Wonderful News about Iamthemorning

This, from our great friend, Brian Rocha, and Fresno Media:

RUSSIAN PROGRESSIVE DUO IAMTHEMORNING WINS ‘ALBUM OF THE YEAR’ AT PROGRESSIVE MUSIC AWARDS
“Lighthouse” out now on Kscope
LONDON, U.K. – Russian progressive duo iamthemorning has won the prestigious ‘Album of the Year Award’ for its latest Kscope album release, Lighthouse. The award was presented to the band last night at Prog Magazine’s fifth annual Progressive Music Awards in London. The ceremony took place at the world famous Underglobe beneath Shakespeare’s Globe Theatre.
“This was definitely a night to remember,” commented vocalist Marjana Semkina upon receiving the award. “We were of course very excited about attending as it is a great chance to catch up with old friends and meet some new people – some of the finest people of Prog, I should say! And that’s it, we never even thought we’d get the award.
“The nominees in our category are all so amazing, some of them are our good friends too, and it feels generally awkward to sneak the award from them, because every single one of them deserves it. But we are of course really happy and humbled, it is such a great honor for us to actually win, and it’s so inspiring. Big thanks to our team of engineers that put all their time into this project – Marcel van Limbeek, Gianluca Capacchione and Vlad Avy, as well as people that contributed their amazing musicianship, including Gavin Harrison, Colin Edwin and Mariusz Duda, this whole thing wouldn’t be possible with all of them. We hope that more than anything it will give us a chance to actually start playing Europe properly, but for now I can’t wait to start working on the next album!”
In addition to the ‘Album of the Year Award,’ iamthemorning has also revealed the official music video to its track, “Libretto Horror,” taken from Lighthouse, on YouTube: https://youtu.be/gFMg2vvLCKw. A live performance of the song from St. Petersburg, Russia’s Aleksandrinksy Theater can also be viewed at https://youtu.be/iLPM8EH767Y.
Lighthouse released via Kscope earlier in 2016, following up the band’s 2014 album Belighted and was described by Prog Magazine as “life affirming, beautiful, heavenly – a monumental album.”
As with Belighted, the engineering and mixing on Lighthouse is handled by Marcel van Limbeek (Tori Amos) and self-produced by Gleb and Marjana. The album also features guest musicians Gavin Harrison (Porcupine Tree, King Crimson) on drums, Colin Edwin (Porcupine Tree) on bass and additional vocals on the album’s title track by Mariusz Duda (Lunatic Soul, Riverside).
Lighthouse is a rich and eclectic album with echoes of classical music, the Canterbury scene, northern folk, jazz and electronic sounds. Featuring a story of the progression of mental illness, the album takes the listener through the stages with the story’s central character, her attempts to fight it, and temporal remission leading to a final breakdown. Lyrically, the works and lives of Virginia Woolf and Sylvia Plath inspire the album.
Recorded across London, Moscow & St Petersburg, the core instrument of the band, the grand piano, was recorded in Mosfilm Studios Moscow, one of the largest and oldest studios in Russia. Founded in 1920, Mosfilm is renowned for recording orchestras for soundtracks for the most famous Soviet-era films, including works by Tarkovsky and Eisenstein.
The album artwork for Lighthouse was created by watercolor artist Constantine Nagishkin who the band has previously collaborated with before.
Lighthouse is available digitally now on iTunes at:
http://smarturl.it/LIGHTHOUSE_DIGITAL and on CD, LP (with MP3 download code) through the Kscope webstore at: www.kscopemusic.com/store.
1. I Came Before the Water (pt. I)
2. Too Many Years
3. Clear Clearer
4. Sleeping Pills
5. Libretto Horror
6. Lighthouse (feat. Mariusz Duda)
7. Harmony
8. Matches
9. Belighted
10. Chalk and Coal
11. I Came Before the Water (pt. II)
12. Post Scriptum
Stay tuned for more information on iamthemorning and Lighthouse, out now on Kscope.
-###-
iamthemorning is:
Marjana Semkina – vocals
Gleb Kolyadin – grand piano, keyboards
iamthemorning online:

Big Big Train, ‘Folklore’

Xerxes's avatarProglodytes

Big Big Train was founded around 1990 and existed primarily as the studio project of Greg Spawton and Andy Pool until 2009, at which point they largely stabilized a band lineup (‘stabilize’ being a relative term).  Starting with their sixth album, The Underfall Yard, they began to enjoy some acclaim in the progressive rock community.  In 2012, they released the first part of a double album, English Electric Part I, which was followed a year later by English Electric Part II.  This move was not only super-proggy, but smart, as it also encouraged extra sales for the second album.

With EE parts I and II, BBT set themselves an incredibly high standard. The music and lyrics on both albums were superb and they combined melody and complexity to a degree that few bands have been able to do.  Because of this, expectations were high for their latest…

View original post 1,969 more words

“All Just Pretending” — Lulu Lewis @DylanKH

Great video made for just 24 bucks and an iPhone:

Love that short set, Phil Collins!

Collins, as you might recall, is a drummer and singer who once was part of a legendary prog-rock group. In recent years he has kept a low profile. Why? An August 17th piece in the New York Times catches up with Collins:

After decades as the drummer and post-Peter Gabriel lead singer for Genesis, as well as a commercially dominant solo run as the poster boy for pillowy ’80s pop excess, Mr. Collins retired as a not-quite-beloved rock elder in 2011. As with most musician goodbyes, the dormant period didn’t last. (Presciently, Mr. Collins had called his tour in support of the 2002 album “Testify,” his most recent release of original material, the “First Farewell Tour.”)

Since announcing his resurgence last year, Mr. Collins, 65, has performed at a handful of charity events, in addition to starting the process of reissuing eight of his solo albums.

The piece is a lead-up to an August 29th performance by Collins at the opening ceremony for the United States Open tennis tournament in Flushing, Queens. Collins explains that he’s been busy with family, recovering from “war wounds” including surgery on a bad back, which led to foot problems, which was then followed by some problems with his left hand. He’s also been working on a memoir, which appears to be quite open and honest about his failed marriages (three of them), drinking problems, depression, and such. Of his varied career, he says:

I think, with some critics, I became synonymous with an era of music that they didn’t like, and they were suspicious of all success, which is understandable. You end up painted into a corner that it’s impossible to get out of. I don’t lie awake and think about this, but I withdrew in 2005, and I think I was quite honest about why: I wanted to write myself out of the script.

When the reissued albums came out — which I was reluctant to do at first, until I found some way I could be proud of it — I thought, “This is exactly what I’d hoped for.” Of course, records sell differently now than when I was making them, so it wasn’t a question of cashing in. It was giving people a chance to re-evaluate this person that had become a whipping boy for the ’80s. I was so pleased that people were able to say, “I re-looked at this, and it’s better than I thought.”

All of which leads up to this video of Collins performing yesterday in NYC at one of my favorite sporting events, The U.S. Open (yes, tennis is a favorite sport; I own 68 rackets). The first song, “In the Air Tonight”, is very well done; note the drummer, who is Collins’ 15-year-old son, Nick. The second song, “Easy Lover”, is performed with Leslie Odom Jr. (“Hamilton”) and is utterly boring.

Twisted Sister to Appear on Fox and Friends This Friday! @MikePortnoy

Twisted Sister, including Mike Portnoy, will appear on this upcoming Friday’s (September 2, 2016) episode of Fox and Friends, on the Fox News Channel. It is great to see Twisted Sister, the greatest glam metal band of the 80s, getting some mainstream attention as they celebrate their 40th anniversary.

For those that don’t know, Mike Portnoy has been Twisted Sister’s full time drummer since the death of A. J. Pero in the spring of 2015. It will definitely be great to see everyone’s favorite (or second favorite if we are including retired Rush drummers) prog drummer on national tv! That doesn’t happen everyday, although it should.

Set your DVRs! Even those of you that hate Fox.

http://www.foxnews.com/on-air/fox-and-friends/all-american-summer-concert-series

Freakishly Huge Sale at RADIANT

STARTING NOW: Radiant’s Pre-Labor Day 3-Day Sale through Wednesday, 8/31!

 

BIG savings on:

Transatlantic – Kaleidoscope

Neal Morse – Songs from November

Neal Morse – Momentum

Neal Morse – LIVE Momentum

Transatlantic – Whirld Tour 2010

Transatlantic – More Never is Enough

Spock’s Beard – Don’t Try This at Home

Order within the next three days for your chance to win a surprise gift! 

(Recipients of surprise gifts will be chosen at random. If you are picked, the gift will be included with your order.)

PLUS: All orders over $60 receive a 15% discount! 

(Discount automatically deducted at checkout – no code required.)

https://www.radiantrecords.com/default.aspx

Backstage with Iris! Interview with Darrel Treece-Birch! — Grendel HeadQuarters

The fifth episode of Backstage with Iris! Interview with Darrel Treece-Birch!! Darrel is the keyboardist of the bands Nth Ascension and Ten, but released his solo album named No More Time this month. Iris and Darrel talk about his solo album, how he joined the bands Ten & Nth Ascension, and more! A long, interesting, and also […]

via Backstage with Iris! Interview with Darrel Treece-Birch! — Grendel HeadQuarters

It’s a Far Cry: The Genius of Rush, Snakes, and Arrows

snakes-and-arrows-cover-4
Snakes and Arrows, 2007.

Snakes and Arrows, Rush’s 18th studio album, came out on May 1, 2007.  It was the last Rush album to be distributed by Atlantic, but the first to be produced by Nick Raskulinecz.  Snake and Arrows was profoundly progressive, but it was also one of Rush’s blues-iest album, almost certainly influenced by their EP, Feedback, a 30th anniversary tribute to the bands the three members loved in the 1960s.  And yet, even the blues on the album is mischievous, an inversion or twisting of blues, propelling the flow into more classical progressive directions.

The album also sees the return of Peart, the cultural critic and observer.  The first track, “Far Cry,” begins with the harrowing “Pariah dogs and wandering madmen,” a commentary about the evil in society and those who would sell their own souls and become evil to destroy the other evil.  Each, tellingly, is a fundamentalist, “speaking in tongues.”  The track begins, musically, with a psychedelic blues feel.  This was not the world we thought we would inherit, Peart laments.

It’s a far cry from the world we thought we’d inherit

It’s a far cry from the way we thought we’d share it

You can almost feel the current flowing

You can almost see the circuits blowing

Even when we feel we might actually make something right, the world spins and we find ourselves rolled over.

Continue reading “It’s a Far Cry: The Genius of Rush, Snakes, and Arrows”

What Lies Beneath – Bad Elephant Special part 2, an interview with Mike Kershaw.

Hello Progarchists, welcome back to the second part of my look at the current releases from our friends over at the naughty pachyderm, today I have a review and an interview with Mike Kershaw.

Self taught singer songwriter Mike Kershaw has been working solo for several years now putting out releases that have got better and better, and more acclaim with each release, and his latest album What Lies Beneath (the follow up to 2014s critically acclaimed Ice Age) is Mikes first full length album since signing to Bad Elephant, and Mike was kind enough to chat to me about the album, before we hear from the man himself, lets see what I thought of What Lies Beneath.

Mike Kershaw4

This is the second release that Mike has made using guest musicians, and like the previous EP (Departure) signposts a new direction of Mikes working, instead of being fully solo, he has opened the doors and invited in a list of talented musical collaborators and label mates, including the inimitable Tom Slatter, who adds his unique sound to Wounds, whilst Leopold Blu-Sky of Unto Us adds his bass,guitars,keys and drum programming to the mix as well as producing the record, Gareth Cole plays guitar on the album whilst Fractal Mirrors Frank L Urbaniak drums on a few tracks and Leo Koperdraat co-wrote and guests on Two Eyes.

Continue reading “What Lies Beneath – Bad Elephant Special part 2, an interview with Mike Kershaw.”

soundstreamsunday: “I’ve Been Walking (part 2)” by Gazpacho

gazpachodemonIn 2014, Gazpacho’s Demon  was to progressive rock what, in that same year, Hozier was to pop and Sturgill Simpson was to country — voices that raised the bar, made others take notice and take stock.  Demon was Gazpacho’s eighth album, and many would argue they’d been producing classic, 5-star records since 2007’s Night.  This is true, but the organic, earthy power in Demon marked a new high.  Possessed of one of the most articulate, disciplined songwriting teams I can think of, Gazpacho’s fantasies are psychological, unsettling, symbolic, while their musical fire is in the restraint of their performances and a deep melodic sensibility that is immediately recognizable.  There are no baroque runs here, or an interest in shredding.  Everything is in service to the song.  I never get the sense Gazpacho is attempting to make PROGRESSIVE ROCK; they’re just trying to create the coolest music they can think of, and to share it with sympathetic audiences, much as prog’s first generation did.  And so Demon for me reads more like a folk opera, like Procol Harum’s A Salty Dog or Jethro Tull’s Aqualung, and like those records too the production is simple, naturally spacious, working dynamics as if all the instruments were acoustic and the songs traditional, even when the electrically crashing guitar/organ power chords could be straight outta Deep Purple.  In “I’ve Been Walking (part 2)” the best of Gazpacho is on view: Jan Henrik Ohme’s voice floats as a second melodic center over Thomas Alexander Andersen’s piano, and as the first part of the song blossoms with the added rhythm and violin, the texture and mix of the instruments convey the message as much as the lyrics.  There is a reflective reprise of the first track of the album before a segue into one of the more beautifully heavy, baffling songs I’ve heard this side of Fragile-era Jon Anderson, building its arpeggios into mellotrons and a stormfront of guitars. And then it’s over, and even at 12-plus minutes, this song ends too soon.

Gazpacho website

soundstreamsunday playlist and archive

*Above image is a detail from the liner notes to Demon, designed by Antonio Seijas.