Neglected Album: Asia – Phoenix

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I came across this nice history of Asia, which contains an appropriate appreciation for the most excellent but usually underrated and underestimated Asia album Phoenix:

In 2007 a new album was released, the first since Astra in 1985 by the same line up. Phoenix for me is one of the very best prog stories ever. We all know what prog was like in the early 70s… magic, wonderful, unparalleled music by the very best bands in history. But how many of them were still able to release such a fantastic album some 45 years later? Well, Asia managed that. Phoenix has beautiful and meaningful songs. “An Extraordinary Life” (Wetton’s Carpe Diem motto), “Never Again” and so many more.

The song I was closest to, however, was “Orchard of Mines.” I remember going to my local park in the countryside on New Year’s Day in 2009 and listening to that song with my beloved Sennheiser earphones, whilst enjoying a lovely walk in the snow. I was worried that I had cancer (which luckily later proved not to be the case) and somehow that song gave me the strength to relax and be strong.

You’re a Mean One, Mr. Grinch: Metal Version

If people around you are already deploying Christmas decorations and Christmas songs — which is ridiculous, because it is not even Advent yet — then here is Progarchy’s way for you to make your own most appropriate contribution to the prematurely festive atmosphere:

“You’re a Mean One, Mr. Grinch,” in a killer metal version by Small Town Titans.

Download the track and put it into heavy rotation for the holidays — or all year round!

A Farewell to Kings: Iconic Stories of the Death of Record Stores

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Shakespeare’s Richard II says,

For God’s sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison’d by their wives: some sleeping kill’d;
All murder’d: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear’d and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour’d thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!

Once upon a time, up until only ten years ago, A&B Sound was the king of record stores in Vancouver:

There was a time when a stretch of Seymour Street in downtown Vancouver was a mecca for music lovers.

Long before Spotify playlists and Soundcloud uploads, fans would seek out new music by strolling the aisles of independent record shops like Odyssey Imports, Track Records, and Collectors RPM — which had a Beatles museum on the top floor — or chains like A&A Records and Sam the Record Man.

Tucked under the arms of many who walked along Vancouver’s so-called “Record Row” were square, bright orange plastic bags containing albums bought at A&B Sound, a record store chain that at one point dominated music sales in B.C. and had stores in Alberta, Saskatchewan and Manitoba.

“We had customers back then who spent the entire day there,” said Lane Orr, A&B Sound’s former vice-president, of the flagship Seymour Street location. “They’d be there in the morning when you opened at 9 and they’d still be there at 6 and they had an armload of of classical and jazz [records] and whatever else.”

Founded in 1959 by Fred Steiner, A&B Sound prided itself on selling a deep catalogue of music at rock bottom prices. Their relentless pursuit of bargain prices frustrated competitors and distributors. In its prime it had enough size and influence to ensure that customers in western Canada enjoyed some of the lowest music prices in North America.

“The prices were incredibly low,” said David Ian Gray, a retail analyst with DIG360. “They were benchmark pricing that other retailers had to fall in line with.”

“We were very polarizing in the industry,” said Bob Hitchcock, A&B Sound’s former senior director of marketing. “I think some of our competitors and some suppliers that we didn’t do business with considered us to be sort of cowboys in that respect.”

Hitchcock said A&B’s competitive prices on records and CDs built customer loyalty.

But then came the Internet:

For the longest time, A&B’s business model worked. At its peak, the company had 60 to 70 per cent of the local music retail business and $300 million in annual sales, according to a 1993 Financial Post report.

Hitchcock said the company explored the idea of using its deep catalogue to start a music streaming service in the late 1990s, but it never got past the discussion phase.

In 2005, A&B Sound applied for bankruptcy protection, claiming it owed creditors more than $50 million.

The chain said it had revenues of approximately $200 million in 2004, down from about $300 million in 2001.

U.S.-based Sun Capital expressed interest in buying the company, but it was ultimately sold to Seanix, a Richmond-based computer manufacturer, for an estimated $25 million.

The company wasn’t able to turn things around and closed stores.

The flagship Seymour Street location closed in August 2008. Months later, on Nov. 7, 2008, A&B Sound quietly declared bankruptcy, ending a business that lasted nearly five decades.

The story is familiar, but Canada lost one of the greatest record stores that ever existed, with a physical selection of music the size of which will sadly never be seen again:

Although A&B did its best to expand into computers and other forms of consumer electronics, the company was ultimately a music store, and no amount of business savvy could have saved it from the sea change of digital music and streaming.

In the 10 years since its bankruptcy, there has been something of a record store renaissance with small independent retailers catering to audiophiles who prefer the vinyl to digital. Major retailers still sell CDs.

Gray says that even though there is still an appetite for physical media, A&B Sound’s size — too big to be a boutique record store, too small to compete with box stores — would have made it difficult to survive.

Gray and others say there’s nothing the one-time retail giant could have done.

“It’s just one of those iconic stories of the death of a sector because of the internet and no matter how good they were they just weren’t able to withstand what was happening with online music.”

When I worked in downtown Vancouver, I used to browse the Seymour Street record shop every day on my lunch hour. I limited myself to buying only one CD per day. The deals were so incredible, it was a hard limit to keep.

What a time. It was a truly wonderful experience, like visiting a magnificent castle, full of treasures. I feel sorry for those who never knew it.

Bent Knee in Vancouver, Canada @bentkneemusic

When it comes to merch, it’s always best to buy direct… especially from the lead guitarist and bass player!

Bent Knee rocked Vancouver, Canada, last night, and Ben Levin and Jessica Kion had fun meeting the fans.

They hung out selling their Bent Knee goodies during the subsequent sets by Leprous and Haken, for whom they opened.

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Their set was perfect, with an ideal blend of diverse musicality, culminating in a massive headbanging version of “Holy Ghost” that set the stage well for what was to follow:

Egg Replacer
Way Too Long
Hold Me In
It Happens
Golden Hour
Holy Ghost

Return to form: Rush, “Show, Don’t Tell”

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On this day in 1989, Rush released Presto.

I will always remember the thrill of hearing the first track, “Show, Don’t Tell.”

Why thrilling? Well, because it sounded to my ears like a return to form, the form of the best Rush, the Rush of the classic Rush years (from 2112 to Moving Pictures).

Record Store Day: Lake Street Dive EP, Freak Yourself Out

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Lake Street Dive will release a new EP, Freak Yourself Out, on 10″ vinyl for Record Store Day (Black Friday, Nov 23, 2018).

It is an EP of five new songs recorded during the Free Yourself Up sessions:

1. Daryl

2. Young Boy

3. Jameson

4. Angioplast

5. Who Do You Think You Are

Video preview: Soen – “Rival”

METAL MONDAYS

An exciting preview

of the new Soen album…

Tillison’s track-by-track commentary on The Tangent’s new album, Proxy

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Prog has the scoop, but here are some quotations from Andy Tillison himself:

1. Proxy is “a song of sadness at the insidious Proxy Wars going on in the world today where big powers, be they governments or weapons manufacturers, play warlords in smaller countries yet absolve themselves of responsibility.”

2. The Melting Andalusian Skies is “an instrumental written as a reflection on a motorcycle ride through southern Spain. It’s another of the Tangent’s jazz fusion tracks, highly inspired by Chick Corea/Return To Forever.”

3. A Case Of Misplaced Optimism is “the first of two songs about missed opportunities, in the case of this song, personal choices and restrictions that we have imposed on ourselves in our lifetimes.”

4. The Adulthood Lie “deals with the sad way in which many of us (myself included) can get caught in the trap of believing that nothing is ever as good as it was when we were 17-21 years old. … We are daft sometimes. I reckon that as people who grew up loving the forward thinking of prog music, it’s ironic that so many of us just want to hear the old songs.”

5. Supper’s Off is “a sarcastic look at my own generation, what we used to believe in and what we believe in now instead.”

Progarchy bottom line: The album is brilliant. Don’t miss it, because it’s one of the year’s best.

 

Death of the album? Sales drop 41.5% in 2018

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Rolling Stone reports:

After a comfortable 6.5 percent drop in sales in 2017, in the first half of 2018, revenues generated by the CD album in the USA were slashed nearly in half – down 41.5 percent, to $246 million.

As we all know, the music business held hands with [Spotify’s Daniel] Ek and dived profit-first into a streaming-led industry.

Now, however, a murmur is quietly breaking out: In the rush to follow the money, did the music business sacrifice something more valuable than it could have realized?

Sure, hits on streaming services make a lot of people a lot of money. But as the death knell rings for the album — and the music industry returns to the pre-Beatles era of track-led consumption — are fans being encouraged to develop a less-committed relationship with new artists?

Dave Kerzner pays tribute to Yes with all-star lineup

Now available via Bandcamp!