The Best Prog Bands You’ve Never Heard Of (Part Thirty-Three): However

One might imagine that a band that adopted a common conjunctive adverb as its name would lack creativity; however, that is not the case. Among the many bands I have covered in this series so far, However is without question one of the more rhythmically complex. In fact, comparisons to Gentle Giant and Frank Zappa would not be uncalled for. Like Gentle Giant, However’s four members display an impressive dexterity on a variety of instruments: brothers Peter and Joe Princiotto play everything from synthesizer and autoharp (Peter) to drums and trash can lids (Joe). Bobby Read’s saxophones steal the show on most songs, but he’s also no slouch on the clarinet, xylophone, and glockenspiel (among other instruments). And Bill Kotapish, although not credited with an equally long laundry list of instruments, performs superbly on bass and lead guitar. Like Frank Zappa, these boys clearly had some fun with the lyrics which, although used sparingly (on four out of ten songs), would appeal to many a progger’s quirky side (check out “Beese” below).

Despite the tracks’ complex structure and melody, they tend to be on the shorter side: the first three pieces are under four minutes each, but are nevertheless delightful to the music lover’s ear. The fourth piece, “Louise Sitting in a Chair,” is downright lovely: Peter’s piano and Bobby’s saxophones will have you convinced that Louise ought to remain forever fixed in her position. The title track features eerie soundscapes a la Robert Fripp punctuated here and there by Bobby’s saxes, which need no rest on this album. But the highlight of the ten, as mentioned earlier, opens with spoken word: “The bumblebee makes two different musical tones as it flies.” And the band seem to take this to heart, treating our ears to quirky synth sounds that imitate the frenetic buzzing of bees before re-introducing the sax and allowing Bill to shine with some deft work on his electric guitar. A touch of Zappa appears about five minutes in with some bizarre spoken word vocals that any fan of prog will appreciate.

The vocals may not blow you away, but they are not However’s centerpiece. What this band offers is a fantastical journey through a land of melodic and rhythmic complexity. Sounds to hear along the way will include the standard drums, bass, guitar, and keys, but as a bonus you will also be treated to the sounds of the duck call, marimba, kalimba, and – as the album ends – the gentle lapping of waves. Bon voyage!

Stay tuned for number thirty-four!

King Crimson & The Zappa Band Tour Dates

As mentioned in this space a few weeks back, King Crimson and The Zappa Band (alumni of the late great Frank Zappa’s bands) will be touring North America this June & July, mostly at outdoor amphitheaters.  Tour dates are as follows:

June 4 – Clearwater, FL – Ruth Eckerd Hall
June 5 – St. Augustine, FL – St Augustine Amphitheatre
June 6 – Miami, FL – Mizner Park Amphitheatre
June 8 – Orlando, FL – Dr. Phillips Walt Disney
June 9 – New Orleans, LA – Saenger Theatre
June 10 – Memphis, TN – Graceland Soundstage
June 12 – Cary, NC – Koka Booth Amphitheatre
June 13 – Portsmouth, VA – Union Bank Pavilion
June 14 – Philadelphia, PA – The Mann Center
June 16 – Glens Falls, NY – Cool Insuring Arena
June 18 – Boston, MA – Rockland Trust Pavilion
June 19 – New York, NY – Forest Hills Stadium
June 20 – New Haven, CT – Westville Music Bowl
June 22 – New Brunswick, NJ – State Theatre
June 24 – Huber Heights, OH – Rose Music Center @ The Heights
June 25 – Louisville, KY – Palace Theatre
June 26 – Detroit, MI – Meadowbrook Amp
June 28 – Baltimore, MD – MECU Pavillion
June 30 – Vienna, VA – Wolf Trap
July 1 – Buffalo, NY – Artpark
July 5 – Chicago, IL – Ravinia
July 7 – Montreal, QC – Salle Wilfrid-Pelletier – Palace des Arts
July 9 – Quebec City, QC – Festival d’ete
July 11 – Ottawa, ON – Bluesfest
July 12 – Rama, ON – Casino Rama

VIP tickets (“Royal Packages”) will go on sale through DGM Live soon; tickets for most shows go on sale through Ticketmaster on Friday, March 13.  More details are available at Crimson’s website.  I’m looking forward to my tenth evening with the mighty Crim (and my second time hearing Zappa Band musical director Mike Keneally) on Friday, June 26!

 

— Rick Krueger

News of the World … of Prog

Big Big Train’s announcement of the Passengers Club and North American tour dates were just the tip of the iceberg this week!  In other progressive rock-related news:

King Crimson and The Zappa Band (the latter an authorized project of Frank Zappa’s estate, featuring alumni from his 1980s bands) will tour the USA and Canada in June & July.  One tour date (at Wolf Trap National Park for the Performing Arts) in Virginia has been announced for June 30th; others will be announced soon.

The three-part Emerson Lake & Palmer epic “Karn Evil 9” is being developed as a science-fiction movie, to start production later this year.  ELP managers Stewart Young & Bruce Pilato will serve as producers, along with Carl Palmer and Radar Pictures (developers of the Jumanji and Riddick franchises).

Plenty of great album releases are on the way as well, including:

Tiger Moth Tales’ live CD/DVD A Visit to Zoetermeer, out on February 21 and available to pre-order on Bandcamp;

John Holden’s Rise and Fall, the follow-up to 2018’s well received Capture Light, out on February 29;

Fernando Perdomo’s Out to Sea 3: The Stormout on March 6;

Rick Wakeman & The English Rock Ensemble’s The Red Planetout in April.

Time, it would seem, for the world of prog rock to awaken from its long winter’s nap!

— Rick Krueger

 

 

In Concert: Progtoberfest 4, Part 2

As I exited the CTA Green Line on a crisp, clear Chicago Sunday, Reggie’s Rock Club and Music Joint beckoned with the promise of Progtoberfest’s final day: twelve hours of sixteen bands on two stages. Constantly unfolding delight or endless endurance test? Only one way to find out.

(Notes for after the jump: links are provided to bands’ online presence — website, Facebook or Bandcamp pages — wherever possible.  An asterisk [*] by a band’s name means I bought one or more of their CDs at the event; A cross [+] means the band didn’t have CDs for sale — but their music is now on my want list.  Here we go …)

IMG_5867

Continue reading “In Concert: Progtoberfest 4, Part 2”

Progtoberfest: Day 3 Report

by Rick Krueger

As I entered Reggie’s Rock Club on the final day of Progtoberfest, the Virginia band Kinetic Element were winding up their set.  From the merch stand (where Discipline’s Matthew Parmenter was kind enough to make change for me as I bought CDs), their take on classic prog, spearheaded by keyboardist Mike Visaggio, sounded accomplished and intriguing; I wished I could have arrived earlier and heard more.  Plus, you gotta love a band with a lead singer in a kilt!  (Props to Progtoberfest’s Facebook group admin Kris McCoy for the picture below.)

Kinetic Element

The second high point of the festival for me followed, as fellow Detroiters Discipline held the Rock Club spellbound with their baleful, epic-length psychodramas. Matthew Parmenter reeled in the crowd with his declamatory vocals and emotional range; from there, the quartet’s mesmerizing instrumental interplay kept them riveted. The well-earned standing ovation at the end felt oddly cathartic, as if the audience was waking from a clinging nightmare, blinking at the newly-rediscovered daylight — even while rain clouds and colder temperatures rolled in outside.

IMG_4264

Continue reading “Progtoberfest: Day 3 Report”

Progarchy: 2013 in Review, A WordPress Report

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 88,000 times in 2013. If it were an exhibit at the Louvre Museum, it would take about 4 days for that many people to see it.

Click here to see the complete report.