My 12 favorite prog albums of 2017 (12 days late!)

bentkneeband
Bent Knee (www.bentkneemusic.com)

(1) “Land Animal” by Bent Knee: One of my favorite albums of 2017, regardless of genre, classification, categorization, etc. As I marveled in my mini-review for Progarchy: “the whole of Bent Knee is, again, hard to describe, a mixture of orchestral-ish passages, raw but tight guitar, polyrhythmic craziness, classically-imbued moments of open tenderness, angst-packed explosions, and much more.” Don’t miss it.

(2) “In Contact” by Caligula’s Horse: The lads from Down Under rarely disappoint, and this powerful, masterful album catches them at the height of their powers. As I wrote in my fairly detailed Progarchy review: “In Contact proves the band is incapable of producing anything less than exceptional, and it is arguably their best work to date.”

(3) “Malina” by Leprous: More pop-ish and less overtly prog-ish than previous releases, this is a lean, catchy, and often anthemic album that still packs plenty of heavy punch while clearly reaching out to a wider audience. Great driving music!

(4) “The Source” by Aryeon: A wild, over-the-top sprawl of an album filled with more hooks than a deluxe fishing kit, equalled only by the number of singers (dozens? hundreds?). Considering the dystopian, apocalyptic nature of the story and lyrics, this is simply aural fun at its best. Ear candy deluxe!

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Lucky 17 – Another Year End Review

Most of us have some sort of superstitions.  Maybe we believe in a lucky number, carry a lucky rabbit’s foot (the rabbit might disagree about the luck associated with the foot), or have a pre-game ritual for our favorite sports team.  On the flip side, we may harbor some superstitions about bad luck.  Walking under a ladder, opening an umbrella indoors, having a black cat cross your path … those superstitions are prevalent as well.

For me, I always had a thing – negative that is – about the number 17.  For some reason it just felt like an unlucky number.  Whenever there was an occurrence of something not to my liking, any association with the number 17 was immediately seized upon.  So, it was with a little trepidation that I approached 2017, including in terms of music.  Boy, was I wrong, and boy, was I glad to be.  Superstition status: shattered.

Once again, for the umpteenth year in a row, it was a great year in music, particularly in the genre of progressive rock that brings us all to this site.  Once again, it was a year where the number of great releases exceeded the amount of time available to listen to all of them – as the wide variety of picks in the year-end lists on this site demonstrates.  So, without further adieu, her is my own list.

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Bryan’s Best of 2017

Here we are again, folks. We find ourselves at the end of another great year for prog. Sadly, we’ve had to say goodbye to some amazing artists this year, including John Wetton, but we at least have their music by which to remember them.

I know I’ve been a bit quiet here at Progarchy lately due to beginning graduate school this fall. Hopefully things settle down going forward, and I’ll be able to contribute more. For now, here are my favorite albums from 2017 in vaguely ascending order.

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Best Albums of 2017

prog-rock-metal

Hello! Christmas greetings from Canada!

As the above diagram illustrates, some bands hit all the sweet spots.

But however you classify it, great music is just great music, wherever it lands.

TOP 10 (PROG) ALBUMS of 2017

TOP 10 METAL ALBUMS of 2017

TOP 10 ROCK ALBUMS of 2017

Thank you to all my fellow Progarchists for sharing so much great music this year.

Keep calm and prog on!

Or, as BBT would also say, “Merry Christmas!

I can’t wait to hear what 2018 has waiting for us.

Top 10 Rock Albums of 2017

As promised, in addition to my TOP 10 PROG and TOP 10 METAL lists for 2017, here are my TOP TEN ROCK ALBUMS of 2017. I say “rock” but really this is the list where I include everything that is not so easily divvied up onto either my metal list or my prog list. So I guess it’s really ROCK/POP/OTHER, but that doesn’t sound as good in the title. In any case, I am sticking to the usual constraint of ten, but of course (as usual) I also abandon the metric system to make the list into an expanded imperial dozen:

Hobosexual Monolith is heavy and hilarious retro rock, so good that you will want to own it in its delicious gatefold LP edition. The lyrics will have you laughing at all the references, especially in wild songs like “VHS or Sharon Stone.”

U2 Songs of Experience is an unexpected delight, being the best album they have released in eons. It incorporates all the best elements of each of their past musical periods. I have been with these guys since Boy and October, so my opinion carries credibility. Believe me, it’s so good it takes you back to those happy memories from the early days, when you heard something truly fresh and unique and infectious.

Weezer Pacific Daydream starts off with the archetypal Weezer sound on “Mexican Fender” (a killer single) but then suddenly morphs, around about track five, into an album that mines the sounds of the 1950s and 1960s for the rest of the disc. Unexpectedly, it works. Kudos to Weezer for not playing it safe, and for taking musical risks.

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YABOL (Part 3)

In Part 2 of Yet Another ‘Best Of’ List, I showed you the albums that I’d ranked sixteenth to ninth; now its time to conclude proceedings by counting down my top eight releases from 2017…

8. Damanek – On Track

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I confess to being ignorant of Guy Manning’s repertoire, which is very remiss of me if this is any way representative of his output. Put simply, this album is an absolute joy, wonderfully melodic and catchy as hell – read Erik Heter’s excellent review if you want a detailed breakdown of its myriad delights. A sure sign of a great album is the difficulty you have in singling any track out for special praise, but I feel compelled to highlight the cool jazz-funk of Believer – Redeemer and the extended soloing in Oil Over Arabia as particular favourites. Guaranteed to get those toes tapping!

7. White Moth Black Butterfly – Atone

atone

The second album to emerge from Daniel Tompkins’ collaboration with Skyharbor’s Keshav Dhar. (I’ve yet to hear the first.) When I checked my music software stats, I just couldn’t believe how often I’ve played this. To these ears, it is a thing of beauty, flowing effortlessly from one track to the next, with Symmetry and The Sage the tracks that particularly stand out. Critics may lament the lack of bite, but if you just sit back and give it a chance, its gentle charms may seduce you and warm your soul. Who needs chemical stimulation when you have something as genuinely mood-enhancing as this?

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