Yes — San Jose concert live on the Web tonight

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YES – Live at San Jose Civic

On 19 August 2014 – Watch the YES live show from San Jose Civic CA – FREE – exclusively on Yahoo Screen.

Setlist: FRAGILE & CLOSE TO THE EDGE in their entireties plus 2 tracks from HEAVEN & EARTH plus more GREATEST HITS!

Showtime: 11:30pm ET / 8:30pm PT / 4:30am UK
Check the show time in your location here.

If you are in the USA you can watch the YES exclusive live concert for free on the Yahoo Screen App, available on iOS for iPhone, iPod & iPad and on Android.

If you miss the live event, don’t worry, the show will also be available to view afterwards on the same website.

The Art of Inventioning

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Prog has a curious way of throwing the odd curveball from time to time.

Let me explain. Do you recall earlier this year back – in March to be precise -when there was an announcement online about Jon Anderson getting together with session guitarist/producer Michael Lewis and jazz fusion violinist Jean-Luc Ponty to form a band under the banner of Inventioning?

What a wonderful name, I thought. It speaks of newness, development, forward motion and creativity, all of which are the true essence of prog if you think about it.

Michael and Jon had started collaborating in January 2007, writing and producing songs, the vision being to one day perform them live together.

Explained Michael: “ While producing Some People, a song I had co-written with Jon, I asked Jean-Luc Ponty to cut a violin track on it — which led to an offer from Jean-Luc’s management for Jon and I to do a U.S. and world tour along with Jean-Luc.

“I first raised the concept of the band with Jon while hanging out at his hotel during one of his visits to Seattle in 2012. But he was reluctant to get back into a band situation at that time.”

Again the subject was raised when Yes was nominated for the Rock & Roll Hall of Fame last year. Michael approached Jon again about touring with him and his group of Nashville players who had appeared on the recordings.

This time, Jon said he felt he was ready to tour again with a band, so arranged for him to meet Jean-Luc’s manager. Afterwards, the great man said: “We are a band” and Inventioning was created.

Enter curveball.

We travel forward in time to 25 July, just a few days after Yes unleash Heaven And Earth, their polarising new album on an unsuspecting world. There is another announcement. It is that Jon and Jean-Luc had formed their own new project launched as a Kickstarter campaign.

However, there was no mention in the statement about pulling out of Inventioning. I caught up online with Michael over the weekend to find out about his reaction to this. He said he knew what the new plans were including next month’s show in Colorado.

Very stoically, he told me: “Regardless of my own personal disappointments, I’ve tried to remain supportive and positive towards them.”

Instead of allowing any resentment to get in the way of his masterplan – which he is financing as well as co-founding, producing and playing on – he has let Inventioning continue to develop. That has included revisiting a number of songs he had co-written with Jon which were still at his studio in varying stages of evolution.

Inventioning is now way on the way to releasing its first album called Affirmation, an interesting twist bearing in mind the past history of his erstwhile collaborator. (Yours truly has occasionally referred to Yes as The Affirmatives). However, he is using the original musicians who worked on the other songs.

“There is a financial burden, but I’ve invested so much time and money; I’m not about to stop now! We’ve got the players in place and we plan to follow up the release with a series of tours next year,” Michael declares.

Two clips from the new project were revealed on 8.14.14. The first song, Walking Talking, will be available as a single on iTunes in the coming weeks: and what a beautiful song it is too.

It’s a throwback to the Anderson, Bruford, Wakeman and Howe era of 1989 but with a modern twist. The electronic opening is the perfect vehicle for the arrival of that timeless, angelic voice, sounding a little more fragile now, but the instrumentation including a rumbling bass, driving rhythm and swirling synth is totally simpatico. There are several hairs on the back of the neck moments including the moment the synth comes floating in, a close harmony section and a jazzy guitar solo. Does that all sound familiar? You will not be disappointed, believe me, but it does leave you wondering what might have been.

Michael, a lifelong Yes fan, who has been a session player and performer for more than 25 years, is carrying on with Inventioning playing guitar and keyboards.

With him are vocalist Bridgette Lewis who has performed RnB and Blues covers with Michael under the name One Street Over for a number of years. Bridgette sang the original demos that Michael produced for the project and is featured on background vocals when Jon is singing lead.

On drums , you will find Grammy Award-winning Nashville session pro, Brian Fullen and bass will be covered by acclaimed Nashville jazz-fusion bassist, Adam Nitti.

There has been no formal confirmation about who will be playing keyboard for Inventioning. Michael’s plan is to work with L.A. session keyboardist Alessandro Bertoni on a few tracks to see how they gel. Fortunately Bertoni shares Michael’s passion for Prog Rock, Jazz Fusion and the Hammond B3 so watch this space.

With or without Jon Anderson or Jean-Luc Ponty, it sounds as though Inventioning could be one of the next big Prog happenings, so keep a close eye on the website http://inventioningband.com/.

I certainly will be.

The Stoic Wisdom of Neil Peart

Seneca. Epictetus. Marcus Aurelius. Neil Peart.Rush Discourses

(This is where you do a double take).

No, that wasn’t a misprint.

Rush lyrics (penned almost entirely by Peart from their second album onward) cover a lot of ground. Individual songs meditate on the dreariness of the suburbs, the balance between heart and mind, the individual vs. the collective, intolerance, the perils of fame, nationalism, the tensions of art vs. commerce and so forth.   When you step back a bit to take a wider view, themes that stretch across a number of songs or even albums begin to emerge. Among those that emerge over the course of Rush’s output are themes of Stoicism. So let me just proclaim that Neil Peart is a Stoic and that Stoicism is a significant component in his philosophical approach to life itself.

I should probably give a brief primer on Stoicism here, and will do so with a bit of trepidation, as there are several other contributors to this site whose knowledge of this school of thought and philosophy (or any philosophy) vastly exceeds my own.

The Stoic school of thought originated with Zeno of Citium, who began teaching it in Athens around 300 B.C. It was later adopted by the Romans, including the famous three listed above. A fundamental tenet of Stoicism is to live in agreement with nature, i.e. “the way things are.” Another one is to learn to distinguish between those things which are under one’s control and those things that are not – and to not worry about the latter. A exceptionally difficult goal to attain to be sure, but one well worth striving for. Contrary to popular opinion, Stoicism does not teach the suppression of emotions, but rather that emotions are instinctive reactions to events, while our judgments of the same can either arouse or cool those emotions. Balance is key.

So how does all this tie in with Rush lyrics? Let’s take a look.

Continue reading “The Stoic Wisdom of Neil Peart”

District 97 preview

Attention all Progarchists! Time Lord relays and endorses the following message to you all:

Hi everyone,

We’re delighted to give you a sneak peak at a track from our upcoming 3rd studio album. The song is called Takeover, and was filmed on June 12, 2014 at Martyrs’: https://www.youtube.com/watch?v=qCyjk-g5T48. Please share this video!

If you’d like to hear this and the rest of our new music on a new album, please consider contributing to our Kickstarter, which launches August 25th!

Kickstarter Launch Shows
In celebration of the Kickstarter Launch, we’ll be playing some live shows. There are 2 confirmed so far, with more to be added:

Thursday, 8/28 @ Double Door
Chicago, IL
w/The Chinese Professionals, Riddle House
8 PM, tickets at http://www.doubledoor.com/event/648139-district-97-chicago/

Friday, 9/5 @ Q-Bar
Darien, IL
w/Riddlehouse
http://q-barandgrill.com/darien/

Other News
Chicago is getting its very own Progfest this October! We’re really happy to be playing alongside bands such as Spock’s Beard, Stick Men, Richard Sinclair and many more. Join us for what should be an amazing weekend:

PROGTOBERFEST, 10/25-26
REGGIES ROCK CLUB
2105 S State St, Chicago, IL 60616
tickets at http://www.ticketfly.com/purchase/event/631771

Thanks for your support everyone!

Jonathan & District 97

New Rush Book No Longer Sold Out

Definitely a must own.

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Thanks for the big show of support for my book, Rush: Life, Liberty, and the Pursuit of Excellence. The book has been listed as sold out on Amazon, but as of today the site says it’s in stock. The book was released on Monday, and it’s gratifying to see interest in it among fans of the band.

The book is my effort to show that Rush’s music is unique in just how consistent it holds to a few philosophical moral principles. Starting with the band’s bold statements in “Anthem” and “Something for Nothing” and ending with the 12 chapters of Clockwork Angels, the band over its 40 years has built virtually every piece it’s written on a bedrock of Aristotelian virtue ethics. This idea isn’t unique to me. Several of the contributors to Rush and Philosophy, which came out in 2011, talk about the Aristotelian connection in the…

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Brett Kull of Echolyn Co-Producing the New Fractal Mirror CD

News from a favorite band, FRACTAL MIRROR:

All Fractal Mirror artwork by Brian Watson.
All Fractal Mirror artwork by Brian Watson.

Our second album, Garden of Ghosts is being co-produced by Brett Kull and Fractal Mirror.  We expect to release it in October/November 2014.  Early buzz from friends and other musicians around the studio has been great!

  • We will start a pre-order campaign in early September with an immediate download of one of the album’s tracks available at the time of the order.
  • We also have been filming some of the recordings and we will be posting clips on our Facebook page.

The album is also being mixed by Brett, who has graciously added acoustic and electric guitars and is responsible for many of the background/harmony vocals.   We can tell you that with Brett’s assistance the music sounds great (to us at least!) and we are excited to get to the finish line.   There will also be special guest appearances by Larry Fast, Don Fast on guitar and sitar, Jacque Varsalona, and Charlotte Koperdraat on background vocals, with a special appearance by the Echolyn choir.

A brief history:

The origins of Fractal Mirror can be traced back to the mid-eighties when three friends from Amsterdam started to make music together influenced by bands from the famous 4AD label and artists like David Sylvian and Japan. At the same time a new wave of progressive rock was expanding its listening audience with bands like IQ, Pendragon, Twelfth Night, Marillion and Pallas but especially the virtually unknown Canadian band Terraced Garden having an influence on their writing.

Ed and Leo continued making music together into the 21st century, focusing on the Alternative or Progressive audience. They met their drummer and lyricist via the Big Big Train site and met the challenge of transatlantic recording and communications with the release of Strange Attractors to very positive reviews. Their music is song based and there are no long instrumental passages or difficult time signatures. The music has a dark, raw edge and they often use the Mellotron. In March 2014 Fractal Mirror signed a deal with Third Contact, a record label owned by Larry Fast (Synergy/Peter Gabriel). They released the physical album in US and Canada and digitally worldwide on March 18 2014.

For Garden of Ghosts, Frank wrote most of the lyrics while traveling and sent them over to Leo/Ed, who then write the music.  Our ability to work together remotely has evolved, as has our music and recording skills.  Garden of Ghosts will contain a full lyrics booklet and an explanation of the songs, which focus on how our memories evolve over time, how we connect and relate to each other in this new digital world.

***

“Fractal Mirror have made a strong opening statement with a fine combination of upbeat, crafted pop rock songs nicely offset by the darker,  melancholic and somber pieces.  An album to return to often…” Bob Mulvey of The Progressive Aspect, UK

“One might call it New Wave/prog or alt rock/prog. I can, however, state unequivocally, it’s gorgeous, stunning, moody, intense, brooding, uplifting, inspiring.”  Brad Birzer, Progarchy

“How do these guys manage to sounds so accessible yet so critically hypnotizing? “ Lady Obscure,

“Fractal Mirror gives the mid-tempo rock bittersweet without instrumental showboating , recalling much REM and Bowie, sometimes with touches of  the Kinks.  MusicSphere (France)

www.fractalmirror.net

https://www.facebook.com/fractal.mirror

https://fractalmirror.bandcamp.com

fractalmirror@gmail.com

Happily PROG-ed.

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August 11, 2014

Well, I admit it. Freely admit it. I was more than wrong.

Last week, I was pretty much banging my head on the wall trying to get the new PROG iPad app to work. Despite following the instructions, I just couldn’t get the thing to work. By the way, for those of you who know me personally, you won’t be surprised that 1) I couldn’t get it to work; and 2) I was frustrated.

Strangely enough, some technology comes to me immediately, and I can flow gracefully through, with, and around it. Other technology confounds me and makes me feel like a total idiot. Generally, I get along well with computers, but, equally, I can’t figure out cell phones worth a . . . well, you get the idea.

Part of my frustration came from the obvious fact that PROG is my favorite magazine, and I love basically everything that Jerry Ewing does.   So, I wanted my PROG!

After some very kind help from Ally at TeamRock this mornin, I was able to get my first new, improved, and enhanced issue of PROG.

And, holy schnikees, was it worth the wait. Using the same format as CLASSIC ROCK, the new PROG app allows for deep reading, support for hunting through the maze of web information surrounding a band or album, and, graphically, jumps off the page of the iPad. In other words, TeamRock has figured out what most traditional publishers still don’t understand—how to explore and utilize the possibilities of the iPad to their very limits. Good for them. And, great for us.

So, I didn’t get immediate gratification last week. I am now more than satiated. Thank you, Jerry and Ally. Thank you very, very much.

My faith is restored. Yours, Brad

Yes to Forever

Will Yes be the first band to transcend generations?

From an awesome new interview with the excellent Jon Davison:

But even with all the lineup changes, Yes’ music retains a dynamic, unmistakable identity that manages to end up being bigger than its individual players. 
That’s right, and it’s similar to the way classical music works. Long after those marvelous composers, like Chopin and Bach and all of them, passed, and the centuries moved forward, their music lives on. It’s not so much about the personality anymore. And people have a hard time seeing that now, because obviously the members [of Yes] are still alive, apart from [original guitarist] Peter Banks, who passed away last year. But it’s so easy to associate the music with the personality, and that causes a lot of conflict among fans. But ultimately, it’s about the music, and just taking the music forward. And there will always be a Yes. And I’m a lover of Jon Anderson as much as I’m a lover of Chris Squire, but you can’t fight it. And when something has that power to it, it’s beautiful, and beauty transcends all of that personality, and it’s always gonna belong, you just can’t put a cap on it and say, “Well, the original members aren’t doing this music anymore, so it’s over.” That can never be. It just can’t be.

It reminds me of the music of Frank Zappa, who composed so much great material with many different lineups — and many different lineups have performed it.
Yeah, that’s exactly it. Art just transcends so much. And when there’s something beautiful and powerful, it’s going to thrive, and you can’t stop it. Each lineup of Yes reflects a new, fresh kind of flavor, if you will. In the grand scheme and topography of Yes. So I think that’s kept it going. I think that’s kept it really fresh. Even the later albums, with “Open Your Eyes,” and so on, those albums are less popular, perhaps, but there was always a nice freshness there, the music was alive, and I think that has to do so much with the unique lineups that keep evolving.

In a recent article, Yes bassist Chris Squire joked, but in a somewhat serious way, that Yes will be around in a hundred years.
For me, when I hear the classic Yes stuff, yeah, I definitely hear that this is a ’70s band — there’s a lot of aspects in it that reveal that. But at the same time, it’s futuristic music. It’s like this thing you can’t quite pinpoint. It’s, like, way ahead of its time. And I still think we haven’t arrived at the point where, OK, we’ve arrived to the full realization of what Yes is. No, it’s like it’s still in the future, and I think that’s why it goes over so many people’s heads.

It’s definitely rock and roll, but at the same time, it has this transcendental quality that you can’t quite pinpoint.

New demo from Ezekiel Graves/Gravaphone

artworks-000087721505-fnusjh-t500x500Ezekiel (Zeke) Graves has a new demo out under the name Gravaphone.  Graves’s music, which I’ve reviewed on the pages of Progarchy before (https://progarchy.com/2013/11/15/chthonic-journey-by-ezekiel-graves/) emerges from his North Carolina upbringing but is also informed by deep soundings of electronic music, British folk, and Krautrock.  I saw him perform this song live a few months ago, accompanied by a Fender Rhodes and fiddle, which gave the song a unique coloration, but I like what he’s done with it here as well, made it darker, spare, and electric.

https://soundcloud.com/gravaphone/new-state-demo