Music: Giving the World a Rhythmic Sway — The Imaginative Conservative

“Music, too, is nature.” – Sound and Symbol by Victor Zuckerkandl This essay explores the differences between two perspectives on music: one ancient, one The post Music: Giving the World a Rhythmic Sway appeared first on The Imaginative Conservative.

via Music: Giving the World a Rhythmic Sway — The Imaginative Conservative

Lacuna Coil – Delirium – Album Review — The Blog of Much Metal

Artist: Lacuna Coil Album Title: Delirium Label: Century Media Records Date Of Release: 27 May 2016 I have been a fan of Lacuna Coil since the early days of ‘In A Reverie’ and ‘Unleashed Memories’, the latter of which remains a favourite to which I return quite frequently. I loved the melodies, the slightly Gothic […]

via Lacuna Coil – Delirium – Album Review — The Blog of Much Metal

Big Big Train’s FOLKLORE Arrives in Michigan

It’s not everyday that a Big Big Train album appears in my mailbox.  An immense thanks to Kathy Spawton and Greg Spawton for sending it, and to the band for signing it!

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Veronica Rose celebrates with SONGS FROM THE BIG CHAIR, BBT style.

Continue reading “Big Big Train’s FOLKLORE Arrives in Michigan”

Flow & Balance: The Exquisite Beauty of Folklore

What are the ingredients of a truly great album?

Well there’s the songwriting, of course: that’s a given. Likewise the performances of the players. But what else?

The overall sound that a band produces is important, for sure – the choice of instruments and how they’ve been employed in service of the songs, and how well the different qualities of those instruments have been balanced. And let’s not overlook other aspects of the production: the overdubs, the mixing, the mastering and so forth. (I’m sure we can all think of good albums that have suffered from a lack of attention to the latter.)

I think there’s one other underrated ingredient, however. For want of a better word, I call it flow: the way in which the different tracks on the album fit together and contribute to the experience of listening to an album as a whole. Note that I’m not talking particularly of concept albums here (although flow is a highly desirable quality of these). An album can flow well even if there is no story or common themes to link its songs together.

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Hackett’s Clip: Lamb Lies Down

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Steve Hackett by Anne-Catherine de Froidmont

MAY 31ST, 2016

FOR IMMEDIATE RELEASE
WORLD-RENOWNED GUITARIST/COMPOSER STEVE HACKETT  REVEALS “THE LAMB LIES DOWN ON BROADWAY” CLIP
 
VIDEO TAKEN FROM 2CD/2DVD, BLU-RAY “THE TOTAL EXPERIENCE LIVE 
IN LIVERPOOL,” DUE OUT WORLDWIDE JUNE 24TH VIA INSIDEOUT MUSIC
 
(New York, NY) – World-renowned guitarist/composer Steve Hackett has just revealed the first clip from his forthcoming 2 CD/2 DVD, Blu-Ray package THE TOTAL EXPERIENCE LIVE IN LIVERPOOL.  The video for “The Lamb Lies Down On Broadway” can be viewed here.  THE TOTAL EXPERIENCE LIVE IN LIVERPOOL will be released worldwide on June 24th via InsideOut Music and was filmed during Hackett‘s Acolyte To Wolflight With Genesis Revisited tour last year.  Celebrating the 40th anniversary of his first solo album VOYAGE OF THE ACOLYTEand following his latest album WOLFLIGHT, the Acolyte To Wolflight With Genesis Revisited Tour was Hackett‘s effort to represent the many chapters of his career. Featuring two sets – one highlighting his solo work, the second paying tribute to Genesis – the two hour performance was greeted with enthusiasm by both fans and critics.  A trailer for the release can be seen here.

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Airbag’s DISCONNECTED: The Spirit of Mark Hollis and Rick Wright

Review of Airbag, DISCONNECTED (Karisma, 2016).  Tracks: Killer; Broken; Slave; Sleepwalker; Disconnected; Returned.

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Airbag, DISCONNECTED (Karisma, 2016).
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IDENTITY (2009).  It could be none-more-Talk Talk.

 

When Airbag first appeared on the prog scene with their extraordinary album, IDENTITY (2008-2009), they seemed a fascinating cross between Pink Floyd and Talk Talk, at least in their influences.  Or more accurately, perhaps, imagine Pink Floyd performing Talk Talk songs.  Even the cover of IDENTITY looked like something James Marsh would’ve painted.  The atmosphere the band created—at least in the studio—was nothing short of astounding.  Moody, driven, and meaningful.  One might be tempted to call their music prog shoe-gaze.

Their first and only (as far as I know) live release, LIVE IN OSLO, proved just how amazingly talented the four members of Airbag are.  After hearing them live, no one could dismiss them as a studio band merely.  As much as I liked IDENTITY, it was the 24 minutes of LIVE IN OSLO that utterly blew me away.  Upon my first listen to this short album, I knew this band was something special.

Continue reading “Airbag’s DISCONNECTED: The Spirit of Mark Hollis and Rick Wright”

Numbers

A new video from Frost*’s just-released album Falling Satellites went live this morning, and pretty cool it is too!

Concert Review: Portland Finds The Cure in Ridgefield — Drew’s Reviews

Their last trip to the Portland, OR area came more than a decade ago and it’s been nearly as long since they released an album of new material but regardless the 15,000 strong who packed the Sunlight Supply Amphitheater in Ridgefield, WA on Saturday definitely know the Cure. The Robert Smith fronted group played 34 […]

via Concert Review: Portland Finds The Cure in Ridgefield — Drew’s Reviews

Interview with ABRAHAM SARACHE

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Abraham Sarache put out his album “The Gardener” not so long ago, and on June 24 he will play a special event that will be captured as a live recording for the future release. The concert will be at Volta in Amsterdam and Abraham will play songs from “The Gardener”
Hey Abraham. How are you doing?
 
Great! Excited about our upcoming performances
 
 
You released “The Gardener” recently. How do you feel about the release?
 
Good, It is like having a child and watching him/her grow up.
 
 
How much of a challenge was it to work on the album?
 
It was a big challenge since I composed, played and recorded all the instruments in the album. A long journey for sure.
 
 
What other artists similar to your genre that are coming from Amsterdam are you friends with?
 
Not many since I moved to Amsterdam on november 2015, but I had the pleasure to get in contact with Amikdla and the singer of Synergy Protocol.
 
 
What is your opinion about the current progressive rock scene?
 
I think is growing up, but we need to stay together to be stronger. Creating more festivals and events for progressive rock/metal bands.
 
 
 
Can you tell me something about your influences?
 
80’s and 90’s definitely. A perfect Circle, Deftones, Faith No More, Alice in Chains, Muse, Queens of the Stone Age, Sonata Arctica, Porcupine Tree
 
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What are you listening to these days?
 
I am listening to a lot of different stuff. For example: Chelsea Wolfe, Fleshgod Apocalypse, Leprous, Dream Theater, Eddie Vedder, Gojira, Ramage Inc, Septic Flesh
 
 
 
Your 5 favourite records of all the time?
 
Mer de Noms – A perfect Circle
 
White Pony – Deftones
 
Octavarium – Dream Theater
 
01011001 – Ayreon
 
Perpetual Burn – Jason Becker
 
 
Can you tell me a little bit more about the gear you use to record “The Gardener”?
 
I used a particular folk instrument from Venezuela. The Venezuelan Cuatro
 
I got a customized electric version that combines the Venezuelan Cuatro and the Cuban Tres(Cuatro Tresero) built by genius artisan Roberto Bonaccorso from BonaCuatro Instruments.
 
I used also Makala ukuleles, Framus acoustic guitars tuned in drop B, Hughes & Kettner Tubeman for solos, Ibanez SR505 bass, Tama Superstar with a lot of splashes and a Korg Kaossilator Pro for the synths
 
 
Besides the release of the album, are there any other plans for the future?
 
Yes. Many more. By now we are focused on live performances, but in autumn we will get back to the studio to compose a release for 2017.
 
 
Any words for the potential new fans?
 
If you like alternative rock and enjoy complex technical musicianship without leaving expression behind, check us out. This is just the beginning.
Visit Abraham Sarache’s website for more information about his work.