Here’s a little more fun for you for today’s “Metal Monday“…
Stryper — “After Forever”
a Black Sabbath cover from Stryper’s awesome new album: Fallen
Here’s a little more fun for you for today’s “Metal Monday“…
Stryper — “After Forever”
a Black Sabbath cover from Stryper’s awesome new album: Fallen
Prospective from Bologna, Italy recently released their debut EP “Chronosphere” on Bandcamp.
The first song on the six-track release is “Karma’s Lesson” which kicks off with an ambient intro, but soon enough takes its shape towards prog djenting, with vocalist Pietro Serratore clean vocals reminiscent of Tesseract’s Dan Tompkins. Serratore additionally does a lot of growling throughout the EP.
Immensely atmospheric “Dreamshade” is one of the band’s strongest representatives, as it defines in the best possible way what Prospective is about. Groovy guitars, effects and synth play are what makes this tune stands out, with vocals fitting perfectly to the overall concept. The mixture of post-rock, progressive rock, ambient and djent would be a stripped down definition of what this tune brings.
“Increase Pt. 1” is the slowest (read: the most atmospheric) and the shortest song on the EP; it’s dark and doomy and shows the other side of the band’s personality. The following “Increase Pt. 2” is 9-odd minutes long piece which in “short” summaries what these young Italians create. Serratore continues to shine, guitarists Davide Ruggeri and Luca Zini are nothing less short of showing their creativity and performance, and rhythm section comprised of Stefano Baldanza (bass) and Flavio Cacciari (drums) are on par with the rest of the band in terms of high quality performance. “Increase Pt. 2” is very riff-based piece, but guitar solos provide diversity.
“Explore” has a very Volumesque vibe and stands out with very matching clean vocals and melody in the chorus. This tune also knows how to groove. The closing “Chronos Speaks” sounds as the most prog tune on the record and is a great way to close this more than solid release.
All in all, the sound of “Chronosphere” is very good and powerful. This EP is definitely one of the stronger progressive/djent metal releases this year, and knowing that it comes from a newcomer on the scene it adds up to its value. Check it out!
Get “Chronosphere” on Bandcamp, and follow Prospective on Facebook.
Read about the surprising and elegant new solo album from Nad Sylvan.
http://theprogmind.com/2015/10/15/nad-sylvan-courting-the-widow/
Swedish progressive rock innovators Pain of Salvation have kept busy working on various new recording projects ever since their latest release, the semi-acoustic album “Falling Home” from November 2014. Having just returned from some successful shows in Russia, Pain of Salvation have now also announced a next string of shows in The Netherlands and Italy. Here are…
http://www.prog-sphere.com/news/pain-salvation-works-new-concept-album/
Seattle prog rockers Autumn Electric have returned with their fifth studio album “Star Being Earth Child” earlier this year. The album has an engaging story to tell, and it does it with support from music that is nothing less captivating. The album opens with “Infinite Islands Engulfed in the Silence,” a wonderfully fanciful, inspiring, and […]
https://progarchy.com/2015/10/16/review-autumn-electric-star-being-earth-child/
Seattle prog rockers Autumn Electric have returned with their fifth studio album “Star Being Earth Child” earlier this year. The album has an engaging story to tell, and it does it with support from music that is nothing less captivating.
The album opens with “Infinite Islands Engulfed in the Silence,” a wonderfully fanciful, inspiring, and original way to start. Michael Trew sings with the peculiar cadences, and the instrumentation is a hypnotic and robust journey from a subtle, theatrical arrangement to an enticing buildup that carries the same untroubled spirit and brilliant timbres as the music of early Pink Floyd. “Someday I Will Find Out Who You Are” launches a sequence of soothing performance lovely transitions and catchy, heartfelt melodies that are topped with Trew’s flute work. There’s a vital British essence about the combination that makes it quite endearing too.
Trickier rhythms and an emphasis on structural changes make “She Has a Supernova” stand out, while “Whose Garden Was This?” ventures into a surprisingly different direction, with folk tones and a meditative, singer-songwriter atmosphere offering a philosophical vibe. Trew layers his vocals beautifully, adding a bit more emotion to the playing field. “Virgil” begins on a similarly quiet and reflective note but soon piles on the prog rock virtuosity and madness, with synths, frenzy drumming, and equally wild guitar work showcasing just how eccentric and ambitious they can be.
The disc ends with arguably its most emotional piece, “One of Your Kind.” A mournful yet smooth and classy introduction eventually dissolves into an acoustic guitar sculpture. From there, the psychedelic vibe comes back with a faint ominous vengeance, as well as slight touches of alternative rock.
All in all, Autumn Electric can be very proud of this album. It’s their most complex record out to date, and it proves that there are still artists that know how to pay tribute but retain originality. Highly recommended.
“Star Being Earth Child” is available from Bandcamp. Autumn Electric are on Facebook too.

My good friend, the ever intrepid master of integrity, Tom Woods, and I had a blast talking about Neil Peart. We got into his drive, his honesty, and his politics. Enjoy.
http://tomwoods.com/podcast/ep-511-todays-tom-sawyer-neil-peart-rush-and-liberty/
“We interrupt our PROGramming to bring you this prog-related aside…”
When not dominating stages throughout the land with Rush, you’re likely to find Geddy Lee occupying choice seats behind home plate at Toronto Blue Jays games, seeing as how he’s a HUGE baseball fan.
With the band having wrapped their R40 tour and with the Jays having reached the American League playoffs for the first time since 1993, it’s pretty much a given that Dirk will be there if he’s in town.
In case you missed last night’s mayhem in Toronto, feel free to Google “Blue Jays Game 5,” find the highlights, and then click below to hear Geddy’s reaction to what he saw at last night’s game.
Geddy also talks about his baseball memorabilia collection, Hall of Fame pitcher Randy Johnson’s photographic contributions to the band, compares lead singers to starting pitchers and, if he could get into the Rock & Roll Hall of Fame or the Baseball Hall of Fame, which would he choose…and is Rush really done touring?
By the way, the Jays eliminated the Texas Rangers to advance to the American League Championship Series, so it’s a safe bet that we’ll see our favorite bass player even more this October!
“We now join our regularly-scheduled PROGramming, already in progress (and still on the same epic song, no doubt).”