2016 has been a pretty horrible year: terrorism, deaths of way too many musical heroes, the recent loss of Prog magazine and the total screwing of all Team Rock employees, personal inability to find a job… Yeah, this year has sucked.
Thankfully, despite these trials, progressive rock has continued to be the most creative and innovative genre in the music business. I always enjoy writing a “best of” list, mainly because it gives me a chance to look over the best music of the year. We prog fans really are spoiled.
Like last year, my 2016 list will be pretty big, and the order is completely arbitrary. I have a numbered top 4, but my top 3 picks for this year are essentially tied for first place. Without further ado, my favorite albums of 2016:
Every year, Andy Cirzan – the Dr. Demento of obscure holiday music – releases a mix of songs from his vast collection. This year’s is Warblings From The Enchanted Forest, and it has to be heard to be believed. Joanie Sommers’ “The Peppermint Engineer” is a bizarre psychedelic children’s song, while Jimmie Dale and the Jimmy’s “Kangi – The Kangaroo (His Xmas Hula Hoop)” unashamedly rips off “Rudolph the Red-Nosed Reindeer”. Thankfully, it never achieved the popularity Rudolph did.
I have no idea what to call this type of music. That is, how to label it or place it in a genre. It’s pop, to be certain. Very clever pop. I suppose there’s some Talking Heads influence in here, but I don’t know either band well enough to say for certain. Regardless, I love it. I don’t pull it out of the CD rack as often as, say, CLOSE TO THE EDGE. But, every once in a while, a cold, grey morning calls for the wonderfully cynical and yet simultaneously innocent sounds of Blancmange. Utterly clever.
2017 is shaping up to be a very exciting year… three sold out live Ayreon Universe shows and of course a brand new Ayreon album!
It is almost Christmas, and we just wrapped up the Guess The Artist games for the new album. Hope you enjoyed it as much as I did! Thanks so much for your amazing participation and support, I was looking forward to reading your inspiring comments every time.
I have to say I’ve a very good feeling about this album myself, everything is somehow falling into place. Please stay tuned, we’ll have more news for you in January!
Warm Christmas wishes to you all from Lori, Hoshi and me at the Electric Castle!
Now I’ve been a bit lax in reviewing this album for a number of reasons I won’t bore you with now, however it’s one that has been haunting me, and making me decide the best way to tackle the review, and anyone who usually knows me, knows I am not usually lost for words.
A bit of context, I know Liz, a multi instrumentalist and singer now based in Bristol, from many years ago in a different life and different world, when Liz was studying music at York University and I was an advertising salesman we shared a house in York for a year or so, and as these things do, our paths diverged and we only met again by chance on Whiteladies Rd in Bristol, where we both found ourselves.
My 2016 prog exposure has been quite limited because I’ve been spending so much of it with these chaps. They’re a recent find for me, and while I am hugely sad that I’ll never see them live, I am eternally grateful for the opportunity to hear them now. Much money has been spent on their back catalogue!
Yes, a Marmite band, but the genius of Mr Tim Smith and the creative chops of his band is absolutely undeniable. Something we should celebrate!
Revitalised as a trio of Hugh Banton, Guy Evans & Peter Hammill since 2008’s Trisector, this is the latest (and maybe last) album from one of the most innovative, exciting and original bands from progs first wave.
This was released back in September and it has taken me a while to get round to writing this review, due to as previously mentioned life getting in the way, and of course I needed time to live with and digest this album.
With the added shadow of this potentially being their last album, the mood of regret, or closure and a sense of finality hang over the record, which for my money is one of the finest they have produced in this latter period of their mighty career.
One of our beloved friends and progarchists, Russell Clarke, posted this as a comment, but it deserves to be its own post, separate but equal! Nothing RC writes is unimportant.–ed.
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From our friends at PROG
The funding campaign has now passed the UKP60,000 mark. The community is pulling together for something that they believe in.
In the immortal words of Joni Mitchell, you don’t know what you’ve got ’til it’s gone, and that may have been the wake-up call for a lot of people (myself included.) There are others that have been long-time supporters and subscribers. I haven’t been so I fall into the former camp, but I am still happy to donate to the people who put in the hard yards to make this a vibrant community. Regardless of the reasons it’s still great to see people rallying around those who put themselves out there to create such an amazing bunch of people.
Having said that, there’s currently plenty of “How dare you donate to this cause when my pet cause is more important?” on display.
Also, there’s the even more ridiculous “How dare you donate to this cause when I need the money more?”
In response to both, I have two words, neither of which are printable here.
Nobody tells me what causes I must support. The moment they do, it’s called a tax, and I pay enough of that already.
And I’m pretty sure the prog scene wouldn’t be what it is without the contribution of people like Jerry Ewing. Kudos to you mate!
We need to rock on, make our own mark, and ensure that us, as Progarchists and readers thereof, are constantly spreading the word about our amazing genre. If Prog Mag is to be absent I will redouble my albeit paltry efforts to publicise our muse.
A huge, ginormous progarchy congratulations to YES for *finally* making into the Rock and Roll Hall of Fame!!!
Over our five years of existence, we’ve been huge YES fans. Here are just a few selections of the many thousands of words we’ve written on YES over nearly half a decade.
One of the only (well, probably the ONLY!) good things about PROG being shut down is seeing the amount of support being shown for our beloved friends. On Facebook, everyone from Greg Spawton to Matt Cohen to Mike Portnoy and beyond has offered great words for Jerry and everyone at Prog.
Mike Morton of The Gift has taken this to the next level. He’s set up a link to help donate to all of those who just lost their jobs. Remember, they had no idea this was coming at work. Not only were they let go this afternoon, they were denied pay for the previous three weeks as well.