 — Prog Sphere
Planning to travel is an emotional, physical and financial commitment to drop your life and go out to these healing ceremonies aka Tears for Fears concerts for long stretches at a time. The comforting twist in this year’s plans were the postponed shows were already re-booked and online with lightening speed while many pondered and […]
via Fan Life – Reflections by Cindy P. — Tears and Kooks International (Tears for Fears Travel Fans)
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Mini Moogs: Micro Reviews, Part I
Some rather extraordinary physical CDs have arrived at progarchy HQ recently. Here’s a run-down of each, listed in no particular order—except how they’re stacked on my desk.
The top of the stack is from Estonia, Põhja Konn (meaning, in English, “The Dragon (or, strangely, enough “frog”) of the North”). This is pretty amazing prog, though I have no clue what the lyrics or the CD-booklet state. Embarrassingly enough, I thought the language was Finnish at first, only to realize—after some searching—that it’s Estonian. I must admit, I love the art of the packaging—a cross between an Phish’s JUNTA and Big Big Train’s THE UNDERFALL YARD. The music itself is unapologetically 1970s prog—with Squire-like bass, Howe-like guitar, and Banks-like keyboards. That I don’t understand the lyrics actually makes this release even more interesting, as it adds more than an element of mystery to this whole thing. Highly recommended.
Progarchy 