Big Big Train News: Live Video & More …

Straight from the horse’s mouth …

We will be releasing our new Blu-ray on 6th December.

The Blu-ray was recorded at our run of sold out shows at Cadogan Hall, London and features the best version of every song performed at the concerts, providing a full set-list from our 2017 shows.

The digipak includes a 20 page booklet.

There are two bonus performances and the Blu-ray features stereo and 5.1 mixes.

Region free.

Reflectors of Light (the Blu-ray companion to BBT’s 2018 Merchants of Light CD/vinyl set) is now available for pre-order from Burning Shed and The Merch Desk.  The Reflectors of Light track list:

Folklore Overture
Folklore
Brave Captain
Last Train
London Plane
Meadowland
A Mead Hall in Winter
Experimental Gentlemen (Part Two)
Swan Hunter
Judas Unrepentant
The Transit of Venus Across the Sun
East Coast Racer
Telling the Bees
Victorian Brickwork
Drums and Brass
Wassail

Bonus tracks:
The Transit of Venus Across the Sun (with reprise)
Summer’s Lease (recorded live at Real World studios)

Nellie Pitts’ Merch Desk also has plenty of swag from Big Big Train’s just-completed UK tour (signed tour posters, programmes, t-shirts, turntable slip mats, beanies and bamboo fans) too!

— Rick Krueger

Premiere: LUNAR Launch New Single “Comfort” Featuring HAKEN’ Guitarist Richard Henshall

Sacramento based progressive metal project LUNAR are back with a new single from the sophomore studio album Eidolon, out on November 8th via Divebomb Records. Premiering today is animated video for “Comfort” which features guest appearance by Haken’s Richard Henshall, who laid down an enticing guitar solo. Watch the video below.

Alex Bosson, drummer and founder of LUNAR, commented:

I’m very excited to get to debut the song ‘Comfort’ from the new album.  Already, this early on, it seems to be a fan favorite. I think it has a good diversity with some aspects of pop, rock and, of course, metal and I think it turned out really well. Plus getting to have a guest solo by Rich Henshall of HAKEN is a big honor for me. The video was done by Miles Skarin of CRYSTAL SPOTLIGHT and he did such a phenomenal job! I hope everyone out there enjoys the song and the video as much as I do!

Alex_Bosson
Alex Bosson

LUNAR has been around since 2013. Bosson and guitarist/singer Ryan Erwin’s goal to create the genre-defiant music resulted in releases of a debut EP Provenance (2014) and a full-length album Theogony (2017).

In the Spring of 2018, Erwin unexpectedly passed away, but Bosson decided to continue on the project using this tragedy as an inspiration. The resulting release, Eidolon, is a concept album based around the cycle of life and death, and the stages of grief endured by those left behind. 

The core line-up besides Bosson features bassist Ryan Price and singer Chandler Mogel, who previously appeared on Theogony, in addition to NovaReign’s guitarist Balmore Lemus. Eidolon also includes guest contributions from members of Leprous, Haken, Caligula’s Horse, Fallujah, Thank You Scientist, among others.

Stream a video for “Comfort” below, and pre-order Eidolon from Bandcamp here.

Eidolon track listing:

  1. Orbit
  2. The Cycle Starts Again
  3. Surrender
  4. Comfort
  5. Potion
  6. Hypnotized
  7. Your Long Awaited Void

Lunar_Eidolon

 

“For Entertainment Purposes Only”​: ​Lulu Lewis in Dub!

Don’t miss the great new dub versions of the latest music from Lulu Lewis…

And here is that new album of theirs, which we have previously brought to your attention, in case you have somehow missed it…

Terminator: Dark Fate (Movie Review)

image

We love classic sci-fi here at Progarchy, so how could we not attend the opening night of Terminator: Dark Fate?

Listen to our Progarchy Podcast movie review below, recorded live in the theater as the closing credits were rolling…

Album Review: Iako Bei – Pursuits in 1ife

Iako Bei Pursuits in 1ifeIako Bei, Pursuits in 1ife, 2018, 

Tracks: We’re Building Our Own Monument (5:58), A Way To Oppose (3:52), Living In Fear (4:54), Pilgrim In Doubt (5:33), Missing Colours (8:57), Fake (The New Kind Of Beauty) (4:36), Don’t Give Up That Dream (4:48), Cortex Labyrinthus (14:50)

Slovakia’s Iako Bei takes a unique and somewhat gutsy approach in making a rock album: they completely abandon the guitar in favor of a saxophone. Listening to Pursuits in 1ife, you’d never miss the guitar. The songs are well crafted, the bass lines provide a needed crunch, and the saxophone adds that gentle soothing touch that I’ve always appreciated in the bands that make use of the instrument.

While the band is a five-piece group comprising a saxophonist, bassist/lead singer, keyboardist, drummer, and backing vocalist, it is primarily the project of bassist and singer Roman Jakobej. The instrumental sections really stand out. The arrangements are interesting, and the saxophone really soars in these sections. Because it can be such a loud instrument, it naturally has to take more of a back seat when Roman is singing, even though it does remain present. Nevertheless, the interplay between the saxophone, bass, and drums is particularly strong during instrumental passages.

Even though there is no electric guitar present, the different effects used on the bass guitar create a really unique sound that fills in for the guitar at points, particularly on “Missing Colours.” The piano work on that song also adds a nice touch. Even though the saxophone largely replaces the guitar throughout the album, the bass shines on this song. This track is particularly melancholic, and the bass contributes to that. When the saxophone finally comes in, it compounds that feeling. It really draws everything together.

Lyrically, the band fits in with many European bands’ recent call to action regarding the direction western societies are headed. This is more Marillion’s Fear than Andy Tillison’s “A Few Steps Down the Wrong Road.” The opening track acts as a call for all of us to wake up and see what our society has become. The band sees arrogance, selfishness, and greed as driving forces of destruction. Indeed, the band precisely identify our society’s main ills in the lyric “Flames of lust and flames of greed” in the opening song.

Overall I hear no glaring weaknesses in this project. It is a solid album that takes a unique approach at rock music. Definitely check this group out. The band excel musically and lyrically, and the songs are well-crafted.

https://www.facebook.com/iakobei/

Roine Stolt Interview: The Flower Kings — The Progarchy Podcast

waiting-for-miracles

Thank you to Roine Stolt for talking today with Progarchy.com on the Progarchy Podcast.

The Flower Kings return next month with Waiting for Miracles, a magnificent album that we have had a chance to listen to and that we highly recommend to all prog lovers.

Listen below to our interview with Roine Stolt, wherein we discuss Transatlantic, The Sea Within, and the new album from The Flower Kings.

To the Stars….

adastra

In honor of the recently released film Ad Astra (the best film of 2019, in my humble opinion), here is Jon Opstad’s hauntingly beautiful Ignis: IV. Enjoy.

 

Interview with MEMOREMAINS

Madonna certainly isn’t an artist that you would think of when it comes to metal music, yet many metalheads tend to cover the pop goddess’ songs. One of the recent additions to that camp is a Finnish metal band Memoremains who have covered “Sorry,” a song from Madonna’s 2005 album “Confessions on a Dance Floor.”

The group fronted by singer Johanna Ahonen answered our questions about their beginnings in music, the new single, and more.

Let’s start from your early music beginnings. How did your musical career begin? When did you start playing? Which groups have been your favorites? Please tell us something more about your early life.

Johanna: I think that I’ve been singing always, at least, as long as I remember. Singing has been a natural way for me to express my thoughts and feelings. I have performed ever since I was a child, mostly by myself and singing cover songs. Memoremains is the first actual band in which I’m involved. I always wanted to sing in a band and make own music so I can honestly say that Memoremains is the best thing that has happened to me!

Mikko: I’ve done songs for as long as I can remember. I have thousands of demos in my stock over many years. Music has been a part of my life for a really long time. I took my first contact with the piano sometime between the ages of 4 and 5 and drums and other rock instruments came along at around the age of 10.

Memoremains_band
Photo: Riku-Pekka Lappalainen

How did you go about starting Memoremains? Who was the most influential when the band started its musical journey?

Mikko: It’s really hard to determine who did what, because our band is really democratic. However, I had written the first songs of Memoremains before the band was born, so in a way it is possible to think that this is where our band was born. Eemeli and Aapo came along as old musician acquaintances. We found Johanna through an online announcement, just as we found Aleksi. Soon we were playing together and releasing our first song ‘We’re Not Alone.’

How would you describe Memoremains’ music on your own?

Our music is a combination of pop melodies, metal riffs and groovy disco beats. We’ve mixed together elements of different genres and created an own recognizable sound from them.

The new single is a cover of Madonna’s hit “Sorry.” How did you come to an idea to cover this song?

Mikko: Oh, it’s such a great song from the Queen of Pop. Unfortunately it has been forgotten from the general public during these years and we wanted to bring it back to life but in our style. Hopefully, people will find the song and listening to it takes them back to the last decade.

How difficult was it for you to shape this song and make it different than the original? Obviously, originally it is a pop song and you combine these elements with metal, but what would you say is the thing that separates your version from the original?

Mikko: It’s been a fun and creative job that we’ve been excited about. The first step was to internalize the song as our own, that is, to have it feel like our own song. Only through this can a functional cover be obtained. Once the song was thought to be our own, it was easy and fun to work with. But, strictly speaking, our version is faster, more energetic and heavier. However, we have retained the original song’s epic melodies.

What is the most important thing for the structure of your songs? Is it a riff, a melody line, vocal arrangement?

It really depends on which of those elements the song is created from. ‘Ballerina’ was born simply because it sounded like a good name for a song. “Time Is Running Out” was born from the melody of the chorus, and other parts of the song were built around it. In the end, though, the most important element of our music is addictive melodies and engaging rhythms. That’s where our sound comes from.

Recommend us some good metal acts coming from your area.

Mikko: There are so many great bands coming from Finland. We made a European tour together with Resolution 13 which is an alternative metal band from Helsinki. We’ve also been following Escalane, a band from middle-Finland, and their story. I need to bring up also a very original band, Awake Again, from Turku. On our tours abroad we have met many really awesome bands like Austrian Ardenite.

Memoremains live
Photo: Markus Soini

Are you also involved in any other projects or bands beside Memoremains?

Mikko: I play drums in a finnish language metal band called Riesa. The band name means like “ nuisance” or “annoyance”. Go and check it out!

Aleksi: I made own project with drummer Teemu Koski last year called “i Helvete”. It released two long songs and right now I am writing new ones. It is much darker and heavier than Memoremains. I also play bass in one another, unknown band.

So, what comes next for Memoremains?

We strive to make everything that happens even bigger. The goal is to make every release and tour bigger than the last one and there will also be more festivals.

Follow Memoremains on Facebook and Instagram.

 

2019 Prog (Plus) Preview 2!

More new music, live albums, reissues (regular, deluxe & super-deluxe) and even books about music heading our way between now and Christmas?  Yep.  Following up on my previous post, it’s another exhaustive sampling of promised progressive goodies — along with other personal priorities — below.  Click on the titles for pre-order links — whenever possible, you’ll wind up at the online store that gets as much money as possible directly to the creators.

Out now:

Andrew Keeling, Musical Guide to In the Court of the Crimson King, 10/50 Edition: composer/musicologist/online diarist Keeling’s revision of his 2009 book (the first of a series acclaimed by King Crimson’s Robert Fripp).

Marillion with Friends from the Orchestra: 9 Marillion classics re-recorded by the full band, the string quartet In Praise of Folly, flautist Emma Halnan and French horn player Sam Morris.  Available on CD.

A Prog Rock Christmas: Billy Sherwood produces 11 holiday-themed tracks from the typical all-star cast (members of Yes, Utopia, Flying Colors, Renaissance, District 97, Curved Air and more).  Download and CD available now; LP available November 1.

 

October 25:

King Crimson, In the Court of the Crimson King (50th Anniversary Edition): featuring brand new stereo and surround mixes in 24/96 resolution by Steven Wilson.  Available in 3 CD + BluRay or  2 LP versions.  (Note that the new mixes will also be included in the Complete 1969  CD/DVD/BluRay box set, which has been delayed until 2020.)

Van Morrison, Three Chords and the Truth: 14 new songs from Van the Man, available in digital, CD or LP versions.

Neil Young & Crazy Horse, Colorado: the first Young/Horse collaboration since the 2012 albums Americana and Psychedelic Pill, available in CD or 2LP versions.

Continue reading “2019 Prog (Plus) Preview 2!”