Welcome to Day 7 of my Album of the Year 2014 countdown, where I bring you a new album every day (or as close to that as I can) that has impressed me over the past 12 months. And, given the strength of 2014, there’s no let-up in the quality of the albums that I bring you.
If you’ve missed any of the past 6 days or even if you’ve missed any of the past two years’ lists, the links to all of these can be found at the bottom of this post. Please feel free to explore and enjoy!
And now, with that out of the way, let’s concentrate on the Number 14 position:
Ne Obliviscaris
‘Citadel’
Season Of Mist
Superlatives get thrown around in music reviews with gay abandon these days it seems. ‘Amazing’ this, ‘awesome’ that; to the point where the sentiment becomes diluted and then, when…
Every December 21, which is written “21/12” in much of the world, is International Rush Day in recognition of the band’s breakout piece and album, “2112.” It’s not an official day, but you never know. It might become one before long.
In recognition of the big day, here’s Rush playing 2112 in 1976, the year the album came out:
Great book, read slowly to fully enjoy it “A very in-depth conversation from Rush’s start to the present. It is not a lot to read. You probably won’t rifle through this in a single sitting, and the author will likely challenge a lot of your interpretations of many of the songs. But more than worth considering the impact on Rush lyrics far beyond Rand and Aristotle…
Time flies when you’re having fun listening to great music! 2014 brought in a bumper crop of excellent music in general, and prog in particular. Here are my favorites of the year:
10. Robert Plant: Lullaby And …The Ceaseless Roar
Mr. Plant returns to his folk roots of Britain, and delivers a thoroughly enjoyable set of songs. A couple rock out, but this is mostly an acoustic tour de force that transcends any musical trends of the day.
Lunatic Soul: Walking On A Flashlight Beam
This album didn’t garner the rave reviews of his first two, but I still think anything Mariusz Duda produces is far better than 90% of anything else out there. “Treehouse” may be my favorite song he’s ever recorded.
John Bassett: Unearth
This album opened my eyes to entirely different side of Mr. Bassett’s talent, and I love it. I hope he does more music in this vein – thoughtful, melodic, acoustic pearls.
John Wesley: Disconnect
Mr. Wesley has been Porcupine Tree’s secret weapon when they play live, and on the side he has been quietly making extraordinary music of his own. Disconnect is his best ever, and it features the inimitable Alex Lifeson on “Once A Warrior”.
Gazpacho: Demon
It took me awhile to get into this album, but it was definitely worth the effort. It is a beautiful package, from the artwork and lyrics to the music itself. The subject matter is very dark, but listening to the entire album is a cathartic experience. It also has Jan-Henrik Ohme’s strongest vocals to date.
North Atlantic Oscillation: The Third Day
Their third album, and the third one to make one of my best-of-the-year lists. Soaring vocals, gorgeous string arrangements, a wall of sound that is indescribably exhilarating. If Brian Wilson produced Catherine Wheel, it might sound as good as this.
Cosmograf: Capacitor
A marvelous steampunk trip through metaphysical dimensions. Robin Armstrong’s imagination knows no bounds, and his musical talent matches it.
Flying Colors: Second Nature
Wow. No “sophomore slump” for this band. One of the many Neal Morse/Mike Portnoy projects that are active these days, Second Nature is an outlet for the more melodic side of their talents. Throw in the genius guitar work of Steve Morse, and this is an irresistible set of songs.
Haken: Restoration
Their Mountain album was my favorite of last year, and the only reason this isn’t number one is because it’s only 34 minutes long. I admit it – I’m greedy for more Haken music!
Transatlantic: Kaleidoscope
With Kaleidoscope, Stolt, Morse, Portnoy, Trewavas finally become a real group. On earlier works, you could tell which bits were Neal’s, which were Roine’s, etc. Every song on Kaleidoscope is stamped with Transatlantic’s distinctive sound, and it is a glorious one.
Usually live albums don’t make it onto my Top Ten lists, but this one is so impressive that it cannot be denied its rightful place among the best of the year.
John Wetton is an incredible vocalist who is unbelievably still singing as amazingly as he ever has. And the musicianship of everybody else takes these Crim classics even beyond their original versions!
Tracklisting:
1. One More Red Nightmare (4:41)
2. The Great Deceiver (3:38)
3. Lament (4:19)
4. The Night Watch (5:31)
5. Fallen Angel (5:47)
6. Book Of Saturday (3:07)
7. 21st Century Schizoid Man (5:25)
8. Starless (4:47)
9. Easy Money (5:27)
Produced by Jonathan Schang
Recorded live on October 17, 2013 at Reggie’s Music Joint, Chicago, IL
John Wetton — Lead Vocal
Leslie Hunt — Lead and Backing Vocals
Jim Tashjian — Guitar, Backing Vocals
Rob Clearfield — Keyboards, Additional Guitar
Patrick Mulcahy — Bass
Jonathan Schang — Drums
Robert Fripp never had Leslie Hunt singing backup, did he? Well, it was Crimson’s loss! She may humbly take the back seat here, but her superstar harmonizing vocals, and the occasional dazzling lead on a verse here and there, indelibly inject another entire dimension into these brilliant songs.
I can’t get enough of listening to this album. Furthermore, it even spurred me on to listen to Crimson’s entire back catalogue this year. That’s because Leslie and the boys here forcefully reminded me what the upper echelon of prog is really all about.
District 97 has assumed the mantle, and I can’t wait to hear their new studio album set for release next year.
This stunning album gets five stars and makes my Top Ten Prog Albums of 2014. I would love to see this band live someday. This album is proof that they are an absolutely killer live act.
Let us count the ways. . . . From the University of Notre Dame Observer, April 23, 1981, pg. 11. My apologies for the quality–it’s from a microfilm machine. A review of MOVING PICTURES.
Continuing with my Top Ten Prog Albums of 2014, let me say that Seven Impale came out of nowhere and blew me away this year with an incredible record. Jazz saxophones meets prog metal? Sounds like a psychotic recipe! But it works so well here. Listening to this record is like sitting in on one of the wildest jam sessions you will ever hear. City of the Sun is bursting with energy and passion and virtuosity. With this amazing album, Seven Impale have ascended into the upper echelon of prog achievement. Don’t miss it! A true delight.
Review: Rush, R40: The Completist/OCD Set (Anthem, 2014).
Birzer Rating: 10/10
R40, Anthem Records, 2014.
I had a very good and hearty chuckle when I saw that Bestbuy and the official Rush website offered not just R40— a 10-disc set of every Rush concert DVD released over the past decade+—but actually offered a “Completist” set.
The Completist set provides not just the 10 discs, but an extra disc containing roughly another hour-plus of video.The non-Completist version already includes over two hours of never-before-seen video.But, what self-respecting Neil Peart fan or Rush fan would not be a Completist.To be a Rush fan is to be a Completist!Being OCD comes easily for us Rush fans.
So, of course, I gritted my teeth and started exploring my local Bestbuys.20 years ago, I loved Bestbuy.Now, I find it suffocating.But, it was worth it.The Bestbuy website claims that R40 Completist set can only be purchased in the stores, not through the website.Exploring a bit further, I found that the Bestbuy website won’t indicate which stores actually have the Completist edition.For more than a few moments, I’d assumed Bestbuy had already sold out of it.And, perhaps playing up on this belief, a number of editions have appeared on Ebay (and other sites) asking for double and some even triple and quadruple what the Bestbuy price is. Sheesh. Uncool, folks.
Again, gritting my teeth, I started to explore the Bestbuys across the Colorado Front Range.I came very close to giving up.The young guys working at the various Colorado Bestbuys had no idea what I was asking for.Rush?Rush Limbaugh.He has concerts?Dear God, no!Even when they looked it up on the website (I assume they’re privy to one the public isn’t), they couldn’t find it.No, sorry, we don’t have that in our “media warehouse.”Will you get it in?I don’t think so.
Sigh.
How could I satisfy that perfectionist/OCD nature that has plagued me since 1967???Heck, Rush is only seven years younger than I am!
Then, after debating whether or not to try one last Bestbuy, I decided to give it a go.I was tired, disbelieving, and ready to get home.But, there was the Bestbuy, off to my left.I even had to swerve into the exit lane, as I couldn’t quite decide whether to try it or not.
After entering the store, itself overlooking I25, I looked in the music section.Nothing.I looked in movies.Nothing.
Holiday crowds swirled around me, each with that hungry desperate Holiday look, and insanely bad music blared from the store speakers.And, then, perhaps guided by a Clockwork Angel, I looked on the floor—a jumble of non-reshelved releases—ready to be stepped on.
And, lo and behold, there it was.Huge, gleaming, calling to me—the R40 completist set.I scooped it up (there were actually two copies, but I decided not to be greedy), and saw that the price was even cheaper than what the official Bestbuy price was supposed to be.I honestly don’t think these folks know what they have.And, of course, I bought a copy.
And, now, what do I think?Holy Moses.This is great stuff.Yes, of course, I already have most of what’s being offered.But, that which I don’t (or didn’t) have— is simply stunning.I’d expected DVD-size packaging.No, how could I forget?This is Rush.They don’t do anything halfway.The book is actually a full-size hardback book of the highest quality.Printing, paper, everything—a gorgeously crafted piece of art.It even smells good.
After a nice introduction by one of Rush’s chosen and favorite writers, Martin Popoff, the book presents a series of full-page concert photos.After two decades or more of just looking at CD and DVD booklets, the full-size photos just pop out of the book. A flashback to days of immense vinyl collections. I love the photos.And, they really do justice to the the three members of Rush. Geddy at Red Rocks, Alex in full working-man rock mode, and Neil as a G-Nome.Most importantly, the Rush monkey from Time Machine makes an appearance. Geddy-monkey never fails to get a laugh out of the whole Birzer family, especially Harry, age 9.And, our chosen family anthem, appropriately enough, is “The Main Monkey Business.”
After roughly fifty pages of photos, the book presents all 10 main DVDs in very high-quality cardboard.Indeed, the quality is so high, I have to be careful taking the DVDs out of their firm and tight sleeves.Very good for the long run.I was a little surprised that the bonus DVD—“Rush, R40 Completist”—had just been placed in a plain white envelope, stuck haphazardly in the book.I’ll have to pay special attention to this one so as not to lose it.Not very Rush-like, but still, overall, an excellent package and worth this one defect.
Rather than describe all of the content, I’ve scanned the content page—complete with the Completist add-ons. See below.
Is the set cheap?No.Is it of good quality?Except for the Completist DVD in the white envelope, of the highest quality.Am I sad to have paid so much for what I already (mostly) own?Absolutely not.Some of the best money I’ve ever spent.I’ll have this set, a thing of beauty until I die. Then, a little monkey Birzer will get it.
Continuing with my Top Ten Prog Albums of 2014: behold the new Vanden Plas. Allow me to add my track-by-track impressions.
Track one (3:52) starts off with a spoken-word introduction that together with the background music and a bit of singing builds a sense of anticipation. Then track two “The Black Knight” (8:29) lets us know we are unquestionably in excellently epic prog-metal territory. By the time track three “Godmaker” (5:24) kicks in, any doubts about whether or not the listener is in the presence of something extraordinary will have been removed. Clearly, this is an organically coherent compositional tour-de-force.
Track four (1:39) is a bit of a prelude that lets us catch our breath. But then track five “A Ghost’s Requiem” (3:56) is a completely surprising and unexpected transmogrification of sacred music tropes. This brilliant track cements the disc’s five-star status and forms a musical launch pad for the mind-blowing tracks that follow. Track six “New Vampyre” (6:16) and track seven “The King and the Children of Lost World” (7:52) continue to elevate the disc to new heights, which is quite astonishing, because standard practice is to lead an album with your finest material but here we have an unfolding organic whole and its accelerating excellence becomes more and more manifest.
Track eight “Misery Affection” (5:08) mellows out a bit and displays another side of the band’s remarkable skills. But just when we have been soothed by the stunning beauty of that brief pause in the intense metallic action, we are overwhelmed by track nine “Soul Alliance” (6:39), which together with its successor, track ten “Inside” (6:42), are my favorite parts the album, because their instrumentation and composition is sheer perfection. Together they tie together the entire album and bring things to conclusion in a brilliant way.
The final track, in fact, is absolutely the most satisfying conclusion to an epic concept album whole that I have heard in a long time. Really, I can’t recall feeling such excitement, other than with the similar way it feels to listen to the end of “2112” by Rush. The last two minutes of Chronicles Of The Immortals are pure dopamine-infused prog bliss. As those gigantic concluding waves of chords wash over us in the last two minutes, I am even reminded of some Rush tropes from the first half of the eighties.
Thanks, Vanden Plas. You have given us one of the greatest, most essential prog albums I have ever heard. What an amazing gift you have shared with us.