Like millions of other fans around the world, the death of Keith Emerson was the most terrible shock, especially as he took his own life believing that his ability, through his incredible musical virtuosity, to bring of joy and pleasure to so many was at an end.

This is my tribute to an incredible talent and a legend who helped to shape the soundtrack to my life.

“Get off your Hammond and drink your milk!” *Remembering Keith Emerson*

Well, well well ….. what a surprise this one is.

I like Haken a lot, but they also have this annoying tendency to be a bit light-hearted and throw-away with some of their stuff.  I understand that a lot of people like this side to their attitude but their last live performance I saw in Manchester, they turned up in silly Christmas jumpers and seemed to joke their way through their rushed set.

The rush was partly due to the support act – Leprous – who frankly blew Haken away for me that night. They gave an absolutely stunning, tight and dynamic performance which was pretty much impossible to follow, particularly with Christmas jumpers on ….

However, the first time I saw Haken it was different. They played a packed venue in London with people literally hanging from the rafters. I remember it well because I forgot my ticket and left it in an outlying Vicarage. Thankfully a bit of blagging and crossing of palms with extra cash meant I witnessed one of the best gigs I’ve been to. No silliness, no frippery, just a brilliant set showcasing their magnificent ‘The Mountain’ album.

So, on to ‘Affinity’, a very welcome release from Haken and one which harks back to that night in Manchester for one reason only – Leprous.

Touring together must have paid dividends because one or two tracks here have superb synchopatic riffing that could just as easily be from a Leprous album. The second track in particular, ‘Initiate’, gets things under way in spectacular style following an atmospheric opening segue of electronic noise which I would assume will be the opening to their next live sets – very effective indeed.  In fact Einer Solberg from Leprous is a guest vocalist on the epic 15 minute track ‘The Architect’ cementing the close associations the bands must have formed.

As good as ‘The Mountain’ was, it’s refreshing to see a band go out of their way to avoid repeating a successful formula and ‘Affinity’ is striking for the way it adds completely new sounds and textures and provides a thrilling  direction for Haken to explore.

Yes, there are still the same crunching, complicated riffs and rhythms and layered vocals, but the overall sound is more immediate and catchy. Perhaps this is because of their aims to root ‘Affinity’ in the sounds of the 80’s, or maybe it’s because the songwriting has this time been a team affair rather than purely Richard Henshall (keyboards) and Ross Jennings (lead vocals) but whatever the reasons, the results are quite spectacular.

On ‘1985’ there are energetic and uplifting keyboards and synths that reflect the year in the song title but in no way does this become a trite pastiche to that era.  No – Haken take the best parts of the 80’s and wrap it around their own technically gifted and melodic talents to produce some soaring moments that will surely stand out on any ‘Best of 2016’ lists.

I mentioned earlier the propensity for jocularity with Haken’s material but ‘Affinity’ to me is a huge step forward and suggests a seriousness and maturity about their songwriting and performance that could propel them into another league.

The sound is big, the songs are well structured and written, there is just enough fret trickery without descending into Dream Theater nonsense and there is a cohesive and balanced feel to the whole album.

The last few moments of the final track, ‘Bound by Gravity’, has an almost Sigur Ros feel of exhilaration and passion with an atmospheric build up that grows and grows until we reach a final, beautiful release – this should be superb in a live setting.

So, there we are.

A quick review which others will expand on in great detail I’m sure, but I hope I have captured the vibe and feel that will be a joy for existing and new fans of Haken alike.

[This post is not an official Progarchy position on this topic. I speak only for myself, not for the writers of this great website – Bryan]

Musicians being vocal about their political leanings is nothing new, but it is still obnoxious. Rarely does much good come from a famous musician sharing their opinion about some political person, government, or law. Instead, it pisses people off. I don’t know why many continue to do it, because you are bound to anger or alienate somebody, especially when you have a lot of fans.

I’ve noticed that some of the worst in the prog world are British artists responding to American politics. The British people are great. I loved my time in England, and, honestly, if it weren’t for their politics, I would consider moving there permanently. However, as an American, I can truthfully say that I don’t want the musicians I listen to from other countries commenting on my country’s government, political system, elections, or traditions. We have guns here. Get over it. We aren’t socialist. Get over it. We might elect Donald Trump. GET OVER IT. And certainly don’t share on your social media about how stupid you think Americans are because of the way we do things. If you aren’t an American, then you likely have not made any effort to truly understand the reasoning behind our laws. All you’re doing by sharing your anti-American opinion is alienating some of your US fans. Maybe we will think twice before paying for your albums or buying a ticket to one of your shows.

Mike Portnoy understands the idea of keeping politics to yourself very well. I follow his social media fairly closely, and not once have I seen him moan about some political issue. He is a musician and an artist with a lot of fans, and he knows that whatever he says will likely upset some of them. By keeping his mouth shut altogether on those issues, everybody stays happy. Look at the flack Neil Peart got after that awful Rolling Stone interview. I know my opinion of the great drummer certainly went down (temporarily) after hearing him bash an ideology that I am favorable to. I’ve never had that happen with Mike Portnoy, because he keeps his political opinions private.

In summation, a word of advice to non-American prog musicians: many of your American fans are actually quite conservative and do not appreciate you bashing their beliefs or insulting them because they believe it. It is better to keep your mouth shut then it is to open it and tick people off. Prog already has a hard enough time gaining traction – please don’t make it worse. Thank you to all of the artists (a majority, likely) that follow this general rule. We love your music and your art. Thank you for not confusing it with divisive political garbage.