Here are my favorite prog rock albums of 2016.  Some albums are not on the list simply because I did not get a chance to hear them.  Some made my “honorable mention” list but were just a hare’s breath away from cracking the “Top Ten.”  Musical appreciation is both subjective and ephemeral at times.

HONORABLE MENTION (i.e. good enough that you should listen to these works and purchase them as well):  In no particular order:

Neal Morse Band: The Similitude of a Dream (every Morse endeavor could be on a Top-Ten list)

Haken: Affinity

Gustavo Santhiago: Animam (stunningly beautiful)

The Man from Ravcon: The Puzzle Master

Iamthemorning: Lighthouse

Frequency Drift: Last

Hawkwind: The Machine Stops (c’mon!!!  It’s Hawkwind 🙂 )

Opeth: Sorceress

Dream Theater: The Astonishing (for the single-minded audacity of releasing a Nibelungen-length endurance contest in the face of certain critical rejection, and, great moments of music as well)

My Favorite Prog albums of 2016, AKA “Watson’s TOP TEN”:

 #10

10. COSMOGRAF: The Unreasonable Silence (Robin Armstrong’s fifth studio release continues his record for crafting intelligent and thought-provoking masterpieces of speculative musical concepts. Smart and enriching!)

 #9

9.  BIG BIG TRAIN: Folklore (Another penultimate “British pastoral-prog” gem from a band that can do no wrong. The problem [which isn’t really a problem] is that it has to be “penultimate” compared to the greatest-of-great albums in their discography “English Electric Full Power.” While every track is “bottled faire” my favorite is ‘The Transit of Venus Across the Sun.’

 # 8

8. STEVEN WILSON: 4 1/2 (Yes, it’s an EP and had I moved it to a special EP-only category it would have been #1 and I then would have had room for another worthy addition on this list…BUT…this collection of songs is just so darn good, and I listened to this disc so many times in 2016, that it earns a spot with these other longer works.  The songs ‘Happiness III’ and ‘Don’t Hate Me’ are my favorites. Achingly beautiful!

 #7

7. THE DEAR HUNTER: Act V Hymns With the Devil In Confessional (Incredible that only last year in 2015 the auteur genius behind The Dear Hunter, Casey Crescenzo scored a huge success in prog-land with “Act IV Rebirth in Reprise.” In fact Act IV came in at #4 in my Top Ten of 2015 [one ahead of Steven Wilson’s ‘Hand, Cannot, Erase’]  Again, we find a perfect melding of dream-pop & power-prog stirred up in a stew of vaudevillian show-tune melodies, Queen/Muse-like anthemic oratorios, with a dash of steam-punk attitude. Probably the most fun of any album on this list. I’m not sure I can even pick a favorite song…they’re all that good.  Maybe my favorite is track 4 ‘Mr. Usher [on his way to town]’ because it takes a ‘swinging’ rat-pack, retro-cocktail hour jazz number [which could have been sung by Seth McFarland or Harry Connick Jr.] and progifies it so much you can’t wipe the grin off your face.

 #6

6. TILES: Pretending 2 Run (This four man band from Detroit has turned in one of the most fully-realized and ambitious concept albums of the year. Produced with crispness and audio fidelity by Terry Brown [he, of Rush fame] and assisted on several tracks by Moog-Maestro Adam Holzman and Drum-guru Mike Portnoy, this neo-proggish double record bathes the listener in swirly Vangelis like loops and synth creations that enhance the catchy melodies and sing-along choruses. For most of the year this album was riding at #1 on my prospective list–it’s just that good. I love the artwork in the digi-pack as well as the choral additions by The Renaissance Group & Con Spiritu. Ian Anderson even adds a tasty flute accompaniment on track 1 of disc 2.  My favorite song, and maybe my favorite prog song of the year, is ‘Fait Accompli’  My 2016 would have been less rich by far had I not purchased this moving and heroic work of art!

 #5

5. GLASS HAMMER: Valkyrie (As EVERYONE here/there/and everywhere seems to have trumpeted–THIS IS GLASS HAMMER’S MAGNUM OPUS.  And they’re correct. This is a tour de force and easily my favorite GH work. Every song is 10/10 and some are 11/10…my favorite track might well be ‘Rapturo’ wherein during the 6:12 of its run time one approaches a sonic empyrean bliss.  Susie sings like a seraph, Babb’s base has never sounded better, and the band delivers a classic for the ages.

 #4

4. MARILLION: F.E.A.R. (This is at times a difficult album to listen to because the subject matter and gravitas of “H’s” vocals are very intense and weighted with anger, frustration, and sorrow. This is Marillion’s finest album in years and just barely edges out Glass Hammer for the #4 spot. Interestingly, not all the songs are perfect [like on “Valkyrie”] and the album is uneven.  But there’s enough Rothery beauty and Mark Kelly sub-strata that the whole is greater than the sum of the parts.  And then part IV of ‘The New Kings Suite’ comes along and I have to pick myself up from off the floor. Indeed, part IV ‘Why is Nothing Ever True’ is better then best and I give it 13/10…easily the best song on the album.  These guys have been together, enriching our lives, for so long…it’s just a warm and happy feeling that they can still make music this darn good.

 #3

3. ERIK NORLANDER: Surreal (other than Steven Wilson’s 4 1/2, this is the album I listened to the most during the past year. I am a sucker for melody and love instrumental pieces more than most songs with vocals.  Between Norlander’s keyboard wizardry and Alastair Greene’s crazy axe-riffing, I was head-bobbing (but in a ‘Prog way’) the entire 57 minutes. If you like your instro-prog and are a fan of Wakeman-like keyboard legerdemain, buy this album.  This is better than California sunshine, air, and orange juice for a massive vitamin D “hit.”   Smiling all the way.

 #2

2. AIRBAG: Disconnected (This is a very intelligent, nuanced, and elegant collection of songs that is the perfect antidote to “bombastic” and overwrought prog and prog stereotypes. If you are a fan [and you should be] of Steven Wilson, Porcupine Tree, or Riverside, you will love this album. At times melancholic but always reflective and centering. Scents of Floyd, Vangelis, Tangerine Dream and Piotr Grudzinski waft about leaving the listener in an aural dream with the perfect soundtrack/score of simple pleasures.

AND NOW, my FAVORITE (and I think the “BEST”) PROG ALBUM of 2016:

 #1

1. CYRIL: Paralyzed (Lush, full throated melodies and harmonies, hooks galore, tight musicianship, this 6-man German band has given the entire prog community an almost perfect melding of progressive playing [tinged with both classical and jazz motifs, as well as fusion-esque runs] with pop sensibilities–the gorgeous melodies and toe-tapping rhythms make this the one album that you will simply replay over and over during the course of a day. Uplifting and feel-good music for the soul and spirit. Every track is perfect but my favorites are ‘Rainbow’ with a really neat Spanish-tinged/Flamenco classical guitar intro, as well as the 18-minute Prog Epic ‘Secret Place Part One.’  If you can only buy one more album, make it “Paralyzed” by CYRIL.  At the last few notes fade away on track 7 you will feel as if you’ve been transported into Reepicheep’s little canoe and you’re about to enter Aslan’s country.

Thank you 2016. My ears are happy. Thank you Progarchy. Thank you Dr. B….and…

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Anakdota is a progressive rock band from Israel who this year came up with the release of their debut album titled “Overloading.” The band admits that they make “highly intensive, ears demanding and jaws breaking music.” Pianist Erez Aviram spoke with us about the meaning behind the band’s name, the writing process, “Overloading”, and more.

What made you go for the name Anakdota?

Lots of brainstorming, we searched for a name to describe our music. By definition, an anecdote (Anekdota in Hebrew) is a tale which usually contains a comic twist or a message. We added our own comic punch line in the name itself, we misspelled the word so it shows “Anakdota”.

How do you usually describe your music?

Our music is like a really fast japanese super high tech train driving through beautiful enormous fields of tulips.

What is your writing process like?

Painfully slow. Satisfying though. Usually Erez Aviram (Piano guy) writes all the material including the arrangement but the parts are given new life by Guy Bernfeld (Bass) and Yogev Gabay (Drums) and they add their own ideas to the mix. Then we press “Randomise” in Cubase and hope for the best.

Who or what is your inspiration, if you have any?

Daily life, lots of stuff going on every single day. Emotions and thoughts which you never seem to notice too much, but they exist and present all the time. So that’s my inspiration mainly.

What is your favourite piece on the “Overloading” album?

We all have different favourite tracks, but mine (Erez Aviram) would have to be track no’ 4 “Mourning”. It’s a soft ballade sung by Ayala Fossfeld and she really does a great job delivering these painful lyrics, it moves me each and every time I listen to it.

What makes “Overloading” different?

Different from what? I believe it is new and that it was never done before, mainly because it’s us and we’ve never existed before. Sure, we’re influenced by lots of music, old and the new, but I can assure you that this album is something you’d want to listen to at least a couple of times just to understand it and really let it get inside you.

What should music lovers expect from “Overloading”?

Nothing and everything. Expectations ruin everything, it’s better you’d be surprised.

What kind of emotions would you like your audience to feel when they listen to your music?

All the emotions they want to have but I think everyone would like to discover new feelings and sensations they never had before. I strongly believe music has the power to do so.

Which do you like most, life in the studio or on tour?

Never went on tour so life in the studio for me!

Pick your three favourite albums that you would take on a desert island with you.

An album with a toothpaste, an album with a sleeping bag and an album with a satellite phone.

https://bandcamp.com/EmbeddedPlayer/album=2741213045/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/

Iris interviewed Craig Blundell via Skype on 21 December 2016. They talk about Steven Wilson‘s upcoming album, John Mitchell‘s upcoming album, and more! Please stay tuned for part 2!

NOTE: Apologies for the bad video quality, and for things popping up all over the screen. My usual video recording software didn’t work so I had to use another recording program very quickly. Luckily the sound is good!

via Video Interview Craig Blundell (Steven Wilson, Frost*) Part 1 — Permanent Music Damage

Follow Permanent Music Damage, the new website of roving reporter Iris: https://pmdamage.wordpress.com/

Ten songs on a debut album by Italian metallers As A Conceit, will give you exactly 40 minutes of something that is brutal, complex, heavy, noise and hardcore with a slice of melody. Imagine The Dillinger Escape Plan with peaces of less complex stuff but more melodic metal parts and you got As A Conceit.

I don’t know how to describe this kind of music but I can imagine where the term/genre ‘noise’ made its entrance. I can also understand that a lot of people can’t take this longer than one minute. But I still wouldn’t describe it as noise. They use these melodic, ‘listenable’ parts in it. That just give you the few, but very needed seconds, to take a breath and protect you from mental damage.

Still, I’d rather see the balance between the melodic metal parts and the brutal noisy complex parts a bit different. Yes, it’s very impressive that they can play it this tight and well controlled. I also think that it’s great to play. But the fact that it takes this much energy to listen to it. A bit less complex would be great, but hey, isn’t that just a matter of taste…

As December 31st draws closer and the days to add my own “Top Ten” or “Favorites of 2016” dwindle…it’s time for something completely different (well, not totally, as our hero Dr. B routinely extols, and properly so, the merits of Tears for Fears, XTC, and other notable artists on the “fringe” of prog).

I don’t know about most of you but I still listen to CDs the majority of the time and love having a disc in my car as I drive around–especially summer.  I routinely have my one “Summer Album” that is on constant drive-time rotation.  And though the album is usually prog, this past summer of 2016 my cherished moving music was the splendid album GOOD TIMES.  I highly recommend this work for its pure fun.  Those who were pre-teens when the Monkees hit their peak know what I mean.  The reason for this particular post on Progarchy is to make a tie-in to Brad’s love of the great Andy Partridge.  Mr. Partridge pens the albums second track “You Bring the Summer.”  Micky sings and it’s 1966 all over again.  And check out this wonderful video.  Not prog, sure…but c’mon.

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