DAAR: All About Gifts

Daar - One Way Expedition

Serbian instrumental prog rock band Daar just released their debut album “One-Way Expedition,” a very eclectic release that has to offer so much. As they put it, DAAR uses “all available musical tools to tell different stories with different atmospheres and emotional territories.”

The band was very kind to introduce us to their work.

Thank you for having time to answer some questions. First of all, introduce us the band Daar. What does the band name refer to?

Hello music lovers! First of all we want to thank you for showing interest for our work and let us introduce to your readers (hopefully our future listeners).

In today’s world people often take for granted everything that we have nowadays and that let us live quality and happy life. We often act like we have right to take everything that we want, as much as we want, regardless consequences that might have to other people and environment. In this atmosphere we lose sense of gratitude. We often forgot that almost everything we have is a gift. Gift from God, gift from nature, ancestors, other people…

DAR means gift on Serbian language, so using that name we try to be more aware of that fact and at the same time become more opened to surrounding world which than becomes our source of inspiration. By adding another “A” and becoming DAAR, we wanted to give this name a unique stamp and make it sound more musical.

Would you mind telling us about your musical background, as well as education?

DAAR has been created as some sort of reunion of old friends musicians. We all cooperated on some projects in the past. Nebojsa (drums) and Oliver (lead guitar) have been members of one of the first progressive bands in Serbia called “Talisman”. Band was active in 90’s, but situation in ex-Yugoslavia during that period (war and economic crises) prevented us from bringing our work to wider audience.

After that period we all went separate ways. We all thought that book is closed… but after early death of our bass player Tomovic Aleksandar, we wanted to spend some time together and honor his life by playing some of our songs again. But chemical reaction started again and we found ourselves in creative state again… after that, Sasa Kostic (bass) joined the band together with his brother Ivan (guitar). DAAR has been completed.

Except Sasa Kostic, none of us has formal musical education. We all started to play instruments purely from enthusiasm as a teenagers. So at that time it was already too late for formal education. However, being in love with music, we spent a lot of time learning from all possible sources.

We had to find the way by ourselves.

You recently released your debut album “One-Way Expedition.” How was the creative process for it?

As I mentioned, once we gathered again, everything started like some chemical reaction. In some way, we were observers of what was happening. 🙂 And when you feel that wave of creativity, you don’t have other option but to stand on the board and surf. Interesting thing is that only after some pieces are already created, we seat back and analyze the whole thing. Then, it turns out that there was already deep meaning in music we created even before it came to our conscious mind. We all really have some secret life deep inside.

“One-Way Expedition” is a very eclectic release. What do you think I should describe Daar as to my friends? The real question here is, what do you guys consider the music of Daar to be?

If you try to analyze impacts that world has on you, from widest possible perspective, you can recognize that they are completely different in nature. If you try to give appropriate response to that as an artist, you need to master some isomorphic skills. Regarding that, we like to experience completely unrelated styles of music and other arts. So that approach influences our creative process as well.

This eclectic music must have a wide range of influences and inspiration. Would you guys mind enlightening us as to some of the influences you haven’t mentioned already?

DAAR is basically guitar centric band. So, our generation has its first baby cry in cradle of late 20th century guitar heroes, while legends like Joe Satriani, Steve Vai, Yngwie Malmsteen etc. already played with their toys.

So, that was our first milk as guitar players. Later on we tried to build our unique voice and style, we discovered other musical styles, like classical music, jazz etc. We were listening and learning from all type of musicians but we still like to play with quite a bit of distortion 🙂

Can you think of some moments where musical homages have been included in Daar’s tracks?

First song on this album, Portal, has a lot of changes, quickly touching different musical grounds (Heavy Metal, Flamenco, Latino, some Jazzy moments and few more if you listen carefully). Just like traveling through some wormhole, with warp speed and fast passing by different worlds. This song might be considered homages to various music styles.

Also closing song “One-Way Expedition” in the second part touches the ground of classical music. Basic reason is that at that moment whole album transcends into more spiritual sphere. We tried to achieve that by removing intense drumming and introducing some classical instruments (strings, flute, glockenspiel and harp) which make song becoming more fluid and esoteric.

What’s the live experience with Daar like? Any plans for a tour somewhere down the road?

It’s been a while since we stand in front of an audience. Now, when album is released we are eager to see how it will sound live. Basically, material is really playable… so we think that it has a lot of potential for live performance.

For now we can plan concerts in Serbia but we hope that there will be opportunities to present our music to people all over the world in the near future.

What have you been listening to recently? Also, would you tell us what your all-time favorite albums are?

The best thing with music is that there are always some new artists with fresh and unique ideas.

When it comes to guitar it’s amazing how it constantly evolves. One of the new artists that we are listening these days is David Maxim Micic. He recently released two new EPs: Ego and Eco. And there are always some interesting musicians involved in his projects. We like his music a lot.

Jakub Zitecky is also another young guitarist and composer that makes his way with unique approach and extraordinary playing skills.

Mokhatar Samba – extraordinary Afro drummer. List is long…

And it’s always nice to taste completely different atmosphere by listening to classics like Debussy or Philip Glass or whatever YouTube random engine brings to you 🙂
Some of the best albums of all time for us could be:

The Lamb Lies Down On Broadway – Genesis
Head Hunters – Herbie Hancock
Passion and Warfare – Steve Vai
Angel dust – Faith no more
Animals as leaders – Animals as leaders
And many more…

What kind of advice would you impart to other musicians? Do you have any words of wisdom or inspiration for other artists trying to make their mark?

Music is same as life. If you are mentally healthy person you want to live your life. 🙂 You can experience every aspect of it and enjoy all the moments no matter if there is someone to share it with you or not. You can enjoy being alone or being with few friends or bunch of people.

Same thing with music. If you love to play or compose, and you can’t resist that urge, you are already an artist. Are you successful? Doesn’t matter, one adjective more or less… 🙂

It’s always nice to know that other people enjoy your work… but if it’s only one person, it’s OK. It’s not just one person, it is one whole world. The main thing is that you do whatever feels natural to you, because, only that way, you can use your instrument to really connect with other people, rather than just play it (which is also cool).

Thank you again for agreeing to do this interview. I think I’m out of questions, so feel free to add anything you like.

Thank you for letting us give a quick introspective into our creative process. What is of more importance is that you presented our work to people that like progressive approach to music. We all try to move boundaries of playing and composing a little bit further. This is collective task of all musicians involved in this approach. If we give our contribution to that task, that would be a great achievement. If there is someone out there that will enjoy our music or maybe get inspired for his/her own creativity we would consider our mission successful. Anyway, we already had a great time creating this album and we want more. 🙂

“One-Way Expedition” is availably from Bandcamp for measly €5.

An appreciation of PHIL COLLINS: You’re not worthy

Allister Thompson's avatarMake Your Own Taste

2642616by Allister Thompson

I retired from blogging about music in July of 2015, after many years of frequent posting. My fingers and brain were tired. However, I am coming out of retirement for this one special post, one which I feel compelled to write. Anyone with an ethical bone in his or her body knows that we have entered a really weird cultural period, dominated by the Internet’s insidious role in life, every fool’s newfound outlet to spew whatever crap he or she wants, no matter how idiotic or hurtful. Cyberbullying, cyberracism, cybersexism, hey, call whoever whatever names you like. No one can stop it. One thing making the rounds this week was some jerk’s petition to demand Phil Collins not make a comeback to music. While this is not on the same level as insulting people’s race or sexual orientation, it still says something about the catty, superficial nature…

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Interview with SPLIT BEARING

Split Bearing

Split Bearing from Olomouc in Czech Republic are active since 2002, and last year they released their second studio album “Welcome to the Present.” Guitarist Mirek Reznicek and singer Petr Duliskovic talk about their work, playing live and more.

Your latest album was released in 2014. Is there any new material you are working on at the moment? What is comes next in the sound and history of Split Bearing?

M. R.: Yes, we are working on new material…

There is quite a lot of stuff we need to brush up on, review, innovate and compose.
In the second half of 2015 a new member came to the band – bassist Honza Duliskovic, who is a great asset for us. Not only gaining a player – but I think he is inventive too as well… so hopefully the new songs will be served soon.

Welcome to the Present
Let’s talk about playing live. How does Split Bearing look on the stage? What can you tell us about your performances?

M.R.: The concept of SB live performance regarding the songs, corresponds with the type of event.

When we played with Deep Purple, certainly our performance was not about rougher songs and conversely – when we share the stage with some power metal band, then we play a bit harder. 🙂 But the playlist is mostly universal for all.

SB love to perform live, we really enjoy every minute on stage, but still we have to try hard to gain more opportunities to appear at rock/metal gigs.

Are you satisfied with the reaction of audiences on your shows?

M. R.: Progressive metal is still marginal thing. Most of the time, when we perform at the festival or play at the club, mostly only the other bands are staring at us.

Unfortunately, we still do not have enough of a name to that can draw hundreds of fans, but we are happy beyond a few 🙂
 
Are there any plans for a European tour in the close future?

M.R.: Almost none… We really wish to get a chance to perform in abroad, we are working on it and hopefully something interesting will come in our way soon.

What are some of the issues you guys have come across before, during and after your live performances?

M.R.: Phew….the basis of the issue which we normally face to is that we are leaving concerts with “one pocket leaking and spilled second”…

Simply no celebration in terms of return.

Randal Club_Bratislava_2015
As you describe what you do as progressive metal, what is your opinion about the progressive metal scene today?

P.D.: There are a lot of bands playing this style nowadays and they are pretty good but for me personally not every band has “something” that will really catch you and force you to listen to it from beginning to end. So it’s not always only about great musicians but also the music they are able to create.

For example Anubis Gate or Circus Maximus – their songs are heavy, powerful, technical, catchy but mainly very melodic, one of the elements which I like the most.

What is your opinion on the new subgenres of progressive metal that are based on the term “modern”? Do you think that this makes the sound better or does it corrupt it?

M.R.: I like what new brings USA for example Periphery and their last double album… bambastic, heavy, and a modern sound.

It is true there were nordic Meshuggah with a math metal before Periphery, but this fusion of Periphery is awesome.

Maybe less of screaming, but that is just my opinion. 🙂
 
What is the progressive metal scene like in your country?

P.D. Unfortunately it is quite weak… In fact you can count them on fingers of one hand.  It is a pity and I am so sad about the music situation in our country.  That is why you must be really a big fan and dedicated to create a prog metal band here.

Recommend us some great bands from Czech Republic that we should check out.

Personal Signet.

Are you satisfied with where Split Bearing currently stands? What would you love to improve?

We are mainly satisfied with a new band management. In fact we never had a proper management.

I think this part is neccesary element and our fantastic Vilma really helps with PR and support us as much as possible.

And what would we love to improve? Definitely expand the scope of audience and fan base. Maybe one day we will succeed 🙂

Follow Split Bearing on Facebook.

Thieves’ Kitchen — The Clockwork Universe

Roger Trenwith has a great review of a great album; here’s a taste:

Amy Darby has one of those unaffected voices that trace a lineage of female contemporary jazz and folk singers back to Barbara Gaskin, Jacqui McShee, et al, and in places, even Joni Mitchell is brought to mind. The overall feel is of a decidedly folk-tinged Canterbury air, but fronted by the lush occasionally jazz, occasionally prog rock-styled guitar of Phil Mercy, who is certainly influenced by Steve Howe … and influences do not come much better than that. When Johan Brand is adding his best pounding Rickenbacker bass sound to the mix, then the “Yes go to Canterbury” bus is well and truly on the road, particularly so with the intro to Prodigy. Suffice to say none of this is plagiaristic or intentional, and the end result is Thieves’ Kitchen and no-one else.

An album to get lost in, the intricacy is combined with great delicacy on the baroque piano ballad Astrolabe and its instrumental companion, the beautiful closer Orrery, tracks that punctuate the longer vocal songs. Surrounding those two tunes we have all manner of complex instrumentation always delivered without bombast, complementing the theme of the album perfectly, which narrates stories of naturally imperfect human contact and interaction with precise science and technology.

The focal point of the album is the twenty minute The Scientist’s Wife, a tale of a spouse’s estrangement to her husband’s questing obsession, and a “long ’un” that fully justifies its length. The music drives along with purpose searching for the end goal in much the same way as the protagonist’s husband is striving for his own answer. It takes over five minutes before the “wife” makes herself heard, calming the building musical insistency to sing her lament for days past when she was the light of her husband’s eye, only to be slowly martyred on the altar of the grand experiment. Some lovely flute work from Anna Holmgren only serves to underline the melancholy…“When I sing, I sing alone; I’m fading to grey”. The experiment recommences, the band let loose amongst the unfathomable cogs and pivots. Some great guitar work from Phil bursts through the intricate turning mechanisms, before we return to melancholy, ending with “Charming strangeness, a beautiful mind” from Amy and followed by Anna’s sad flute. Quite lovely.

Flying Colors – “Second Flight: Live at the Z7”

Raw, precise, and inspiring, “Second Flight: Live at the Z7” is yet another taste of the virtuosity that Morse, Morse, Portnoy, LaRue, and McPherson provide for Flying Colors.

http://theprogmind.com/2015/11/05/flying-colors-second-flight-live-at-the-z7/

Unified Past – “Shifting the Equilibrium”

Read my thoughts on the new album from Unified Past.

http://theprogmind.com/2015/11/05/unified-past-shifting-the-equilibrium/

RUSH Premiere “Tom Sawyer” Video From “R40 Live” Film

Canadian rock legends RUSH will release their “R40 Live” concert film later this month. A performance clip of the song “Tom Sawyer”, taken from “R40 Live”, can be seen below. All roads have led to this. Forty-one years in the making, RUSH‘s “R40 Live” tour took a very real journey back through time. Beginning with the grand design: a state-of-the-art stage set that pivots,…

http://www.prog-sphere.com/news/rush-premiere-tom-sawyer-video-r40-live-film/

New STEVEN WILSON Album “4 ½” to be Released in January

22nd January will see the release of a new Steven Wilson album “4 ½”, so titled because it forms an interim release between Steven’s recently released fourth album Hand. Cannot. Erase. and the next studio album. 4 ½ comprises 6 tracks with a total running time of 37 minutes. 4 of the songs originated during…

http://www.prog-sphere.com/news/new-steven-wilson-album-4-%C2%BD-released-january/

LSD and the best cover ever of “Bohemian Rhapsody”

LSD = Lake Street Dive.

This is totally hilarious and completely awesome. One of the greatest covers I have ever seen and heard! Hat tip to Carl for alerting us to this.

A few comments from Carl:

I discovered Lake Street Dive via the work of lead singer Rachael Price, who is a fabulously gifted jazz singer. While still in a teen, in 2003, Price received an honorable mention at the Montreux Jazz Festival’s International Jazz Vocal Competition and the following year she was a semi-finalist and the youngest competitor in the history of the Thelonious Monk Institute Vocal Competition. Despite her impeccable jazz chops, she never received the sort of adulation heaped upon female jazz singers such as Diane Krall. In 2004 she began performing in Lake Street Dive, consisting of classmates from New England Conservatory of Music in Boston: Mike “McDuck” Olson (trumpet, guitar), Bridget Kearney (upright bass), and Mike Calabrese (drums). The band was the brain child of Olson and was originally envisioned to be a “free country band” (!). All four members have a deep background in both classical and jazz music, and all four have made known their love for 1960s R&B, soul, rock, and related music. And, in fact, the band first started to gain traction when a self-shot video of their performance of Michael Jackson’s “I Want You Back” went viral.

So, hardly a prog band! But anyone who prefers their pop to be quirky, smart, occasionally edgy, often fun, and always played with impeccable chops and taste, Lake Street Dive is the band for you. And they do have fun taste in cover songs, ranging from ABBA to Fleetwood Mac to Hall & Oates (their version of “Rich Girl” is smokin’, as they say) and Paul McCartney.

Their cover of “Bohemian Rhapsody” is part of a series of Halloween vidoes they’ve produced in recent years. On one hand, it is quite campy (perfectly fitting for a Freddie Mercury classic) and quite fun, but also impressively sang and played, with some rather brilliant instrumentation. At the heart of it all, as always, are the harmonies and the lead vocals of Price. (Anyone interested in 3:30 of vocal bliss should watch her sing “What Am I Doing Here”).