The Big Prog (Plus) Preview for Fall 2020!

As always seems to be the case, there’s tons of great music coming out between now and Black Friday, November 27. Below, the merest sampling of upcoming releases in prog and other genres below, with purchase links to Progarchy’s favorite online store Burning Shed unless otherwise noted.

Out now:

Simon Collins, Becoming Human: after 3 solo albums and Sound of Contact’s acclaimed Dimensionaut, Phil Collins’ oldest son returns on vocals. keys and drums; his new effort encompasses rock, pop, prog, electronica and industrial genres. Plus an existential inquiry into the meaning of life! Available on CD from Frontiers Records.

John Petrucci, Terminal Velocity: the Dream Theater guitarist reunites with Mike Portnoy on drums for his second solo set of instrumentals. Plus Dave LaRue of the Dixie Dregs and Flying Colors on bass. Expect lotsa notes! Available on CD or 2 LP from Sound Mind Records/The Orchard.

The Pineapple Thief, Versions of the Truth: Hot on the heels of their first US tour, Bruce Soord and Gavin Harrison helm TPT’s latest collection of brooding, stylized alt/art rock, honing in on the post-truth society’s impact on people and relationships. Available on CD, BluRay (with bonus track plus alternate, hi-res and surround mixes), LP or boxset (2 CDs/DVD/BluRay) – plus there’s a t-shirt!

Rikard Sjöblom’s Gungfly, Alone Together: Sjöblom spearheads a thoroughly groovy collection on vocals, guitar and organ, with Petter and Rasmus Diamant jumping in on drums and bass. Heartfelt portraits of daily life and love that yield extended, organic instrumental jams and exude optimism in the midst of ongoing isolation. Available on CD and LP (black or deep blood red vinyl).

[Upcoming releases follow the jump …]

Continue reading “The Big Prog (Plus) Preview for Fall 2020!”
Neal Morse

By Grace Alone: A Conversation With Neal Morse

Scary man with scythe is the winter snow.

Neal Morse, Sola Gratia, September 11, 2020, Inside Out Music

Tracks: 1. Preface (01:28), 2. Overture (05:59), 3. In The Name Of The Lord (04:27), 4. Ballyhoo (The Chosen Ones) (02:43), 5. March Of The Pharisees (01:40), 6. Building A Wall (05:01), 7. Sola Intermezzo (02:10), 8. Overflow (06:27), 9. Warmer Than The Sunshine (03:22), 10. Never Change (07:52), 11. Seemingly Sincere (09:34), 12. The Light On The Road To Damascus (03:26), 13. The Glory Of The Lord (06:17), 14. Now I Can See/The Great Commission (05:17)

Last Saturday, August 29, 2020, I had the great opportunity to talk to the magnificent Neal Morse about his new solo album, Sola Gratia. Morse is perhaps the most ubiquitous artist of “third wave” progressive rock. You’d be hard pressed to find contemporary progressive rock artists that aren’t influenced by him in some way. His latest solo effort proves why. The lyrical and musical songwriting is in peak form.

As a sequel to 2007’s Sola Scriptura, this album finds Morse exploring the story of the Apostle Paul’s conversion from a persecutor of Christians to the faith’s most ardent missionary. It is a profound story of God’s grace. Morse explores the drama of this story as Paul (then called Saul) wrestles with the newly founded Christian church and the sincerity of its followers. While Paul is on his way to Damascus to persecute more Christians, Jesus appears to him. Paul then converts and repents. The album ends with Paul converting and glorifying God, leaving us on a cliffhanger of sorts for a possible part 2 in the future.

The album pulls a few lyrical and musical highlights from Sola Scriptura, but, as Morse says in the interview below, they are merely sprinklings. It is enough to be familiar without sounding like a retread. The music gives room for the listener to breathe and think about the lyrics, which makes this an enjoyable album to return to. At just over an hour long it isn’t a chore to return to as a double album might be. The music has its expected complexity with the usual suspects playing on the album – primarily Mike Portnoy and Randy George – but the lyrics are the highlight here. There are a lot of calm moments that allow you to reflect. I found that quite appealing about the album, and it has quickly become one of my favorite Neal Morse solo albums.

But enough of that. The interview covers the background of the album, how it was written, and its connections to Sola Scriptura. We talked a bit about Paul, and Transatlantic and Flying Colors came up a few times as well.

Neal Morse at keyboards

Neal: Hello.

Bryan: Hi, this is Bryan from Progarchy.

Neal: Hey how you doing man?

Bryan: Good how are you?

Neal: Good! Good good.

Bryan: Thanks so much for your time this morning. I really appreciate it. I know you’re a busy man.

Neal: Well, you know, got a couple things going on. That’s alright. I’m sure you do too.

Bryan: Well I don’t have an album coming out every month. [laughs]

Neal: [Laughs] Yeah.

Bryan: So tell me about the background for your upcoming album, Sola Gratia. I’ve had a chance to listen to it several times, and it’s fantastic.

Neal: Oh thanks man. Thanks, I’m glad you like it. Well I mean I started getting these ideas while I was on vacation – sort of half vacation half work actually. We did some gigs down in Australia, and then we took a trip to New Zealand and I was just getting a flood of ideas.

Continue reading “By Grace Alone: A Conversation With Neal Morse”

Bryan’s Best of 2019

Here we are at the end of another year. As you’re probably well aware, 2019 has been the latest in a string of great years for progressive rock and metal. Overall it didn’t blow me away like other years have (a few particular albums did however), but I think that’s more because of how my year has gone. I finished up grad school in the spring, and I spent the entire year job-searching before finally starting a new job at the beginning of this month. A couple of important people in my life died this year as well, so overall it has been a year full of challenges. My ability to properly soak in all the great music that has been released understandably suffered. But nevertheless, I found much to enjoy this year, and the following are some of my favorites. They are in no particular order except for my top three down at the bottom of this list.

Rise Twain – Rise Twain

The first album by Philadelphia-area duo Rise Twain is a stellar example of what popular music should be. Brett Kull and J. D. Beck are excellent songwriters and equally talented musicians. They combine the simplicity of a good song with the more technical aspects of prog. While it may be hard to call this a “prog” album, it certainly has many varied influences that make this a solid showing. Check out my review and interview with Brett Kull here: https://progarchy.com/2019/08/30/a-conversation-with-brett-kull-of-rise-twain/

Soen – Lotus

This is a magnificent album. Beautifully heavy, as any metal album should be, it retains an ability to move int0 peaceful contemplative spaces. When this album rocks, it rocks hard, and it keeps an upbeat tone that so many metal albums often lose. “Lotus” delivers musically, lyrically, and vocally. Check out Time Lord’s review here: https://progarchy.com/2019/01/09/album-preview-soen-lotus-soenmusic/

Continue reading “Bryan’s Best of 2019”

The Big 2019 Fall Prog (Plus) Preview!

What new music, live albums, reissues (regular, deluxe or super-deluxe) and tours are heading our way between now and All Hallows Eve?  Check out the exhaustive (and potentially exhausting) sampling of promised progressive goodies — along with other personal priorities — below.  Click on the titles for pre-order links — whenever possible, you’ll wind up at the online store that gets as much money as possible directly to the musicians.

 

 

  • August:
    • Dave Kerzner, Static Live Extended Edition: recorded at the 2017 Progstock festival.  Kerzner’s complete Static album in concert, plus selected live highlights & new studio tracks.  Pre-orders ship in late August.
  • August 30:
    • Sons of Apollo, Live with the Plovdiv Psychotic Symphony: recorded at Plovdiv, Bulgaria’s Roman amphitheatre (the site of previous live efforts from Anathema and Devin Townsend).  Available in Blu-Ray, 3 CD + Blu-Ray, and 3 CD + DVD + Blu Ray versions.
    • Tool, Fear Inoculum: Tool’s first album in 13 years.  Available via digital download, as well as “a deluxe, limited-edition CD version (which) features a 4” HD rechargeable screen with exclusive video footage, charging cable, 2 watt speaker, a 36-page booklet and a digital download card.”  Really. 

Continue reading “The Big 2019 Fall Prog (Plus) Preview!”

Progarchy Interviews Casey McPherson @alpharev

Alpha Rev, Case.e Sessions Volume 1, 2019.

Tracks: Changeling (6:35), My Evolution (6:47), I’m A Refugee (4:02), White Matter Recess (4:24), Everyone’s Charade (5:19). You are the Peacemakers (4:33), Song of Aleppo (10:08), Silence (4:58), Write Your Name (4:22), Help Me (4:21), Silence For Humans (14:26)

Casey McPherson’s latest Alpha Rev album, Cas.e Sessions Volume 1, sees the extremely talented singer and multi-instrumentalist tackling music-making in a unique way. Modeled loosely off Neal Morse’s groundbreaking Inner Circle concept, the Cas.e Sessions membership program finds Casey making one song per month, creating a mini documentary about its creation, and presenting it to the members. After receiving positive feedback and seeing that the songs meshed together fairly well, he decided to release season 1 (2016) of the Cas.e Sessions music as a new Alpha Rev album.

Some might call this album pop, but I see it as prog in the vein of a band like Muse. There are a lot of similarities between this and Muse, such as the melodies and vocal lines, but this is a unique album that clearly comes from the heart. One might call this group of songs eclectic, but they work really well together, even though they were all written separately as a single project per month.

Continue reading “Progarchy Interviews Casey McPherson @alpharev”

True Colors

Now this is interesting.

I’d no idea that Flying Colors were unhappy with the final ‘commercial’ mastering of their debut album – yet clearly they were, because they’ve released the raw master as a digital download.

Your $8 buys you a stonking 1GB of stuff, including all the music, in multiple compressed and uncompressed formats, and a 102-page digital booklet that includes new artwork and previously unreleased photos.

Get it now from the band’s Calliopia web store.

Progarchy Radio–Mike Portnoy Special

portnoy (sticks for stones)
Michael Stephen Portnoy, b. 1967

As many of you probably already know, Mike Portnoy–drum and compositional demigod–turns 50 in April.  Mike, Happy Birthday!  We love you, man!!!

I’ve had the great privilege of seeing Portnoy live many, many times, and it’s never anything but an absolute treat.  For 25 years, Mike has been driving prog rock forward and bringing to the fans, delight after delight.  My wife (who has gone to all of the concerts with me) agrees completely.

This entire two-hour episode of Progarchy Radio is dedicated to the inspired genius of Mike Portnoy.  I play the entire twelve-step suite as well as music from Flying Colors, Big Elf, Transatlantic, the Neal Morse Band, Yellow Matter Custard, and the Morse-Portnoy-George Cover-to-Cover project.

Mike, happy birthday and thank you!  –Yours, Brad

 

@FlyingColors to Begin Work on Next Album @MikePortnoy

cy7ptfaxuaabkxl-jpg-largeMike Portnoy has shared on his social media that he is off to Florida to begin writing a new Flying Colors album with his bandmates. I’m very excited to hear this, to say the least. I love their music, and I was blown away when I saw them live. I’m definitely looking forward to their new album.

 

Bryan’s Best of 2015

2015 turned out to be another fantastic year for prog, as well as metal. Last year, I made a top 10 list, but this year, there has been far too much great music in prog, metal, and rock to narrow it down to 10 albums. Apart from my top 4, there will be no particular order for the rest of my picks. Most of this will be prog, but there is some straight up metal here as well.

The Neal Morse Band – The Grand Experiment

grandexperimentNeal Morse and company have made another outstanding album. “Alive Again” might be one of the top 10 best long progressive songs ever made. It is remarkably beautiful. Mike Portnoy’s drumming is exceptional, as always, and, like last year, this isn’t the last we shall hear of him on this list.

 

 

Spock’s Beard – The Oblivion Particle

cd_top1The Oblivion Particle is my first introduction to Spock’s Beard, and I am heartily impressed. Ted Leonard’s vocals really round out the band. “Bennett Built a Time Machine” is my personal favorite from the record.

 

 

Stryper – Fallen

stryperfallenart1-602x536I’m brand new to Stryper, and after listening to their last two albums, I’m flabbergasted. Their new music is better than their original stuff from the 80s. The drummer has grown incredibly, and Michael Sweet’s vocals soar to the heavens. The best thing – Stryper hasn’t given up on their values. They blast metal to honor God.

 

Lonely Robot – Please Come Home

71R0HHLaiqL._SY355_I was pleasantly surprised by this album. The music has just the right amount of complexity, with a few pop hooks here and there for good measure. The song “Lonely Robot” should be a radio staple, but rock radio sucks.

 

 

LEAH – Kings and Queens

a1021213633_16The reigning queen of prog metal released a masterpiece this year. A long masterpiece. Her combination of metal with celtic influences works amazingly well. She creates a wonderful sound that no one else really tries to duplicate. Originality abounds.

 

 

Dave Kerzner – New World (Deluxe Edition)

david-kerzner-new-world-deluxeThe deluxe edition came out this year, so it counts as 2015. Plus, I overlooked the album last year since it came out in December, and for that I sincerely apologize to Dave. This album brilliantly revives classic elements of Pink Floyd, and Kerzner’s voice is eerily reminiscent of David Gilmour’s. This is an album meant to last.

 

 

The Winery Dogs – Hot Streak

81SPiEsz2HL._SX425_Wow! AC/DC meets Mike Portnoy! Richie Kotzen’s voice has grown on me, as has the “Dog’s” music. From the virtuosity of the first track, “Oblivion,” to the hard rock bombast of “Captain Love,” Hot Streak is a fantastic album. Billy Sheehan’s bass balances Portnoy’s drums and Kotzen’s guitars beautifully. The quiet piece, “Fire,” is a nice change up, as well.

 

Next to None – A Light in the Dark

3655066_origI saw these guys live in concert with Haken this spring, and I was impressed. For teenagers, these guys have serious chops. Max Portnoy stands out though, as he has clearly inherited his father’s raw talent. Check out my review of the album and interview with Max – https://progarchy.com/2015/07/20/metal-mondays-interview-with-max-portnoy-of-next-to-none/

 

Metal Allegiance – Metal Allegiance

safe_image.phpYou could call this a supergroup for thrash, although it seems anything with Mike Portnoy in it could be called a supergroup. His double bass thrash drumming is a nice change for him. The abundant guest performances from bands such as Testament, Anthrax, and many other groups really round out their sound. Normally I don’t like thrash because of the lyrics, but the lyrics here are great. The combination of guests makes this album one of the greatest thrash albums ever made.

Disturbed – Immortalized

81FC381L9HL._SY355_This isn’t prog in any sense of the word, but Disturbed’s first album since 2010 is a return to form for the band. They didn’t want to make an album again unless it was really good, and they delivered on that desire. Immortalized is one of the best album’s they have made, with only one song that I don’t like. Their cover of “The Sound of Silence” is better than the original, in my opinion.

 

Flying Colors: Live at the Z7

CD_FC-2ndNatureLIVE_digi-03-625x567The live Blu-ray is one of the best live shows I have seen. The music is played flawlessly, and the production for sound is excellent. It was filmed in 4K and you can choose from two sound choices – front row or sound board. Well played, FC, well played. Oh ya, more Mike Portnoy, too.

 

Rush – R40 Live 

1035x1511-R40.Tour.Cover7.FNL-copyThis needs no explanation. Long live Rush.

 

 

 

 

Steve Hackett – Wolflight

wolflightFrontCoverAnother great solo effort from one of the greatest guitarists ever. I have such a great respect for Steve Hackett and his dedication to his craft and the genre. Of all the 70s prog giants, Hackett is probably the best ally to the newer prog artists and musicians.

 

 

4. Muse – Drones

MUSE-DRONESAnother fantastic album from Muse, and a dystopic concept album at that. I’m convinced that Matt Bellamy has the best voice in the business, plus he’s a god on the guitar. Chris Wolstenholme’s bass is underrated, as well. Check out my review: https://progarchy.com/2015/08/11/back-to-basics-muses-drones/

 

3. Steven Wilson – Hand. Cannot. Erase.

A year ago, I couldn’t stand Steven Wilson. Now I’m a fan. Go figure. Hand. Cannot. Erase. is simply brilliant. The story telling is at an extremely high level, and this album, while rather depressing, is so addicting to listen to. Wilson is an incredibly important figure in progressive rock.

 

 

2. Vanden Plas – Chronicles of the Immortals: Netherworld Path 2

81ADonu6jjL._SX355_Combined with part 1, these two albums are a masterpiece. I’m still deciphering what the story is about, but I am thoroughly enjoying it. These guys have been going strong for a long time, and they have only gotten better with age. Check out my review: https://progarchy.com/2015/11/18/vanden-plas-another-stroke-of-genius/

 

1. The Tangent – A Spark in the Aether

tangent1Yeehaw, this is a great album! Holy crap, I don’t know how Andy Tillison does it! He is a master of cultural criticism, and while I don’t agree with him politically, I do respect him immensely. This album is well worth your time.

 

 


 

Like I said, a great year for rock of all kinds. As I promised, Mike Portnoy features prominently in my list, just like last year. He certainly deserves it since he is one of the hardest working men in the business. His “Hello Kitty” drum video for Loudwire was an instant classic.

Cultural RePercussions 2 (1)Best prog book of the year goes to Progarchy’s very own Brad Birzer for his excellent book on Neil Peart, a man of letters. Well worth your time.

Get it at Amazon here.

 

 

kansas_miraclesThe new Kansas documentary, Miracles out of Nowhere, is excellent. While it only goes through Point of Know Return, it is an excellent look at the band, from the band members themselves, as well as Brian May and Garth Brooks. It was great to see that the band members don’t hate each other. In fact, they genuinely seem to like each other. If at all possible, order it from the band because it comes with a bonus disc featuring the band reminiscing and a few other features – http://www.kansasmerch.toursync.com

Check out Carl Olson’s fantastic review of the documentary: https://progarchy.com/2015/08/19/miracles-and-music-out-of-kansas/

915g7JKrT-L._SX385_One final documentary/live concert that is worthy of any “best of” list is Roger Waters’ movie, The Wall. It combines a live concert from his recent tour with short scenes that examine the meaning of the album for him. The concert itself is outstanding – better than his 1990 The Wall concert in Berlin, performed after the fall of the Berlin Wall. The music is basically indistinguishable from the album. A worthy look at one of the best and most important albums ever made.

 

Sorry if I have bored you with my list, but I am nothing if not thorough. I’m just amazed by the quality of music that has been released the last few years, and I eagerly look forward to what the coming year has in store. New Dream Theater coming in January. And who knows what Mike Portnoy will release. Such excitement. Merry Christmas everybody, and prog on into 2016.

Make That A Combo, Please

There have been quite a few CD/DVD/Blu-Ray combos released in the prog world recently, so here’s a rundown of the best of the bunch.

Gazpacho: Night of the Demon

Night Of DemonAn outstanding performance by the boys from Norway. Even through tricky time signatures that require lockstep coordination of playing, Gazpacho delivers an emotional and beautiful show. Jan Henrik Ohme’s vocals are spellbinding – delicate and tremulous one minute, powerful and commanding the next. While he’s caressing the microphone, his bandmates play their hearts out. Songs I thought I knew take on new meaning and accessibility. This set is a perfect introduction to someone curious about this somewhat enigmatic and definitely magical group.

Glass Hammer: Double Live

glass-hammer-double-live-deluxeAs light as Gazpacho is dark, Glass Hammer has been riding a high for the past few years – Ode To Echo and The Breaking Of The World are both instant classics. Double Live features the best cuts from those albums, as well as a terrific rendition of the epic “The Knight Of The North”. Steve Babb and Fred Schendel have been together so long they are telepathic onstage. Aaron Raulston is excellent on drums while Kamran Alan Shikoh has matured into an astonishingly inventive guitarist. Carl Groves is the best male vocalist GH has ever had, and Susie Bogdanowicz steals the show with her performance. No fancy camera work here – the music and performance are strong enough to speak for themselves.

Spock’s Beard: The First Twenty Years

Spocks Beard 20 yrsThis is a fine collection of Spock’s Beard tracks. The first disc features the best of the “Neal Morse Years”, while disc two has six tracks from Beard versions 2 and 3 (featuring Nick D’Virgilio and Ted Leonard) and a new epic featuring a big reunion of everyone. You might think that losing your lead vocalist and sole songwriter would mean the end of a band, but the Beard is nothing if not resilient. The songs from the post-Morse era certainly hold their own against anything from the first six albums. I wish they had included “The Great Nothing”, but there’s only so much space on a compact disc! Of course, long-time Beard fans want to know how the new epic, “Falling Forever” stacks up. To my ears, it’s a pleasant listen, but not particularly memorable. It’s clear that Neal’s path has diverged from the Beard’s, and each camp has its own strengths that don’t necessarily mesh into a powerful whole anymore. The DVD features performances from 1997’s Progfest interspersed with contemporary interviews of the band. It’s illuminating for the hardcore fan, but not essential.

Flying Colors: Second Flight: Live at The Z7

Flying Colors Z7Phenomenal growth from this band. As mentioned in the interviews included in the Blu-ray, the first album had the members somewhat tentative about critiquing each other, while during the recording of Second Flight they were much more collaborative. This is set is a terrific performance that showcases the talents of each member. Casey McPherson is a very confident frontman, and an amazing vocalist. Steve Morse’s guitar work is jaw-dropping good, and Dave LaRue almost steals the show with his bass solos. Mike Portnoy is, as usual, controlled chaos on the drums. Neal Morse plays more of a supporting role in this group, keeping in the background for the most part. “Cosmic Symphony” and “Mask Machine” are highlights, while the segue from “Colder Months” into “Peaceful Harbor” is one of the most beautiful musical moments I’ve ever heard. The quality of the Blu-ray is top-notch, both in sound and video. An excellent choice for the prog fan who enjoys the likes of Boston, or even classic Journey.

Rush: R40 Live

1035x1511-R40.Tour.Cover7.FNL-copyWhich brings us to the big release of the year: Rush’s R40 Live. I have every live DVD Rush has released, and this isn’t the best performance. But there is something so special about this show that it will probably be the one I return to most often. There were times I caught myself thinking, “Gosh. they are looking old!”, but then I had to remind myself they’ve given of themselves so generously for 40 years. 40 years! How many bands have kept the same lineup for that long, and are still talking to each other? ZZ Top is the only one that comes to mind. The fact that this show is from Toronto makes it even more moving.

This is a top of the line production, with every possible camera angle a fan could ask for. The sound on the Blu-ray edition is outstanding; there are two surround mixes to choose from: front of stage or center of hall. The show itself is masterful – it is a trip back in time from Clockwork Angels all the way to “Working Man”.

The animated intro is hilarious – I had to go through it practically frame-by-frame to catch all of the visual puns. Every album and tour is name-checked somewhere in it. The initial stage set is very elaborate, but as the band goes back into their history, you can see workers slowly dismantle it. At the start of the second set, Alex is front of a huge stack of Marshall amps, and we’re transported to the 1970’s. By the time of the encores, Alex and Geddy are down to single amps on chairs in a high school auditorium.

My only quibbles are selfish – I wish there was at least one track from Power Windows/Hold Your Fire, and I don’t know why the bonus tracks at the end couldn’t have been inserted into their proper places in the concert video. Other than that, it’s a very good setlist.

What comes through most clearly as the concert progresses is the love and respect Alex, Geddy, and Neil have for each other. They look like they’re having the time of their lives, and they’re so glad to have several thousand fans along with them. Thanks for the ride, boys. It’s been a great one.