You’re a Mean One, Mr. Grinch: Metal Version

If people around you are already deploying Christmas decorations and Christmas songs — which is ridiculous, because it is not even Advent yet — then here is Progarchy’s way for you to make your own most appropriate contribution to the prematurely festive atmosphere:

“You’re a Mean One, Mr. Grinch,” in a killer metal version by Small Town Titans.

Download the track and put it into heavy rotation for the holidays — or all year round!

Riverside Live in North America — Coming May 2019

From Riverside’s website:

“Dear friends from US and Canada. Will you find time to see us in May 2019? We have a great pleasure to announce all these dates and places.

North America Wasteland Tour 2019:

  • 05/03‬ Atlanta, GA, City Winery
  • ‪05/04‬ Lake Park, FL, Kelsey Theater
  • ‪05/06‬ Carrboro, NC, Cat’s Cradle
  • 05/07‬ Baltimore, MD, Baltimore Soundstage
  • 05/09 Jersey City, NJ, White Eagle Hall
  • 05/10 Philadelphia, PA, World Cafe Live
  • 05/11 Brooklyn, NY, Warsaw
  • 05/12‬ Cambridge, MA, The Sinclair
  • ‪05/14‬ Quebec City, QC, Imperial Bell
  • 05/15‬ Montreal, QC, Club Soda
  • 05/17‬ Toronto, ON, Mod Club
  • 05/18‬ Detroit, MI, Magic Stick
  • ‪05/19‬ Chicago, IL, Chop Shop &1st Ward
  • 05/20 St.‬ Louis, MO, Delmar Hall
  • 05/22‬ Dallas, TX, Gas Monkey Bar & Grill
  • 05/24‬ Boulder, CO, Boulder Theater
  • 05/25‬ Salt Lake City, UT, Metro Music Hall
  • ‪05/27‬ Phoenix, AZ, Crescent Ballroom
  • 05/28‬ Pomona, CA, The Glass House
  • 05/29‬ San Francisco, CA, Slim’s
  • ‪05/31‬ Portland, OR, Hawthorne Theatre
  • ‪06/01‬ Vancouver, BC, The Rickshaw Theatre
  • 06/02‬ Seattle, WA, The Crocodile

See you there!”

 

A Farewell to Kings: Iconic Stories of the Death of Record Stores

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Shakespeare’s Richard II says,

For God’s sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison’d by their wives: some sleeping kill’d;
All murder’d: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear’d and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour’d thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!

Once upon a time, up until only ten years ago, A&B Sound was the king of record stores in Vancouver:

There was a time when a stretch of Seymour Street in downtown Vancouver was a mecca for music lovers.

Long before Spotify playlists and Soundcloud uploads, fans would seek out new music by strolling the aisles of independent record shops like Odyssey Imports, Track Records, and Collectors RPM — which had a Beatles museum on the top floor — or chains like A&A Records and Sam the Record Man.

Tucked under the arms of many who walked along Vancouver’s so-called “Record Row” were square, bright orange plastic bags containing albums bought at A&B Sound, a record store chain that at one point dominated music sales in B.C. and had stores in Alberta, Saskatchewan and Manitoba.

“We had customers back then who spent the entire day there,” said Lane Orr, A&B Sound’s former vice-president, of the flagship Seymour Street location. “They’d be there in the morning when you opened at 9 and they’d still be there at 6 and they had an armload of of classical and jazz [records] and whatever else.”

Founded in 1959 by Fred Steiner, A&B Sound prided itself on selling a deep catalogue of music at rock bottom prices. Their relentless pursuit of bargain prices frustrated competitors and distributors. In its prime it had enough size and influence to ensure that customers in western Canada enjoyed some of the lowest music prices in North America.

“The prices were incredibly low,” said David Ian Gray, a retail analyst with DIG360. “They were benchmark pricing that other retailers had to fall in line with.”

“We were very polarizing in the industry,” said Bob Hitchcock, A&B Sound’s former senior director of marketing. “I think some of our competitors and some suppliers that we didn’t do business with considered us to be sort of cowboys in that respect.”

Hitchcock said A&B’s competitive prices on records and CDs built customer loyalty.

But then came the Internet:

For the longest time, A&B’s business model worked. At its peak, the company had 60 to 70 per cent of the local music retail business and $300 million in annual sales, according to a 1993 Financial Post report.

Hitchcock said the company explored the idea of using its deep catalogue to start a music streaming service in the late 1990s, but it never got past the discussion phase.

In 2005, A&B Sound applied for bankruptcy protection, claiming it owed creditors more than $50 million.

The chain said it had revenues of approximately $200 million in 2004, down from about $300 million in 2001.

U.S.-based Sun Capital expressed interest in buying the company, but it was ultimately sold to Seanix, a Richmond-based computer manufacturer, for an estimated $25 million.

The company wasn’t able to turn things around and closed stores.

The flagship Seymour Street location closed in August 2008. Months later, on Nov. 7, 2008, A&B Sound quietly declared bankruptcy, ending a business that lasted nearly five decades.

The story is familiar, but Canada lost one of the greatest record stores that ever existed, with a physical selection of music the size of which will sadly never be seen again:

Although A&B did its best to expand into computers and other forms of consumer electronics, the company was ultimately a music store, and no amount of business savvy could have saved it from the sea change of digital music and streaming.

In the 10 years since its bankruptcy, there has been something of a record store renaissance with small independent retailers catering to audiophiles who prefer the vinyl to digital. Major retailers still sell CDs.

Gray says that even though there is still an appetite for physical media, A&B Sound’s size — too big to be a boutique record store, too small to compete with box stores — would have made it difficult to survive.

Gray and others say there’s nothing the one-time retail giant could have done.

“It’s just one of those iconic stories of the death of a sector because of the internet and no matter how good they were they just weren’t able to withstand what was happening with online music.”

When I worked in downtown Vancouver, I used to browse the Seymour Street record shop every day on my lunch hour. I limited myself to buying only one CD per day. The deals were so incredible, it was a hard limit to keep.

What a time. It was a truly wonderful experience, like visiting a magnificent castle, full of treasures. I feel sorry for those who never knew it.

A Deeper Shade of White: Notes on “The Beatles”

In the 1997 movie Men in Black, Agent K (aka Tommy Lee Jones) spoke truer than he knew:

This is a fascinating little gadget.  It’s gonna replace CDs soon.  Guess I’ll have to buy ‘The White Album’ again.

Fast forward to the 50th anniversary Super Deluxe edition of The Beatles — my copy is #0112672, if you’re interested — my fifth purchase of the 1968 album.  Following the first CD release in 1987, Agent K’s prophecy was swiftly fulfilled, with 1998’s “30th anniversary limited edition” (CD #0438243), then 2009’s mono and stereo remasters each promising better sound and a more complete listening experience.  So does this new box provide anything previous versions haven’t?  And does it shed any new light on the “White Album’s” ultimate stature, both in the Fabs’ catalog and in rock history ?

Continue reading “A Deeper Shade of White: Notes on “The Beatles””

Bent Knee in Vancouver, Canada @bentkneemusic

When it comes to merch, it’s always best to buy direct… especially from the lead guitarist and bass player!

Bent Knee rocked Vancouver, Canada, last night, and Ben Levin and Jessica Kion had fun meeting the fans.

They hung out selling their Bent Knee goodies during the subsequent sets by Leprous and Haken, for whom they opened.

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Their set was perfect, with an ideal blend of diverse musicality, culminating in a massive headbanging version of “Holy Ghost” that set the stage well for what was to follow:

Egg Replacer
Way Too Long
Hold Me In
It Happens
Golden Hour
Holy Ghost

Iron Maiden

Almost 40 years!

Actually I went back and read the ‘The Rime of the Ancient Mariner’ because of Iron Maiden, didn’t pay much attention to that chapter during middle-school years. Nor would I have bothered about Aldous Huxley’s works or the Greek mythology of Icarus, or paid attention to Winston Churchill’s famous WWII speech. The list is endless. Folklore, history, culture, mythology – Iron Maiden discography was probably better than all the high school textbooks, combined. So, if not for this band, some of us metal-heads might be even less civilized. Guess its music at its entertaining-enlightening best.

The band also fits the ‘gateway drug’ definition, accessible and yet heavy. Extended exposure simply leads to obsession with heavier sounds. Steve Harris bassline along with that dual guitar harmony, quite an enticing blend of grind and melody – innocent minds hooked forever.

Listening to “Strange World” or “Running Free” is actually like time travel, to simpler days, when we weren’t buried beneath ten thousand metal sub-genres. I am not advocating romanticism for good ol days. But, sometimes it’s just healthy to head-bang to “Wrathchild”, instead of three dozen time signatures per sec inhumanity.

My first Iron Maiden concert was probably the most brutal one too, took a lot of bruises to reach the second row. Not to mention, the dizziness due to tropical summer and alcohol induced dehydration. But, even during the encore, the energy was off the charts. Not every day you get to hear a thirty five thousand strong coordinated chant — “Hallowed Be Thy Name” — “Hallowed Be Thy Name”…. Steve Harris and Bruce Dickinson both just stood there, stunned at this spectacle. You can tell this was unique; these heavy metal veterans were completely overwhelmed by the response. At least for me, in spite of the countless concerts over the years, this remains one of those vivid heavy metal moments.

De-fexxx666 [CC BY-SA 3.0 or GFDL], from Wikimedia Commons

Return to form: Rush, “Show, Don’t Tell”

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On this day in 1989, Rush released Presto.

I will always remember the thrill of hearing the first track, “Show, Don’t Tell.”

Why thrilling? Well, because it sounded to my ears like a return to form, the form of the best Rush, the Rush of the classic Rush years (from 2112 to Moving Pictures).

Record Store Day: Lake Street Dive EP, Freak Yourself Out

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Lake Street Dive will release a new EP, Freak Yourself Out, on 10″ vinyl for Record Store Day (Black Friday, Nov 23, 2018).

It is an EP of five new songs recorded during the Free Yourself Up sessions:

1. Daryl

2. Young Boy

3. Jameson

4. Angioplast

5. Who Do You Think You Are

Video preview: Soen – “Rival”

METAL MONDAYS

An exciting preview

of the new Soen album…

Lightning Round Reviews: November 10-19, 2018

Capsule reviews of what I’ve listened to since the last installment follow the jump.  Albums are reviewed in descending order on my Personal Proggyness Perception (PPP) scale, scored from 0 to 10.

Continue reading “Lightning Round Reviews: November 10-19, 2018”