Category: Progressive rock

Top 10 Rock Albums of 2017

On By Time LordIn Progressive rockLeave a comment

As promised, in addition to my TOP 10 PROG and TOP 10 METAL lists for 2017, here are my TOP TEN ROCK ALBUMS of 2017. I say “rock” but really this is the list where I include everything that is not so easily divvied up onto either my metal list or my prog list. So I guess it’s really ROCK/POP/OTHER, but that doesn’t sound as good in the title. In any case, I am sticking to the usual constraint of ten, but of course (as usual) I also abandon the metric system to make the list into an expanded imperial dozen:

Hobosexual Monolith is heavy and hilarious retro rock, so good that you will want to own it in its delicious gatefold LP edition. The lyrics will have you laughing at all the references, especially in wild songs like “VHS or Sharon Stone.”

U2 Songs of Experience is an unexpected delight, being the best album they have released in eons. It incorporates all the best elements of each of their past musical periods. I have been with these guys since Boy and October, so my opinion carries credibility. Believe me, it’s so good it takes you back to those happy memories from the early days, when you heard something truly fresh and unique and infectious.

Weezer Pacific Daydream starts off with the archetypal Weezer sound on “Mexican Fender” (a killer single) but then suddenly morphs, around about track five, into an album that mines the sounds of the 1950s and 1960s for the rest of the disc. Unexpectedly, it works. Kudos to Weezer for not playing it safe, and for taking musical risks.

Continue reading “Top 10 Rock Albums of 2017” →

Chuck Dixon’s Vampire Novel: BLOODED

On By bradbirzerIn Progressive rockLeave a comment

Dixon BloodedReview of Chuck Dixon, Blooded: A Novel with Teeth (Bruno Books, 2017).

Blooded is a gripping, driving, and, at times, disturbing story of a real estate agent who becomes stupidly amorous with a hookup in a bar.

No sin goes unpunished.

The next morning, he finds that his “score” is really a vampiress, and she’s turned him into a vampire as well.  Though we know next to nothing about the protagonist, we quickly and rather sympathetically follow his exploits as he has to figure out how to live this new life.

We learn of him—in a genius aspect of Dixon’s writing—only by the choices he makes from that fateful morning forward.  Does he embrace the new lifestyle?  Does he keep his old morality (which, from what little the reader knows, was already pretty shady)?  Does he remain a human who now has supernatural powers (and limits)?  Or, does he become the monster he must become to survive in this new form?

Continue reading “Chuck Dixon’s Vampire Novel: BLOODED” →

YABOL (Part 3)

On By Dr NickIn Progressive rock2 Comments

In Part 2 of Yet Another ‘Best Of’ List, I showed you the albums that I’d ranked sixteenth to ninth; now its time to conclude proceedings by counting down my top eight releases from 2017…

8. Damanek – On Track

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I confess to being ignorant of Guy Manning’s repertoire, which is very remiss of me if this is any way representative of his output. Put simply, this album is an absolute joy, wonderfully melodic and catchy as hell – read Erik Heter’s excellent review if you want a detailed breakdown of its myriad delights. A sure sign of a great album is the difficulty you have in singling any track out for special praise, but I feel compelled to highlight the cool jazz-funk of Believer – Redeemer and the extended soloing in Oil Over Arabia as particular favourites. Guaranteed to get those toes tapping!

7. White Moth Black Butterfly – Atone

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The second album to emerge from Daniel Tompkins’ collaboration with Skyharbor’s Keshav Dhar. (I’ve yet to hear the first.) When I checked my music software stats, I just couldn’t believe how often I’ve played this. To these ears, it is a thing of beauty, flowing effortlessly from one track to the next, with Symmetry and The Sage the tracks that particularly stand out. Critics may lament the lack of bite, but if you just sit back and give it a chance, its gentle charms may seduce you and warm your soul. Who needs chemical stimulation when you have something as genuinely mood-enhancing as this?

Continue reading “YABOL (Part 3)” →

Dear Santa, please bring toys that ROCK…

On By Time LordIn Progressive rockLeave a comment



Haha, one of the year’s very best ROCK albums… coming soon to my forthcoming TOP 10 ROCK list, which will supplement my TOP 10 PROG and TOP 10 METAL lists…

Damian Wilson and Adam Wakeman: KICKSTARTER

On By bradbirzerIn Progressive rock1 Comment

Hey Progarchists, a plea and an appeal.  Damian Wilson and Adam Wakeman have launched a Kickstarter pledge program.

Please, please, please support them.

The campaign lasts until February, and they’ve received about 30% of what they need at this point to complete and produce the album.

For those of you who might not know, these are the two who brought us the exceptional and outstanding [headspace] albums.  These guys are genius, and they very much deserve our support.

To support this project, please go here.

 

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Top 10 Metal Albums of 2017

On By Time LordIn Progressive rock4 Comments

As the resident metalhead among the Progarchy editors, I offer not only my Top 10 (Prog) Albums of 2017, but also my TOP 10 METAL ALBUMS of 2017 (below). Ever since I first discovered Rush, my favorite genre is prog metal, and you’ll observe the tilt in taste in that direction below. If you like prog, then you will enjoy all the complex and satisfying metal that has made my list below.

Witherfall Nocturnes and Requiems has perfect metal vocals combined with breathtaking musicianship (the blistering guitar work and intricate drumming are astonishing), making this a truly superb album achievement.

Every few albums, Rush would include a pure instrumental showcase, but what if they had ditched Le Studio and took off to Scandinavia to record an entire album of instrumentals? That’s what sleepmakeswaves Made of Breath Only sounds like to my ears, and it puts a smile on my face every time I hear this amazing album.

Odd Logic Effigy gives you everything you want in an advanced prog metal album, woven here into an especially satisfying, coherent musical whole, and it is truly a shame that this band is not better known, because their art is magnificent.

Soen Lykaia is a distinctively original metal album that combines all the sounds you love from intricate metal into a highly unique whole, marked with upper-echelon musicianship.

Lucid Dreaming The Chronicles Part II is an incredible heavy metal concept album with populist vocals that sound like the cast of a Broadway musical, in service of the dramatization of The Chronicles of Prydain. (Dream Theater totally blew it with The Astonishing pile of crap, but Lucid Dreaming shows what a stage musical metal concept album should really be like instead.)

Leprous Malina is a mysterious and infectious slab of metal that I can thank Progarchy editor Carl for turning me on to, and its richly dark textures get better and better with each listen. Thanks, Carl!

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Some Neglected Music of 2017, Part I

On By bradbirzerIn Progressive rock3 Comments

By neglected, I don’t mean by the world.  I mean, by me.

In a few other posts, I have had the privilege of listing my top albums, in the order I loved them.  My 2017 list goes, from no. 10 to no. 1: Anathema, The Optimist; Bjorn Riis, Forever Comes to an End; My Tricksy Spirit; Ayreon, The Source; The Tangent, The Slow Rust of Forgotten Machinery; Cosmograf, Hay-Man Dreams; Glass Hammer, Untold Tales; Newspaperflyhunting, Wastelands; Dave Kerzner, Static; and Big Big Train, everything released in 2017!

There are, however, a number of great releases from the year that I simply did not have time to grasp fully or immerse myself in the way I think necessary to review properly.  None of this, however, should suggest–to my mind, at least–even a kind of lesser quality or second-hand citizenship in the world of Prog, or in the republican anarchy that is progarchy.

For what it’s worth, I thought each of the following extraordinary as well, and, I hope, when Kronos allows, time to embrace each in the way it deserves.

***

lifesigns cardingtonLifesigns, Cardington.  I think John Young is a treasure of a musician and composer, and I’m honored to travel this world at the same time as he.  Intelligence radiates from everything the man does, and, even better, it’s an intelligence utterly in the service of good things.  The first Lifesigns was a shock of joy to me.  This one as well, though I’ve just not had the time to dive into it.

When I listen to Lifesigns, I actually think of Young and the band as the anti-Radiohead guys.  Imagine the darkness of Radiohead and then do exactly the opposite, in terms of melody and lyrics.  And, you might arrive at Lifesigns. My favorite track on this new release is nine-plus minute “Different.”

Continue reading “Some Neglected Music of 2017, Part I” →

Steven Wilson at TIC

On By bradbirzerIn Progressive rock6 Comments

Yesterday, I had the grand privilege of introducing the The American Conservative audience to the joys and delights of Big Big Train.  This morning, I’ve had an equal blessing in introducing Steven Wilson to The Imaginative Conservative audience.  It’s prog week in the Birzer house!  Then again, when isn’t it prog week in the Birzer house?

For this one, I focused on Wilson’s previous album, HAND.CANNOT.ERASE and explored the Christian humanist elements within it.

A huge thanks not only to Winston Elliott and Steve Klugewicz, masterful editors of The Imaginative Conservative, but to Stephen Humphries as well.  As some of you might very well know, there is no one in the world outside of Wilson himself who knows more about Wilson than Humphries does.

To read, please click here.

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Big Big Train at TAC

On By bradbirzerIn Progressive rockLeave a comment

The kind and professional folks at The American Conservative have given me some space to spread my love for all things Big Big Train.

http://www.theamericanconservative.com/articles/an-ode-to-progressive-rock/

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Lucid Dreaming, Heavy Metal, and The Chronicles of Prydain

On By Time LordIn Progressive rockLeave a comment

Over at Angry Metal Guy, Swordborn has a good review of one of my favorite releases of 2017, Lucid Dreaming’s The Chronicles Pt. II, which is a heavy metal adaptation of The Chronicles of Prydain books. Here’s a taste:

These books were favorites of mine as a child, and remain so to this day. The first installment of The Chronicles remains one of my go-to favorites when illustrating one of the most thematic and spiritually faithful translations of fantasy novel to metal album, despite a relatively unenthusiastic reception in many power metal courts. To no one’s surprise, I’ve been following the progress of Pt. II with interest, and have been entertaining pretty high expectations for it.

Stylistically, Lucid Dreaming is very raw power metal in a myriad of ways. Not only does the mix feel very vocal- and bass-forward, but the array of guest vocalists that breathe life into Prydain’s characters are sourced from throughout the European heavy/power metal underground. None of them bear the polished pedigree that so many of the more commercially successful power metal acts are often noted for, but rather, they infuse the compositions with gritty, energetic, and passionate imperfection. Consequently, The Chronicles, Pt. II boasts an immense amount of character that is lacking in so many concept and story albums produced by the metal genre at large. Tobias Sammet and Arjen Anthony Lucassen may be able to conjure epic soundscapes to assist their grandiose artistic vision, but I’ll bet an oracular pig that neither of them could whip out such an earthy, authentic literary adaptation as this (and probably could never be bothered to).

A listen through the first several tracks will quickly indicate the order of the day for Lucid Dreaming: long, vocally-driven compositions are laid over relatively simplistic but well-formed power metal frameworks spearheaded by hooky rhythm and lead work composed by Oberboßel.