Two more from the Elephant


Finally I have unpacked the trunk of album reviews that backed up last year, and this reviews catches up on two albums Bad Elephant released back in October last year, and which are worth having a listen to, before they unleash the new Tom Slatter album on the unsuspecting world.

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The Far Meadow: Given the Impossible

 

Formed back in 2014 this is the first album on Bad Elephant from London based 5 piece, The Far Meadow and was released back in October last year.

As is common with so many of the wonderful artists signed to Bad Elephant, the band defy categorisation, veering from traditional progressive sounds to folk and back with a dazzling array of performances and sounds that make this an excellent album to listen to.

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Patchwork Cacophony Five of Cups

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Patchwork Cacophony is the solo project of multi-instrumentalist Ben Bell, (keyboard player with Fusion Orchestra 2, and now keyboard player with Gandalfs Fist) in fact it was Stefan Hepe (Fist drummer) who passed my details onto Ben who dropped a nice little note asking if I’d be kind enough to listen to this, his second ‘solo’ excursion under the Patchwork Cacophony name.

I duly downloaded the album, and was blown away by what I heard.

Bit of background first, Ben, as a multi-instrumental plays pretty much everything on here, apart from a couple of guest guitarists (more about them later) and in a small genre like ours, it’s easier for albums like this to slip out unnoticed and slowly build up their reputation by word of mouth, particularly if bigger bands have new releases out there.

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If it carries on like this I’ll be moving to the sea

I seem to have spent most of the last few months catching up with a backlog of album reviews that have landed either on my door step or in my inbox which built up during a traumatic move, (I am never spending two weeks sleeping in the living room again!!) and so I fear this latter part of the year has been chasing my own tail, as whilst I’ve reviewed older albums, never ones have appeared!

My new Years resolution is to be more organised (honest!)

This is my first word on Bad Elephant Music this year, wrapping up some of their fine releases last year.

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The Fierce and the Dead: If it carries on like this we’ll be moving to Morecambe

This is where it all began, and what better place for a shiny new remastered edition of TFATD debut long player to be released, complete with new artwork by Mark Buckingham, than their new home. BEM and TFATD have become synonymous with adventurous and eclectic music, and as some one who previously bought the original release from band camp, the remastering is absolutely superb, and does make a difference to the sound. Not that there was ever anything wrong with the production originally, but it’s like the difference between watching your favourite TV show on a normal telly and then switching to HD, it highlights certain nuances and little pieces of music on the album that you might have missed originally.

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2016 – A Year of Joy and Sadness

To say 2016 was a turbulent year would be an understatement.  For good and bad, the events of 2016 are going to ripple for years, if not decades to come.

Fortunately, one area in which 2016 was not a turning point was in the trend of excellent prog releases, which kept coming without any letup from 2015 … or 2014 … or 2013 … you get the picture.  Like those years, 2016 saw a bumper crop of excellent releases, and in a few cases, saw bands hitting new highs.  Truly, this was one area where we can be unequivocally thankful for what 2016 brought.

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Do Not Disturb – I am listening to Van Der Graaf Generator

Van Der Graaf Generator: Do Not Disturb

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1 Aloft

2 Alfa Berlina

3 Room 2010

4 Forever Falling

5 Shikita Ga Nai

6 (Oh no! I must have said) Yes

7 Brought to Book

8 Almost the Words

9 Go

 

Revitalised as a trio of Hugh Banton, Guy Evans & Peter Hammill since 2008’s Trisector, this is the latest (and maybe last) album from one of the most innovative, exciting and original bands from progs first wave.

This was released back in September and it has taken me a while to get round to writing this review, due to as previously mentioned life getting in the way, and of course I needed time to live with and digest this album.

With the added shadow of this potentially being their last album, the mood of regret, or closure and a sense of finality hang over the record, which for my money is one of the finest they have produced in this latter period of their mighty career.

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Top 6 Rock Albums of 2016

In addition to my lists of the Top 10 Metal Albums of 2016 and the Top 6 Prog Albums of 2016 (+4 from the Metal list makes it a Top 10 Prog list), I wanted to add another 6 albums of pure Rock.

(For those of you doing the math, this makes it a total of 22 for my favorite albums of 2016. That’s the same total number of favorites that I picked last year.)

Sure, there’s a hint of prog on Space Elevator, especially on the last track, which, at the very end, recapitulates themes from most of the preceding songs on the entire album. And the recapitulation forms a conceptual part of the grand finale to the sci-fi framing sequence for the whole album. But nonetheless the album is mostly a pop-rock masterpiece that goes down smooth, so I place it on my Rock list.

Wolfmother, Weezer, and Sting all delivered perfect albums this year. They each deserve supreme recognition for doing so. Among this year’s most highly satisfying discs, I gave them all multiple spins over the weeks of 2016.

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Still Abiding:  Progarchy Talks Again with The Duda (Mariusz, that is)

It would be an understatement to say that this has been an eventful year for Mariusz Duda and Riverside.  As the year began, they were riding high on the success of “Love,

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Fear, and The Time Machine,” and it seemed things couldn’t be going better.  But life doesn’t always cooperate, and February saw the tragic gut-punch of losing Piotr Grudzinski, which left Riverside’s future indeterminate for a time.

Duda himself, as I found out in the interview, lost his father some time after that.

It’s a lot to take, but some how Duda and Riverside soldier onward, as their recent announcement to continue as a three-piece attests.  I was fortunate enough to be connected to Duda for another conversation (my first one can be found here), as we discussed what he and the band have been through and where they are going from here.

Progarchy: Well, it has been an eventful year for you guys … how are you holding up?

Mariusz Duda: Thank you so much, every day better and better.  You know, time flies, and time also heals our wounds a bit.  This year for me, personally, has not been good because I lost my father in May.  So if you just imagine three months after Piotr’s death, I had a death in my family. Piotr was also my family.  Anyway, this year was not so happy, and I just needed time to recover.  But now I feel better and I have the strength to talk about Riverside and some other stuff, both in the past in the future.

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