Dear “The Gift”: An Ode to Bruce Springsteen

by Stephen Klugewicz

Springsteen from TEAMROCK
Bruce Springsteen in the 1980s.  Photo borrowed from Teamrock.com.

Dear “The Gift”

An Ode to Bruce Springsteen

 

In a world of oaths forsaken,

In a time of prophets bought and sold,

To the faithful along the avenue

You offered a gift of the purest gold.

 

Politician declares, “So help me God,”

Priest proclaims, “Let no man put asunder.”

But your whispered sweet sounds,

Were a bond sealed with thunder.

 

At once a stranger and yet a friend,

At once young and always old,

Singing the silent song of our souls,

Like that between mute lovers in the cold.

 

Now years are dissolved into dust,

Into the wind, into the mist.

Meaning made deep by memory,

Like a lover long and tenderly kissed.

 

You might have gone forever home,

You might have instead quietly slept,

Leaving us alone, betrayed and broken.

But you proved the gift a promise kept.

You proved the gift a promise kept.

Progarchy Radio, Episode 14

tftd-part-i
Part I, 2010.

Our first show since Halloween!  Lots of great music on this one.  Four thirty-minute sets with only minimal talking on my part.  A restrained DJ am I!  Promise.

Set I

  • The Fierce and the Dead, Parts I-III

Continue reading “Progarchy Radio, Episode 14”

If it carries on like this I’ll be moving to the sea

I seem to have spent most of the last few months catching up with a backlog of album reviews that have landed either on my door step or in my inbox which built up during a traumatic move, (I am never spending two weeks sleeping in the living room again!!) and so I fear this latter part of the year has been chasing my own tail, as whilst I’ve reviewed older albums, never ones have appeared!

My new Years resolution is to be more organised (honest!)

This is my first word on Bad Elephant Music this year, wrapping up some of their fine releases last year.

tfatd

The Fierce and the Dead: If it carries on like this we’ll be moving to Morecambe

This is where it all began, and what better place for a shiny new remastered edition of TFATD debut long player to be released, complete with new artwork by Mark Buckingham, than their new home. BEM and TFATD have become synonymous with adventurous and eclectic music, and as some one who previously bought the original release from band camp, the remastering is absolutely superb, and does make a difference to the sound. Not that there was ever anything wrong with the production originally, but it’s like the difference between watching your favourite TV show on a normal telly and then switching to HD, it highlights certain nuances and little pieces of music on the album that you might have missed originally.

Continue reading “If it carries on like this I’ll be moving to the sea”

Donate to Jerry Ewing and PROG/Merry Christmas

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Dear Progarchists,

One of the only (well, probably the ONLY!) good things about PROG being shut down is seeing the amount of support being shown for our beloved friends.  On Facebook, everyone from Greg Spawton to Matt Cohen to Mike Portnoy and beyond has offered great words for Jerry and everyone at Prog.

Mike Morton of The Gift has taken this to the next level.  He’s set up a link to help donate to all of those who just lost their jobs.  Remember, they had no idea this was coming at work.  Not only were they let go this afternoon, they were denied pay for the previous three weeks as well.

Continue reading “Donate to Jerry Ewing and PROG/Merry Christmas”

Best Prog of 2016, Part IV (and Final)

kc-beat
One of the many Steven Wilson remixed albums.  And, one of the best.  Beat.

Well, I must admit, I am a bit sorry to have taken so long to get all my “best of 2016” out.  Four parts is outrageous, even by prog standards.  Too much music, too little time, too many keys on my keyboard!

So, the final part of 2016 list is nothing less than a bit of cleanup, an attempt to give coherence to a number of disparate things.

First, I want to offer a huge thanks to all of you for reading Progarchy and also to all of our writers.  Obviously, we do what we do for love, not profit.  But, it’s truly a community effort.  Again, a profound thank you–to all members of the progarchy community.

Second, I’d like to single out three companies for making reviewing so much easier than it might otherwise be.  An amazing slap on the back to Roie Avin and Jeff Wagner at Insideout!  Incredible guys, incredible company.  Another loud and hearty shout out to Brian Rocha of Fresno Media not only for his wit and friendship, but also for all of his excellent support.  And, again to Steve Babb of Sound Resources (Glass Hammer).

Third, there are a few musical releases from 2016 that don’t fit easily into the lists I’ve offered thus far.

One album I’ve thoroughly enjoyed but have not had long enough to offer it a place within my lists is The Gift’s latest album, WHY THE SEA IS SALT.  It’s extraordinary, and I very much look forward to spending more time with it.

I must also recognize Steven Wilson’s ep, 4.5, and The Tangent’s single, “A Few Steps Down the Wrong Road.”  Each is simply outstanding.

Finally, this year’s progarchy audiophile award goes to Steven Wilson for his work remixing so many classic albums.  Indeed, Wilson has remixed so many, it’s becoming hard to keep track of them all.  But, I’d like to single out the ones that meant so much to me this year: Jethro Tull’s STAND UP and AQUALUNG; XTC’s SKYLARKING; King Crimson’s BEAT; and Yes’s TALES FROM TOPOGRAPHIC OCEANS.

A Proper Awe: The Gift’s WHY THE SEA IS SALT

The Gift, WHY THE SEA IS SALT (Bad Elephant Music, 2016).  Tracks: At Sea; Sweeper of Dreams; Tuesday’s Child; The Tallest Tree; All These Things; and Ondine’s Song.

the-gift-why-the-sea-is-alt
From: Bad Elephant Music, 2016

Talk about mythic.  The Gift has given us a love song to the vast world of the oceans.  Well, “love” might be too strong.  There’s love here, to be sure, but there’s also fear and mystery and more than a bit of properly understood awe.

Finding myself quite taken with this most recent release, I keep feeling waves of nostalgia for the first time my great friend, Craig Breaden, introduced me to real Procol Harum—not the Procol Harum of the top 40, but Procol Harum in all of the band’s art rock glory.  Yes, The Gift talk about “Salty Dogs”, but it’s far more than this lyrical reference that calls me back to my first moments with that Procol Harum album, more than a quarter of a century ago, now.

Partly, it’s the flow of the album.

Partly, it’s the intelligence of the lyrics.

And, partly, it’s the whimsy that mixes so well with gravity—not an easy skill for any lyricist.

And, there’s another fantastic aspect to this album—the flow of the music perfectly follows the flow of an ocean journey.  How The Gift accomplished this so ably, I’m not sure.  But, every instrument—whether the keys, the bass (love the bass playing on this album; absolutely love it), the voice, or the guitar—leads to the next one, always playing nicely as it trades off the focus, one to the next.  The effect is an usual and compelling flow for the listener as he (or she!) journeys from one wave to the next.

Continue reading “A Proper Awe: The Gift’s WHY THE SEA IS SALT”

The Gift Working Titles

Mike Morton, the Peter Gabriel of our generation, has the following update on social media.  And, the picture for the new album–a cross between a Ray Bradbury scene and a Glass Hammer album cover!

The Gift have a big lump of music ready to finesse and record. The next release will be an album, not an EP! Working titles are: Pandemonium, Lost In Echoes and Sacred & Profane. The first one decribes this summers, the second is where we go to more often as we lose people, the third is what rehearsals with the boys can feel like! Artwork being scoped out already. Here’s a tease…

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Bryan’s Best of 2014

Without a doubt, 2014 has been a great year for Prog. It seems as if we have been barraged by great music from all sides.  The string of excellence continues. This list is my arbitrary ordering of what I liked best from this year. I’m really not a huge fan of “best of” lists because I don’t think you can really judge art in that way. So, consider this a list of what I enjoyed. The order of numbers 10-3 is relatively interchangeable.

10. Dream the Electric Sleep – Heretics 8530215

I should have reviewed this album when it came out back in January, but I’m lazy. This was a fantastic sophomore release by the Lexington, Kentucky prog outfit. Their first album, Lost and Gone Forever, was an excellent concept album. These guys do a fantastic job of combining classic prog influences with a harder rock edge. The beginning of the album sounds almost Pink Floydian, and there are definite nods to The Wall. The singer also sounds a bit like Roger Waters. Heretics is another concept album, and it clocks in at over 70 minutes in length. Check these guys out – they are ascending as a band and are making some great music.

http://www.dreamtheelectricsleep.com

9. Cosmograf – CapacitorCapacitor

Robin Armstrong’s latest offering, combined with the efforts of such wizards as Andy Tillison, Nick D’Virgilio, and Matt Stevens, is a fresh take on prog rock. As of right now, I haven’t listened to any other Cosmograf albums, but this one is quite good. I’m sure there are others here at Progarchy that could tell you more about the band, and I’ll wager they would be more than happy to. Capacitor is definitely worthy of any 2014 “top 10” list.

http://www.cosmograf.com

8. Bigelf – Into the Maelstrom Into the Maelstrom

Three words – Mike freaking Portnoy. He teamed up with Bigelf to drum on their latest album, and it was insane. He has to be the hardest working musician in prog. This isn’t the last we shall hear from him on this list.

Bigelf’s breed of prog metal is unlike anything I have heard before. Maybe it’s lead singer Damon Fox’s awesomely bizarre vocals, or their fantastic combination of metal and classic rock, or maybe it’s Portnoy. Or all of the above. Whatever it is, Bigelf has created something special with Into the Maelstrom. They have been around since the early 1990s, have four studio albums, and have toured with Dream Theater, so they know their way around the business. Certainly worth the time for any Mike Portnoy fan, as well as any fan of prog metal.

https://www.facebook.com/bigelfmusic/info?tab=page_info

http://www.bigelf.com

7. The Gift – Land of Shadowscover

London’s The Gift masterfully combine prog metal with symphonic metal and Gabriel-era Genesis prog. This album is refreshing in its tonal clarity and its thematic prowess. It is definitely an album worth listening to over and over again through the years. Here’s my review of it from several months back:

https://progarchy.com/2014/07/20/the-gift-land-of-shadows/

http://www.thegiftmusic.com/index.php

 

6. Voyager – Vimage013

Australian prog metal outfit Voyager have released a very solid album this year. While I feel like it could have been more tightly constructed and some of the songs featured unnecessary repetition, there are some awesome riffs to be found here. This band rocks, and they rock hard. Many comment that the second half of the album is a let down, but I think it is just the opposite. Voyager ventures into the wonderful void of prog in the second half of V, including some softer songs. Time Lord wrote a very nice review of the album earlier this year:

https://progarchy.com/2014/07/05/voyager-v/

http://voyager-australia.com

5. Transatlantic – Kaleidoscope Kaleidoscope (Kaleidoscope)

I told you Mike Portnoy would be heard from again on this list. Supergroup Transatlantic cranked out a fantastic album this year. Made up of Neal Morse, Mike Portnoy, Roine Stolt, and Pete Trewavas, Transatlantic has several albums under their belt, and they continue to impress. Kaleidoscope was my first introduction to Transatlantic, and it was an excellent first impression. The cover songs found on the accompanying special edition are all excellent. Anyone who can cover Yes, King Crimson, Elton John, Focus, Moody Blues, and a few others while still sounding entirely unique deserves immense respect. The live album, KaLIVEoscope, that came out in October, was equally brilliant, with three hours of musical genius. The collective talent in this band is shocking, and it clearly shows on Kaleidoscope.

http://www.transatlanticweb.com

4. Chevelle – La GárgolaLaGargola

No, this isn’t a prog album. However, Chevelle released one of the best albums of their career with La Gárgola. Their heavy, yet not overly heavy, style of metal has been a staple of contemporary hard rock over the past 15 years. Their excellent vocals, steady bass, clear guitar, proficient drumming, and haunting lyrics makes Chevelle one of the most interesting metal bands of the 21st Century. I found this album to be an excellent return to their heavier beginnings, while simultaneously exploring new and more complicated territory.

http://getmorechevelle.com/home.php

https://progarchy.com/2014/08/26/chevelle-la-gargola/

3. Pink Floyd – The Endless RiverThe Endless River

Is Pink Floyd even capable of making an album that isn’t good? Their latest (and final) album combines extra recordings from The Division Bell with recordings from David Gilmour and Nick Mason, as well as studio musicians. Mainly instrumental (only one song has singing), this album hearkens back to the instrumentation found in Wish You Were Here and Animals. The one thing missing, in my opinion, is Roger Waters’ bass. I feel like his involvement in this album would have made it even more spectacular, as well as thrill millions of fans. Even so, this is clearly Pink Floyd, and any fan of psychedelic prog will love this album. The album serves as a worthy sendoff for Richard Wright.

http://www.pinkfloyd.com/index2.php

http://www.pinkfloyd.com/theendlessriver/

2. Vanden Plas – Chronicles of the Immortals – Netherworld397022

Vanden Plas’ latest album might very well be the best progressive metal album I have ever heard, with no disrespect to Dream Theater’s Images and Words. It is just that Netherworld so beautifully captures the intricacies of metal, “high prog,” and magnificent story telling. There have been some excellent albums released this year, but few reach the brilliance of Vanden Plas. Having listened to some of their previous work, this album is not out of the ordinary for them. One of the nicest things about this band is the vocals are not your traditional “metal” vocals – there is no screaming, yelling, whining, etc. Andy Kuntz’s voice is beautifully melodic and mysterious, and it is perfect for this album. Vanden Plas perfectly crosses over between the worlds of full-on head banging metal riffs and quieter, classic progressive rock. This album also has one of the best beginnings and endings of any album I have ever heard. There is a clear and definite start and resolution – you aren’t left hanging or wishing there was more. It is perfect just as it is.

Check out Gianna’s and Time Lord’s reviews of Chronicles of the Immortals – Netherworld.

http://www.vandenplas.de

1. Flying Colors – Second NatureSecond Nature

Mike Portnoy again. The guy sure does get around. Neal Morse again too. Go figure. Also in the band are Steve Morse, Casey McPhersen, and Dave Larue.

Second Nature is one of the best albums I have ever heard. Flying Colors combine prog rock and pop rock in a way not seen since the glory days of Styx and Kansas. Seeing them live merely solidified my position on the matter. Catchy yet complicated riffs abound, as well as thoughtful lyrics. If prog wants to become mainstream and popular again, then bands need to take note of Flying Colors.

Check out my review of Second Nature, as well as my review of their live show.

http://flyingcolorsmusic.com

***

Well, there’s my top 10 of 2014. A fair mixture of metal, prog metal, and straight up prog. Honorable mention should go to Ian Anderson’s Homo Erraticus, Fire Garden’s Sound of Majestic Colors (which I thought had far too much of a “garage band” mixing to make my top 10 list), Fractal Mirror’s Garden of Ghosts, Salander’s STENDEC, and Glass Hammer’s Ode to Echo. Special mention goes to Haken’s recent EP, Restoration EP. Had this been an album, I would have placed it in my top 5. Dishonorable mention goes to Yes’ Heaven and Earth.

Top concert of the year goes to Dennis DeYoung. His voice has not changed in 40 years, and his backup band and vocalists are better than Styx. He also has a singer who sounds better than Tommy Shaw did 40 years ago. Runner up for best show goes to Flying Colors, from their brief Second Nature tour. The reason I’m not placing them as best live show of the year is because of the audio problems they had during the show. The sound system for Dennis DeYoung’s show was superb, with no feedback issues during the show. I also had a wonderful time at the B.B. King concert, as well as seeing the CSO perform the music to Return of the King live. It was a great year for concerts!

I would also like to mention Dream Theater’s self-titled album as one of my most listened to albums of 2014. Everything about this album was fantastic, including the live album on Blu-Ray they released a few months back. From the metal virtuosity to the lyrics, this album will be on the rotation for years to come.

2014 has been another fantastic year for prog, and I look forward to more of the same in 2015. Neal Morse’s next project, The Neal Morse Band The Grand Experiment, comes out in February. Take a wild guess at who the drummer is. Muse will also be releasing an album in 2015, one which they claim will return to their rockier roots. There is also talk of a Rush 41st anniversary tour (I think there is, anyways). Much to look forward to in the coming year, and much to appreciate from 2014.

Prog on, Progarchy!

 

The Gift – “Land of Shadows”

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London’s The Gift have created a true masterpiece with their second album, “Land of Shadows.” In fact, I believe this is my favorite prog album of the year thus far, and there have been a lot of fantastic albums released this year. Their sophomore release comes eight years after their first album, “Awake and Dreaming.” Due to various circumstances, The Gift were never able to tour after their first album, and the project as a whole was set aside for several years until founder Mike Morton decided to breathe life into the band again.

So who are The Gift? On vocals and flute: Mike Morton. Guitars: David Lloyd. Bass: Kirk Watson. Keyboards: Howard Boder. Drums: Joseph Morton (Mike’s son).

Their music is self-described as symphonic prog, but I find that it ranges anywhere from that to prog metal to Gabriel-era Genesis prog back to symphonic prog. It’s really quite a joy to listen to. The technical skill of the musicians is certainly excellent, with the guitar work standing out as being exceptional. There are echoes of 70s “golden age” guitar along with hints of more modern metal guitar. Mike Morton’s vocals are fantastic and unlike anything I have heard in progressive rock. Interestingly enough, his voice instantly reminded me of Christian singer Steve Green, which is indeed a very good thing, as Steve Green has one of the most remarkable voices I have ever heard. The interplay between the instruments and Mike’s voice is simply beautiful.

“Land of Shadows” starts off with a short, spoken word piece entitled, “I Sing of Change.” It aptly sets the stage for the whole album. The second song, “The Willows,” seems to move through several sub genres of prog throughout its 12 minutes of awesome. It starts off quiet and slow, with soothing piano, drums, acoustic guitar and Mike Morton’s haunting vocals and lyrics. At about the 3 1/2 minute mark, the song quickly delves into The Gift’s version of progressive metal. Later, it circles back around to symphonic prog and a greater focus on the lyrics. By the end of the song, it almost feels like you are listening to Pink Floyd. But, to be sure, The Gift never copy the work of other bands. Instead, they blaze their own trail in this third wave of prog.

Each track on this album is fantastic, but I particularly enjoy “The Willows,” “Walk Into the Water,” and “The Comforting Cold.” Coming in as the fourth track, “Walk Into the Water” is a song of hope. I can’t help but hear references to baptism throughout the song, both in spiritual rebirth, and physical baptism. Specifically, I believe the song references the journey one takes as they prepare to die:

Walk into the water / Throw away your fear, wash away the pain / Walk into the water / You’ve nothing left to lose, mystery to gain… Take a quick look behind at your footprints in the sand / As you wade in blind it’s time to leave dry land / And walk, walk into the water…

Band photograph by Sabrina Dersel
Band photograph by Sabrina Dersel

The contemplation of death and rebirth in “Walk Into the Water” ties in perfectly with the seventh track on the album, the nearly 20 minute long “The Comforting Cold.” This song takes the Biblical story of Lazarus and places it in the modern day. In it, a tired worker dies of a heart attack on a train, and is brought back to life by paramedics, only to wish he could have remained in eternity. The song questions whether or not someone who had just died would really want to return to life, but it also reminds us that our time on earth is not guaranteed. We aren’t promised another day, and we must be ready for the reality of death. While this sounds depressing in a Pink Floyd “Animals” sort of way, it really isn’t. Actually, it is quite the opposite, offering hope where there should be despair.

The Gift have created something uniquely special with “Land of Shadows.” This is an album that I have thoroughly enjoyed over the past several months. The hope that this album offers the listener is refreshing. Of all the albums released in 2014, I think that “Land of Shadows” is one of the best pieces of art I have heard this year. Listening to this album is like looking at a fine painting. You can listen to this album over and over again and still hear something new and interesting in it, just like you can always find something new in a good painting. From the technical musical skill, to the soaring vocals, to the haunting lyrics, “Land of Shadows” is a must-have from 2014.

 

http://www.thegiftmusic.com/index.php