Big Big Train, Welcome to the Planet: Yet another stellar addition to BBT’s discography, their latest effort consolidates the widened horizons of Grand Tour and the intimate subjects of Common Ground, casting an epic light on the everyday glory of family, community, love and loss. With Nick D’Virgilio, Rikard Sjöblom, new guitarist Dave Foster and new keyboardist Carly Bryant all involved in the writing, rockers like “Made of Sunshine” and “The Connection Plan” hit with maximum impact; ballads like “Capitoline Venus” and “Oak and Stone” are masterfully expressive; instrumentals like “A Room with No Ceiling” and “Bats in the Belfry” unleash the requisite nifty twists and turns — not forgetting less easily classified delights like the multi-sectioned “Lanterna” and the woozy dreamland wash of the title track. Throughout, Greg Spawton’s firm hand on the tiller and the late David Longdon’s vocal authority are rock solid, their partnership the beating heart of this music. In the wake of Longdon’s untimely passing, we can’t know if Welcome to the Planet is the last stop on Big Big Train’s journey or a way station before what might come next. But such considerations pale in the face of what we’ve been given; this one — easily my favorite BBT effort since the English Electric days — is a real thing of beauty, an album to be treasured and listened to again and again. (Check out Bryan Morey’s detailed review here.)Continue reading “Rick’s Quick Takes for January”
Here are the albums of new music from 2018 that grabbed me on first or second listen, then compelled repeated plays. I’m not gonna rank them except for those that achieved Top Favorite status, which I’ll save for the very end. The others are listed alphabetically by artist. (Old school style, that is — last names first where necessary!) Links to the ones I’ve previously reviewed are embedded in the album titles. But first, a graphic tease …
In case you hadn’t noticed, the last quarter of 2018 has put paid to any perceived drought of new releases & reissues. Capsule reviews of what I’ve been listening to since the first of this month follow the jump; albums are reviewed in descending order on my Personal Proggyness Perception (PPP) scale, scored from 0 to 10.
by Rick Krueger
“The songs are lyrics, not speeches, and they’re tunes, not paintings. Writing about music is like dancing about architecture—it’s a really stupid thing to want to do.” — Elvis Costello, 1983, apparently quoting Martin Mull.
On the other hand, would I have ever even heard of Elvis Costello if it hadn’t been for the rock press? Let alone listened to This Year’s Model?